From The Pantheon to the Jewish Ghetto and Teatro di Marcello:
Start: Rome is very small and all the sites are within walking distance of each other. There is no metro stop close to the Pantheon. If you get off at the Piazza Barberini stop it is about a 13-15 minute walk. If you get off at the Piazza Barberini you will come to the Trevi Fountain first and then you can continue onto the Pantheon.
From Piazza Barberini head southwest toward Via delle Quattro Fontane, 38 m. Turn right to stay on Piazza Barberini, 9 m. Turn left onto Via del Tritone, 350 m. Turn left onto Via della Panetteria, 11 m. Continue onto Via della Stamperia, 190 m. Turn right onto Piazza di Trevi (WOW, you are facing the Fontana di Trevi !!!), 40 m. Continue onto Via delle Muratte, 200 m. Continue onto Via di Pietra, 53 m. Turn left onto Vicolo Dè Burrò, 65 m. Slight right onto Piazza di Sant Ignazio (we shall explore this square in our trip from Castelo Sant Angelo to the Pantheon), 36 m. Turn left to stay on Piazza di Sant Ignazio, 21 m. Turn right onto Via del Seminario, 200 m. Continue straight onto Piazza della Rotonda and you face the Pantheon. From Piazza Barbarini to the Trevi Fountain is about a 7 minute walk. From there to the Pantheon is about a 10 minute walk. From there to Piazza Navona is less than a 5 minute walk.
End: Teatro di Marcello or Piazza Venezia.
Note: Text and pictures are from May 2014 (the dates on the photos are set, by mistake, to May 2013).
Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 43.3 metres. The building commissioned by Marcus Agrippa during the reign of Augustus (27 BC - 14 AD) as a temple to all the gods of ancient Rome, and rebuilt by the emperor Hadrian about 126 AD. The building is circular with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. It is one of the best-preserved of all Ancient Roman buildings. It has been in continuous use throughout its history, and since the 7th century, the Pantheon has been used as a Roman Catholic church dedicated to "St. Mary and the Martyrs" but informally known as "Santa Maria Rotonda.
The Pantheon is one of few sites in Rome with free entrance. It is always crowded and you have to queue up for entrance but it takes no more than a couple of minutes. Open: Mon-Sat 8.30-19.30 Sun 9.00-18.00.
Closed Dec 25, Dec 31, May 1.
On entering the door, the effect you feel is meant to be overwhelming. You suddenly find yourself in this huge empty space which causes vertigo and makes you feel small. The height of the dome is the same as its diameter creating perfect balance and unique harmony.
The Pantheon’s greatness mainly comes from its mighty dome. The interior of the dome was possibly intended to symbolize the arched vault of the heavens. At the centre of the dome, there is a 9 meter diameter hole, the Oculus. The oculus (round big hole in the dome) at the dome's apex and the entry door are the only natural sources of light in the interior. Throughout the day, the light from the oculus moves around this space in a sort of reverse sundial effect. The oculus also serves as a cooling and ventilation method. During rain or torrents, a drainage system below the floor handles the rain that falls through the oculus.
The dome features sunken panels (coffers), in five rings of 28. This evenly spaced layout was difficult to achieve and, it is presumed, had symbolic meaning, either numerical, geometric, or lunar. The checkerboard floor pattern contrasts with the concentric circles of square coffers in the dome. Each zone of the interior, from floor to ceiling, is subdivided according to a different scheme. As a result, the interior decorative zones do not line up.
The Pantheon Interior - anti-clockwise direction (from right to left):
Tomb of King Vittorio Emanuel II (first king of a unified Italy):
Basilica St. Mary of Martyrs:
The Main or High Altar of the church is opposite the entrance, and the original 7th-century icon of the Madonna and Child can be seen above it. This was previously dated to the 13th century, but the 7th-century original was recently recovered under layers of overpainting. It is a rare survival of an icon from a period when they were a common feature in Roman churches. The apse is decorated with a golden mosaic featuring crosses. The drawing is of Alesandro Specchi from early 18th century:
Tomb of the famous painter Raphael (1483-1520):
Madonna del Sasso - Raphael's pupil Lorenzetto (dated 1523-4):
Tomb of King Umberto (Humbert) I (1844-1900) second king of a unified Italy and Margherita Savoia (1851-1926):
The floor is of polychrome Egyptian marble.
The square in front of the Pantheon is called Piazza della Rotonda. The square gets its name from the Pantheon's informal title as the church of Santa Maria Rotonda. In the center of the piazza is a fountain, the Fontana del Pantheon, surmounted by an Egyptian obelisk. The fountain was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added to it in 1711 under Pope Clement XI.
Piazza della Rotonda seen from the north, showing the Pantheon and fountain with obelisk:
"Gladiators" in Piazza della Rotonda:
With your face to the Pantheon, turn left to Via della Minerva. Walk along Via della MInerva and you arrive to the Piazza della MInerva. Its name derives from the existence of a temple built on the site by Pompey dedicated to Minerva Calcidica. You can use (free, with permission) the WC in the Grand Hotel della Minerva.
