JUL 25,2014 - JUL 25,2014 (1 DAYS)
Guimarães - the historic centre + Monte da Penha (seperate blog):
Main attracions: Palacio Vila Flor, Toural square, Largo da Misericordia, Largo do Oliveira, church of Nossa Senhora da Oliveira, Praça de Santiago, Rua de Santa Maria, Ordem Terceira de São Domingos, Plataforma das Artes, Jardim do Carmo, Convento de Santo Antonio dos Capuchos, Guimarães Castle, São Miguel do Castelo, Palace of the Dukes of Bragança, Largo Condessa da Mumadona, Teleférico de Guimarães, Monte da Penha.
For the Monte da Penha description - see the Guimaraes - Monte da Penha itinerary.
Duration: 1 day.
Distance: 7-8 km (without Monte da Penha). 14-15 km. with Monte da Penha. The distance from Guimarães Castle and Palace of Dukes to Monte da Penha is about 5 km.
Orientation: As the first capital of Portugal and birthplace of the nation's first king, Guimarães is one of the country's most historic cities, and its World Heritage medieval streets with well-preserved monuments make it one of the most attractive places to visit in Portugal. It is possible to visit the city on a day-trip from Porto or Braga. Walking around is no doubt the best option to explore Guimarães. Guimarães' historic centre is somewhat small (but beautifull!) and everything is within a short walking distance. Also, while strolling around you may take some time to admire the architecture, watch people and mingle with locals. Furthermore, there are no steep climbs or uneven pavements, so I’m sure you will feel quite comfortable walking around the city. The castle and Paço dos Duques, which are a bit off centre, are neverthless situated within walking distance, so it’s no use in moving around by car or bus. In the Centro Storico area there are many pedestrianised streets and pathways which are not accessible to cars or public transportation anyway.
BUT, If you plan to visit a bit further than Guimarães' historic centre and monuments, such as Mosteiro de Santa Marinha on the slopes of Monte da Penha or make a visit in Penha Mountain ( A MUST !!!), or even a bit further such as Citânia de Briteiros or Mosteiro de Tibães, then walking is not enough and a bus, car or a bike would be very convenient. Using public transportation may be enough for visiting Monte da Penha. For visiting the Guimarães historic centre AND Monte da Penha - you'll need one long, busy day. We devoted a separate itinerary blog to Monte da Penha.
Transportaion: Catch the Metro to Campanhã Station or São Bento Station in Porto and then get a train to Guimarães. Duration: 75 min. - 2 h. Price (aprox.): 5€. From Porto, you have a train every hour. The train station of Guimaraes is located about 1 km south of the historic city centre.
Guimarães (jointly with Maribor, Slovenia) was the European Capital of Culture in 2012. Guimarães is one of Portugal's most important historical cities. Its historical center is a UNESCO World Heritage Site, making it one of the largest tourist centers in Portugal. Unesco declaration, in 2012, was a huge success, with more than 2,5 million people visiting the city in 2012. An exceptionally well-preserved and authentic example of the evolution of a medieval settlement into a modern town, its rich building typology exemplifies the specific development of Portuguese architecture from the 15th to 19th century through the consistent use of traditional building materials and techniques. The historic centre is formed by a large number of stone constructions (950-1498). The period from Renaissance to neoclassicism is characterized by noble houses and the development of civic facilities, city squares, etc.
The city proper has a population of approx. 52,000 inhabitants. Guimarães is located in a valley and surrounded by hills and because there is some distance to the sea, the Winter is normally cold and rainy and the Summer is hot and lightly humid.
The city is often referred to as the "birthplace of the Portuguese nationality" or "the cradle city" (Cidade Berço). The historic town of Guimarães is associated with the emergence of the Portuguese national identity in the 12th century. The administrative seat of the County of Portugal was established here by Henry of Burgundy. It also had been the birthplace of Afonso I, the first Portuguese king. The city played crucial historical role in the Battle of São Mamede (24 June 1128), which had a tremendous importance in the formation of Portugal.
Guimaraes was founded between year 950 to 957 (10th century) and had its origin around a monastery built by Countess Mumadona Dias, widow of Count Hermenegildo Mendes. To protect the monastery from Muslims, the Countess built also a military tower. In 13th century the city was all surrounded by a big perimeter of walls and divided into low city and high city.
Your walk: From the Guimarães railway station you turn left along Avenida Dom João IV and walk until Hotel Fundador. Here you turn right and descend along Avenida Dom Afonso Henriques - a nice and shady tree-lined avenue. Immediately after the first turn to the right (Rua Paulo VI) you see the Palacio Vila Flor. The Vila Flor Palace was built by Thaddeus Luis Antonio Lopes de Carvalho Fonseca and Camões in the eighteenth century. Later, passed into the possession of the Jordan family, who completed the work begun by Luis Tadeu. In 1853 it received the Queen Mary II, by decree of June 23 of that year, when the village of Guimarães became a city. In 1884, it was the venue of the I Industrial Exhibition and Trade Guimarães. It was purchased by the city of Guimarães in 1976, served as a place to house the Guimarães' University of Minho music academy, theater workshop and venue for training classes. It is a striking building in the unfolding history of Guimarães. The Vila Flor Cultural Centre is the result of the restoration of Vila Flor Palace and its gardens, and the construction of a new building for the showrooms. The restoration promoted by the Municipality of Guimarães was granted by tender to the firm of Pythagoras Architects. The new building for the theater is combined with the nineteenth-century Baroque palace and its gardens. Opened on September 17, 2005 with the concert of the famous Madredeus group. The Vila Flor Cultural Centre has a large auditorium with a capacity of about 800 seats and a small auditorium with 200 seats. The new building also houses a restaurant, Café Concert and administrative services. The restored palace, with an exhibition area of about 1000 square meters, also houses the headquarters of the Assembly Municipal:
The gardens of Vila Flor Cultural Centre received in 2006, Honorable Mention in the category Open Spaces of Public Use in Architecture and other national awards:
You keep walking down the Avenida Dom Afonso Henriques street until you're face to face with the old tower's left of what was the old wall where PORTUGAL WAS BORN HERE, and arrive to Toural square. On your right is Jardim Público da Alameda - a space with cement floor beds and lawns, lots of trees and park benches, highlighted by a bronze statue and the bandstand.
On your right (east), in one of the old towers of the city's old wall it is written "Aqui nasceu Portugal" (Portugal was born here):
The Largo do Toural, known as the "living room", is considered together with the squares of Oliveira and Santiago - the city centers of Guimarães. There are various commercial spaces located where you can find several references of trade in Guimarães, from bakeries, restaurants, hotels, flagship stores, among others. Is it worth standing in one of the corners of the wide square and observe the architecture of the buildings' facades that flank the square, as well as the pace and city life. In some periods of the year, the night lighting of the square is operative and is very attractive.
Note, in the square the lovely houses' facades and various traditional shops. There are still a few old shops around the Alameda and Toural square, some of which bring to mind the traditional and exquisite embroideries of Guimarães - like: Largo do Toural, house # 38, Casa Ferreiea da Cunha:
Historical Centre of Guimarães is classified as World Heritage. It is a great idea to discover the old centre stone by stone, street by street walking along the city walls and getting lost in the tiny streets of this amazing medieval town. A heightened feeling of patriotism seems to fill the air around Toural square and national symbols can be seen everywhere, as well as those of Vitória de Guimarães, the local football club.