At the centre of the Piazza della Minerva, backing onto the Inquisition convent, is the 1667 Elephant and Obelisk by Bernini. The elephant was known as "il pulcin della Minerva", or "porcino", from the Roman people's story that - uninspired by elephants - Bernini in fact sculpted a pig.
The Pulcino della Minerva, the famous elephant sculpture by Bernini and Ercole Ferrata, making the base of one of Rome's eleven Egyptian obelisks:
In the square the main building is the Church (Chiesa) of Santa Maria sopra Minerva (1280-1370). The only church built in Rome in Gothic style. Built in the 8th century in a site where stood a temple to the Godess Minerva, rebuilt in the 13th century and restored in the 15th century. To the right of its facade are inscriptions built into the wall commemorating the flooding of the river Tiber between 1422 and 1598 - the area of the Piazza is the lowest in Rome, and so was always the first to suffer in flooding:
Nave of Santa Maria sopra Minerva:
Among several important works of art in the church are Michelangelo's statue Cristo della Minerva (1521) or Jesus de Redemeer. Finished in 1521, located to the left of the main altar:
and the late 15th-century (1488–1493) cycle of frescos in the Carafa Chapel by Filippino Lippi:
The famous early Renaissance painter Fra Angelico died in the adjoining convent and was buried in the church:
Popes Urban VII, Paul IV and the Medici Popes Leo X and Clement VII were also buried in the church.
Tombs of Popes Leo X and Clement VII:
Before the construction of San Giovanni dei Fiorentini Church (see the "From Castelo Sant Angelo to the Pantheon" trip), the Minerva was the church in Rome of the Florentines, and therefore it contains numerous tombs of nobles and citizens coming from that Tuscan city.
To the left of the church is a Convent (or casa profess) of the Dominicans, (little has remained), which held the nearby church from the 13th century. From the 17th century, the convent became the base of the Roman Inquisition or Holy Office, and it housed the trial and recantation of Galileo Galilei. The Convent's cloister (the only relic) now holds the library of the Italian Senate, dedicated to Giovanni Spadolini.
To the right of the church stands the 16th century Palazzo Fonseca, since 1832 the site of one of the historic hotels of Rome, known as the Grand Minerva, whose guests have included Stendhal and José de San Martín, remembered in plaques on the facade (see our note on WC in this square).
From Piazza della Minerva we turn left to Via della Palombulla (the Pantheon on your right), cross Pza. S. Eustuchio and walk along Via degli Stadlrar when this building is on your right:
Do not miss the S. Eustuchio Cafe (see tip sub-ordinate to this trip). The best coffee in Rome (Gran Cafe Speciale). Open: 08.30 - 01.00 at night.
Turn right at the end of the road - arriving to Piazza (Pza.) Madama. On your right Palazzo Madama, seat of the Italian Senate. It was built atop the ruins of the ancient baths of Nero. The new building was begun at the end of the 15th century and completed in 1505, for the Medici family. It housed the Popes Leo X and Clement VII. The palace takes its name from Madama Margherita of Austria, illegitimate daughter of Emperor Charles V, who married another illegitimate son, Alessandro de' Medici and, after his death, Ottavio Farnese. Pope Benedict XIV made it the seat of the Papal Government. In 1849 Pius IX moved here the Ministries of Finances and of the Public Debt, as well as the Papal Post Offices. In 1871, after the conquest of Rome by the newly formed Kingdom of Italy, the Palazzo became the seat of the Senato del Regno.
With your back to Palazzo (Pzo.) Madama go direct (passing the bustling street) to Pza. Navona. Head west on Corsia Agonale toward Corsia Agonale (50 m.) and you face Piazza Navona. A charming, gigantic and lively square for pedestrians only. Contains 3 fountains and surrounded by Baroque palaces. Many think Piazza Navona is the most beautiful attraction in Rome. Often crowded but very spacious and well laid out. It's breathtaking: the fountains' sculptures tell a different story in every step and from every angle. It's packed with tour groups, sellers, artists, jugglers and sightseers resting their weary legs.
I would recommend going in the mornings, as it is much quieter, and the sellers are not about in the mornings! Go into side streets to avoid the high prices. Don't miss an Italian ice cream sitting at the posh "3 Scalini" (3 steps) restaurant or, better, buy Tartufo in 9.5 euros (see Tip below). We shall pass through Piazza Navona in many of our trips in Rome.
It is built on the site of the Stadium of Domitian, built in 1st century AD, and follows the form of the open space of the stadium. The ancient Romans came there to watch the agones ("games"), and hence it was known as "Circus Agonalis" ("competition arena"). It is believed that over time the name changed to in avone to navone and eventually to Navona.
In the Navona Square you find the following important sculptural and architectural creations:
Fontana dei quattro fiumi (four rivers) or Fountain of the Four Rivers (1651) by Gian Lorenzo Bernini, topped by the Obelisk of Domitian, brought here in pieces from the Circus of Maxentius. The middle fountain and the biggest in the square. The base of the fountain is a basin from the centre of which rocks rise to support four river gods and above them, an ancient Egyptian obelisk surmounted with the Pamphili family emblem of a dove with an olive twig. Collectively, they represent four major rivers of the four continents through which papal authority had spread: the Nile representing Africa, the Danube representing Europe, the Ganges representing Asia, and the Río de la Plata representing the Americas.