With your face to the north - to the Jardim Público da Alameda - continue north, cross Rua Rainha Dona Maria II and you arrive to Largo da Misericordia. Good to take some nice pictures of the fountain and the square:
Return to Rua Rainha Dona Maria II and walk EAST until its end - to meet another central hub of Guimarães (but far more quaint than Toural square) - The Oliveira square (Largo do Oliveira) - the historical center of Guimarães, with the Padrão do Salado on the left (picture below). Very well preserved medieval square located in the historic center, with several monuments nearby. So many photo opportunities and spotless . Very clean and all the buildings are so well maintained. Stroll lazily around the Square, visit the Church of Our Lady of the Oliveira ("Oliveira" means the olive tree), enjoy the traditional residences with their balconies and beautiful wooden doors and windows and make a few photos at the Gothic monument of "Padrão do Salado". All dating from the 17th Century!
The Largo da Oliveira is dominated by the collegiate church of Nossa Senhora da Oliveira. The church, originally founded by Afonso Henriques in the 12th C., in thanksgiving for his victory in the battle of Ourique, stands on the site of an earlier convent founded by Countess Mumadona in the 10th C. It was considerably enlarged in 1387-1400 by Joao I to commemorate the battle of Aljubarrota, when most of the original Romanesque cloister was demolished. The church as it appears today is largely 16th C.; the Manueline tower was added in 1505.
Features of the interior of the church include a Gothic stone altar and the Romanesque baptismal font from the Capela de Sao Miguel do Castelo, where Afonso I Henriques is said to have been christened. The silver altar in the sacramental chapel is particularly valuable:
Continue NORTH (your left coming from Rua Maria II) along the Rua de Santa Maria, one of the most ancient streets of medieval Guimarães. After the political actions of the Reconquista organized by the Kingdom of Galicia in the 9th century, the medieval foundations of the actual city have roots in the 10th century. At this point, the Countess Mumadona Dias, erected a monastery in her property of Vimaranes, which originated the fixation of people in the area known as "vila baixa" (downtown). At the same time, she ordered the construction of a castle on the hill area which became known as "vila alta" (uptown), to defend the settlement. To connect these to other areas, the Rua de Santa Maria was built:
Rua de Santa Maria connects Largo da Oliveira and the Santiago Square. Along its route, note the following monuments:
The Convent of Santa Clara (currently the Guimarães City Hall - Praca de Municipio). The building of Camara Municipal or City Council is situated at Rua de Santa Maria not far from the Church Nossa Senhora de Oliveira. It is worth to spend there twenty minutes an take several nice pictures:
The Gothic House of Valadares de Carvalho (# 9), the Casa do Arco (# 28),
the House of Peixoto (# 39), the the House of Aries, which today houses the Municipal Library Raul Brandão (# 58):
and many others that give it its own identity and characteristic to this city. Thus, for many centuries Rua Santa Maria is the most important street of Guimarães and where he lived part of his elite.
Rua de Santa Maria leads to the Square of Santiago (Praça de Santiago), surrounded by residential complex greatest artistic and environmental quality of 17 and 18 centuries is marked by the presence of the building of the former Town Hall, whose ground floor consists of a porch supported by Gothic arches, element singular articulation between Praça de Santiago and Largo da Oliveira. The story goes that the apostle James S. Guimarães brought an image of the Blessed Virgin Mary, and this was placed in a pagan temple that is off this square. Honoring this image caused renaming the area - Plaza de Santiago. So, in this square then once existed a small chapel porch (from the XVII century) dedicated to Santiago which was demolished in the late century. XIX. The current square still retains the medieval traces, despite the changes done over time. The Chapel, despite its demolition in 1887, is still possible to be located in the square: since the design of cobblestone pavement - there is a granite sign which marks the location of the former chapel. The square of Santiago is now a friendly place at any time of the day. The square is one of the main meeting places and socializing with locals and visitors:
Return south along Rua de Santa Maria. In its middle (our face is, now, to the SOUTH) - turn RIGHT (west) to Praça de São Tiago:
Continue west along Rua Doutor António Mota Prego. Turn left and continue south along Largo da Misericórdia (already browsed before) and continue west (left) along Rua Rainha Dona Maria II also visited before. Turn left, then right, cross again Largo do Toural, right, left and enter Rua Dom João I. Here, you see, on your right, the Ordem Terceira de São Domingos - a marvelous building, off the beaten touristic track. The Venerable Third Order of St. Dominic (VOTSD) is a Private Institution of Social Solidarity (IPSS), nonprofit, called "Order of St. Dominic". The building consists of 4 floors and is attached to this Chapel of the institution. It also has a garden and private parking:
Return north-east to the beginning of Rua Dom João I and turn LEFT (north-west) to Rua Paio Galvão. On your left is the Plataforma das Artes. The Platform of Arts and Creativity is an infrastructural project to transform the Old Market of Guimarães to a multifunctional space dedicated to artistic, cultural, economic and social activity. This site will host a series of skills and arts dedicated to three major program areas spaces:
1. The International Centre of Arts José de Guimarães, which hosts a permanent collection of José de Guimarães. 2. An area of temporary exhibitions space 3. Complementary activities, presentations and small shows - plus a series of ancillary services and car parking. This space or part is geared to young artists who, in various areas of activity, wish to develop projects of a temporary nature, whilst propelling a creative dynamic environment that will infuse the entire platform. It is planned to install, in this complex, a restaurant / cafeteria and a bookstore.
THe whole platform complex had been constructed for the Guimarães - Europe Centre of Culture - 2012. It seems that the project had been stuck and suffers from temporary stagnation. With this project, It is intended that the transformation of the marketplace into a multifunctional space dedicated to artistic, economic, cultural and social activities within the scope of European Capital of Culture 2012, will allow, hopefully, for the physical and functional reintegration of the past municipal market area into the urban fabric, to become a reality and so, to recover one key area of the city space:
Shimmering brass walls surround this arts centre that Portuguese firm Pitagoras Architects has completed in year 2012:
I recommend visiting the the studio of Barreira Painter with large-scale batiques wit the image of Frida Kahlo in its front. The young, talented painter creates most of his pictures as Improvisations to Solomon Joseph Solomon pictures. Solomon Joseph Solomon (16 September 1860 – 27 July 1927 , UK) was a British painter, a founding member of the New English Art Club and member of the Royal Academy. Solomon painted mainly, dramatic, theatrical scenes from the Mythology and the Bible on large canvasses. These scenes include some of his more popular paintings. One of Solomon's most popular works was Samson (1887), depicting a scene from the Biblical story of Samson and Delilah. Samson is one of few Solomon paintings on regular display, at the Walker Art Gallery in Liverpool. Some other Solomon paintings that have received significant attention include Ajax and Cassandra (1886) and The Birth of Love (1896).
Solomon Joseph Solomon - Ajax and Cassandra:
Continue north-west along Rua Paio Galvão until itse nd and turn right onto Rua de Gil Vicente (the main commercial thoroughfare in the city). In the main circular square - continue north along Avenida General Humberto Delgado. Continue north along the avenue. In the first cross way turn right to Rua Agostinho Barbosa - to see the Jardim do Carmo. Framed by palaces and the Convento do Carmo, decorated by seventeenth-century source, is considered by many as the best leisure area of the city. Trapzoidal, distributed by several beds, around a monumental fountain, built in 1583 by master Gonçalo Lopes.
Return (west) to Avenida General Humberto Delgado and turn right, continuing north along the avenue. In the next crossway - take the right (east) leg and climb along Rua Doutor Joaquim de Meira. Walking along Rua Doutor Joaquim de Meira - you'll see, on your right the path leading to the Castle. But, keep walking along Rua Doutor Joaquim de Meira to hit Convento de Santo Antonio dos Capuchos. Situated in the middle of a holy hill, the church occupies space in the building built as the XVII century. Visitors are invited to walk the hallways, courtyards and cloisters of the imposing building and visit its magnificent XVIII century sacristy. In the nineteenth century it underwent major reconstructions and was transformed into a hospital. The original building still retains the early church, the sacristy and cloister:
Retrace your steps and reverse direction. Return south along Rua Doutor Joaquim de Meira. Turn left onto Caminho do Castelo - to face Guimarães Castelo - Guimarães Castle.The whole area is the Monte Latito within the Colina Sagrada (Sarcred Hill) of Guimarães. It includes the Guimarães Castle, small Romanesque church - São Miguel do Castelo and the Palace of the Dukes of Bragança:
The medieval Castle, built on the site of the first fort of the 10th century. The present construction was built from stone, begun at the time of Afonso I and continued with various modifications in the following centuries. The imposing medieval Guimaraes Castle with eight crenellated towers 28m high, was built in the 10th century to protect the population from attacks by the Moors and the Normans. It was then extended to its present size in the 12th century by Afonso Henriques, the first king of Portugal, who was baptized in the small Romanesque chapel next to the castle. It was completely renovated from 1387 to 1413, with three naves and a wooden roof structure, according to the Portuguese Gothic model. The cloister was added in the 16th century and the present sanctuary to the church in the 17th. Part of it was demolished in the 18th century and since then it has been subject to restorations. FREE ENTRY. Everyday 9.30 -18.00. This is a small castle and the walk takes you inside and around the central tower. It is a short visit since most sections are closed to the public. Signage is minimal. Access to the walls is barricaded:
Close to the castle, there is a small Romanesque church, São Miguel do Castelo (Igreja de São Miguel do Castelo), ruined in the 19th century and restored in the 1920s. The church is emblematically linked to the foundation of the Portuguese Kingdom; legend suggests that it was the sight of the baptism of the young Afonso Henriques. At this humble chapel, D. Afonso Henriques, the founder and first King of Portugal, was baptized. The "original" baptismal fountain still can be seen inside the chapel. Legend or not, the Church of St. Michael of the Castle (the oficial name of the chapel) was built around the 13th Century, in the late romantic style, at the so called Sacred Hill ("Colina Sagrada"). It became ruins until the 20th Century, when restoration efforts brought it to the actual looks. The Chapel, together with the neighboring Castle of Guimarães and the Palace of the Dukes of Bragança (see below), form a complex of great historical and architectural importance:
Nearby, south-west to the castle is the Palace of the Dukes of Bragança (Paço Dos Duques De Bragança). The most beautiful building at Guimaraes ! The palace is a wonderful restoration and worth seeing. A large medieval palace, with 39 unusual brick chimneys showing strong Northern European influence. Built from stone down the hill from the castle. The first construction dates from 1420-22, most probably under French influence. The building was conceived as a symbol of the pride of the Bragança family. The building underwent various vicissitudes, serving as a military headquarters in the late 19th century. During the Salazar dictatorship as an official residence for the president. Inside is an impressive banqueting hall with a splendid wooden ceiling, and an extensive collection of portraits, furniture, carpets, and porcelain dating mainly from the 17th and 18th centuries. The Palace was only inhabited permanently during the 15th Century and in the following centuries a progressive abandonment and consequent ruin settled. This condition was only altered when - in the 19th century - what was left of the Palace was reused so a military barracks could be installed in its premises and, in the 20th century, due to political motivations, it was fully rebuilt. Between 1937 and 1959 a complex reconstruction was carried out based on a project by the architect Rogério de Azevedo. At the same time, a Commission was created to gather a group of objects, dating mostly from the 17th and 18th centuries, in order to assemble the interiors. The Ducal Palace of the Bragança was classified as a National Monument in 1910 - even before its reconstruction - and is currently a dependency of the Direção Regional de Cultura do Norte. Inside there is a Museum (1st floor), a wing for the Presidency of the Republic (main facade, 2nd floor) and a vast area dedicated to several cultural initiatives (on the ground floor). The Ducal Palace of the Bragança is one of the most visited Museums in Portugal both by Portuguese as well as foreigners.
Prices: Adult - 5 euros, senior - 2.50 euros. You can pay one more euro and get a second ticket to the Museo de Alberto Sampaio which doesn't seem well known but is 10 minutes walk down the hill and holds wealth of art and artifacts.
Open: everyday: 09.30 - 18.15. Last admission: 17.45. Closed: January 1, Easter Sunday, May 1 and December 25. Free entrances: First Sunday of each month, Children up to 12 years old.
Visitors are allowed to take non commercial photos without flash light and tripod.
The Palace is located in the urban setting of the historic centre of Guimarães on the top of Monte Latito, encircled by a forested park and green-space, intersected by several pedestrian trails. In its proximity to the southeast, the Chapel of Santa Cruz, to the north the Church of São Miguel do Castelo and the Castle of Guimarães. In a space to the left of the main ramp/entranceway is a monument erected to Afonso Henriques:
The following description is taken from the Wikipedia(=>)
Structured around a central rectangular courtyard, the lateral buildings housing the official residences, while a chapel is located opposite the entrance. Its simple/basic form is one of the best examples of Portuguese late-medieval construction used by the nobility, comparable to the 14th century French palaces/buildings of the time. The plan developed around a rectangular building with four rectangular towers, around an interior courtyard dominated by the chapel on the southeast wing. The spaces are articulated and staggered horizontal floors, covered with different roof tiles, in addition to with six tall chimneys. Each façades is made of granite, masonry block and interspersed by rectangular windows of varying styles: cruciform, stained-glass, standard and oblique. A few of the first floor windows are covered in metal grating. The northwest façade has an arch doorway surmounted by corbels and is recessed from the two towers. The superior floor is a balcony that runs the length of the interior courtyard, supported by corbels, which unite the guard towers. The lateral (northeast and southwest) façades are of a lower height and covered by trim and corbels, that support the covered balcony, interspersed by openings at floor level. The southwest wing is broken by the body of the chapel, which extends away from the façade (identifiable by two large Flemish stained-glass windows), and is highlighted by a cantilever roof within the courtyard. The towers are all closed rectangular bodies, with watchtowers, interspersed by small windows. The interior patio, accessible from the main doorway, is a balcony that overlooks the courtyard: supported by Gothic arches on the main floor and columns on the second. At the roof-line, on all interior façades are balconies supported by granite corbels, while the chapel-side façade is highlighted by two isolated balconies (covered by tiled awnings) supported by similar corbels. The same façade is highlighted by a cantilever roof, supported by a rounded wooden arch and two supports decorated with columns. In the interior of this awning is a portal (consisting of four inset arches) preceded by a staircase, which gives access to the chapel. The gallery is covered by masonry stone on the main floor, and tiles on the second, with interior covering in wood.(>=)
In 1937, restoration work was begun on the building and on 24 June 1959, exactly 831 years after the Battle of São Mamede, the palace was brought back to life in all its Norman-inspired Gothic glory. On the ground floor in the north wing is a small museum of contemporary art, which houses pieces given to the city of his birth by the painter José de Guimarães (the artist who created Portugal´s tourism symbol).
The main entrance and ramp showing the two floors and entrance:
The southeast corner of the Palace, showing a clear division between building styles:
The west facade:
The austere interior spaces include simple granite walls with ceilings and floors in wood. Spaces on the first floor are divided into several rooms, separated by narrow corridors that run perpendicular to the façades. In these spaces are the visitors reception area, storage, carpenters space, main hall and office of the director of the site. In the main wing is the unique staircase in the palace, consisting of four flights in granite. The intermediary floor, corresponds to the museum space, consisting of the towers and halls with rock fireplaces, including the Salão de Banquetes (Banquet Hall) and the Salão dos Paços Perdidos(Hall of Lost Town Hall), with roofs designed like the interior keel of a boat, in wood. The last floor, was dedicated for the use of the President of the Republic, and is characterized by a succession of bedrooms with private bathrooms, between two suites located within the towers (for the President and Prime Minister. This floor is immediately accessible via the small elevator on the ground floor and staircase from the second floor cloister. The last floor of the posterior wing is marked by a succession of rooms and the chapel.
"Prastrana" tapestries depicting Portuguese wars in North Africa. There are four copies of the tapestries Prastrana:
Helmets and spears from Portuguese wars in Africa:
Room of Donna Catherine:
The courtyard and chapel entrance, showing the Romanesque era portico and exaggerated influences dating from the Estado Novo era:
The chapel has a single nave, which is covered by a wooden ceiling presenting visible joists. A straight narrow wooden choir, allows access to balconies which extend to the front of the church and the exterior facade, as well as the corridors of the remaining wards. The richly carved wood benches in the nave precede the elevated presbytery, which is delimited by a wooden guardrail. The little chapel is so peaceful and the stained glass windows are beautiful:
stained glass windows in the chapel:
Room of St. Miguel:
We head now to Monte da Penha. Our direction, at the moment, is south (and, later, north-east). We head, first, to Largo Condessa da Mumadona. With your back to the Dukes Palace we descend southward. We turn left (where the carriage with horses stand). You get to small park with stone seats (there are restrooms here !). Descend the stairs. On your left - a nice fountain:
From the fountain - DO NOT DESCEND THE STAIRS. Take the path to the left. Ascend and descend the stairs - when the palace and the city walls on your left. IN the end of the stairs - cross the street (Rua Dona Constância de Noronha) and turn right (west). Walk west along Rua Dona Constância de Noronha (Tribunal da Comerca - on your right).
You arrive to the Largo Condessa da Mumadona. Mumadona Dias, or Muniadomna Díaz, Countess of Portugal in the 10th century, who ruled the county jointly with her husband from about c. 920 and then on her own after her husband's death around 950 until her death in 968. Celebrated, rich and the most powerful woman in the Northwest of the Iberian peninsula, she has been commemorated by several Portuguese cities. Guimarães Castle was built by Mumadona.
Statue of Mumadona Dias, in front of the city court:
Note, west to the square, the ancient city walls. On your back - the Paço Dos Duques De Bragança lighted under the afternoon sun. With your face southward - pass Convento de Santa Clara and cross southward Rua Almirante Sousa Ventura. Head south on R. dos Combatentes da Grande Guerra toward R. Abade de Tagilde, 200 m. Turn left onto R. Dr. José Sampaio/N101-2, 60 m. Turn right onto R. do Rei Pegu, 300 m. Slight left and you arrive to the Teleférico de Guimarães, Rua Comendador Joaquim Sousa Oliveira 37. THe cable, here, brings you to Penha Mountain - Monte da Penha. Penha is the name of a mountain located right next to Guimarães old town. It offers amazing views over entire city. On the top of the mountain, you may visit the Sanctuary to which you will ride the cable car climbing 400 m over the ground providing passengers with unforgettable experience and most amazing views on Guimarães. Penha Mountain, is the only mountain in Guimarães, when you can have a wonderful view over the city. You can go there through an elevator, where you can taste a little more of the mountain spirit, and at the same time get different views of the city. It provides a journey of 1,700 m., Winning an altitude of 400m. in just 7-10 minutes. Penha Mountain has excellent access and parking for cars and buses, Cable turns a visit to Guimarães Penha mountain - unforgettable. Penha Mountain, beyond the Sanctuary, offers a wide range of infrastructure, especially one Camping Mountain, a mini-golf, fitness circuits, walking areas and picnic in the shade of leafy trees, restaurants, bars and cafeterias. OPen: Months of November, December, January, February and March: 10.00 - 17.30. Months of April, May and October: 10.00 - 18.30. Months of June, July and September: 10.00 - 19.00 Monday to Friday and Saturdays, 10.00 - 20.00 Sundays and holidays. August: 10.00 - 20.00. Closed for maintenance the last Monday of each month. Last shipment: 15 minutes before closing. Adult - 4.5 euros.
for the Monte da Penha description - see the Guimaraes - Monte da Penha itinerary.