Fontana del Moro (Moor Fountain): The Southern most fountain. It represents a Moor, or African (perhaps originally meant to be Neptune), standing in a conch shell, wrestling with a dolphin, surrounded by four Tritons. The fountain was originally designed by Giacomo della Porta in 1575 with the dolphin and four Tritons. In 1653, the statue of the Moor, by Gian Lorenzo Bernini, was added. In 1874, during a restoration of the fountain, the original statues were moved to the Galleria Borghese and replaced with copies. In September 2011, the fountain was damaged after a vandal attacked it with a hammer. The vandal also damaged the Trevi Fountain that night:
Fontana del Nettuno (Fountain of Neptune): The Northern most fountain. The basin part of the Fontana del Nettuno, (without the sculptures) was designed in 1574 by Giacomo Della Porta, who also designed the Moor Fountain at the opposite side of the square. For the next 300 years, the fountain survived without statues. The fountain as it exists today was finally completed in 1878 by Antonio della Bitta, who added the imposing sculpture of "Neptune fighting with an octopus" and Gregorio Zappalà, who created the other sculptures, based on the mythological theme of the "Nereids with cupids and walruses". Statuary was added following a competition in 1873, in order to balance the statuary of the Moor Fountain on the south side of the piazza and of the Fontana dei Quattro Fiumi (Fountain of the Four Rivers) at its centre.
Sant Agnese in Agone Church (also called Sant'Agnese) is opposite the Fontana dei quattro fiumi (four rivers) in Piazza Navona. it is dedicated to St. Agnes born around 290. The young girl who according to tradition suffered as a martyr, was beheaded at age 12 by order of Emperor Diocletian. It is a 17th-century Baroque church. It stands on the site where the early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Construction began in 1652 under the architects Girolamo Rainaldi and his son Carlo Rainaldi. After numerous quarrels, the other main architect involved was Francesco Borromini who was a former student of Bernini and, later, a rival. The interior is breath taking and really worth seeing. Inside, there is a shrine with Saint Agnes' skull. Notice the side altars which are dedicated to martyrs and show how each one died.
Palazzo Pamphilj, also spelled Palazzo Pamphili or Pamphili Palace, is a palace opposite the Fontana del Moro onto the Piazza Navona. It was built between 1644 and 1650. Since 1920 the palace has housed the Brazilian Embassy in Italy, and in 1964 it became the property of the Federative Republic of Brazil:
We exit Piazza Navona from the northern corner. Head north on Piazza Navona and continue onto Via Agonale, 46 m. Turn right onto Piazza delle Cinque Lune, 8 m. Turn left onto Piazza di Sant'Apollinare, 70 m. Here, you face Palazzo Altemps which houses part of the Roman National Museum treasures: important collections of antiquities consisting of Greek and Roman sculptures that in the 16th and 17th centuries belonged to various families of the Roman nobility. There are many displays of everyday items as well as the frescoes and wall friezes, also included is the National Romano Egyptian collection. If you like sculpture, this museum is a must see. Open: Tue-Sun 09.00-19.45. Prices: adult/reduced €7/3.50.
Slight left onto Via dei Gigli D'Oro, 58 m. Turn left onto Vicolo dei Soldati - a charming alley:
You won't believe it BUT we return to the southern most edge of Piazza Navona - crossing this magical piazza AGAIN... We exit the square from its south-east edge. Head south on Piazza Navona, 140 m. Turn right to stay on Piazza Navona, 17 m. Turn left onto Via della Cuccagna, 90 m. Turn right onto Piazza di San Pantaleo, 29 m. Turn left to stay on Piazza di San Pantaleo, 18 m:
After crossing the Piazza Pantaleo, with our faces to the south, we cross Vittorio Emanuele II bustling street and we have two options to arrive to Campo de Fiori (100 m. forward): the left road (via de Baullari) or the right road (Piazza Cancelleria).We opt for the RIGHT (east) street and walk along Piazza Cancelleria. On its right side stands Palazzo della Cancelleria. The Palazzo della Cancelleria (Italian for "Palace of the Chancellery", meaning the Papal Chancellery) is a Renaissance palace situated between the present Corso Vittorio Emanuele II and the Campo de' Fiori. It was built between 1489–1513 by an unknown architect as a palace for Cardinal Raffaele Riario, Camerlengo of the Holy Roman Church, and is regarded as the earliest Renaissance palace in Rome. The palace is not subject to Italian sovereignty and belongs to the Vatican. It is designated as a World Heritage Site as part of a group of buildings, the Properties of the Holy See. Do not skip it. You'll enjoy its facade and interior courtyard (free entrance to the courtyard). Built 1483-1513. The Leonardo da Vinci Machines Exhibition in Rome – The genius and his inventions takes palce in this aplace until April 2015. From time to time chances arise to enter the palazzo. You might be lucky enough to find tickets for the occasional chamber-music concerts held here; alternatively look out for exhibitions on religious themes mounted in the magnificently frescoed rooms.
In the end of this piazza you arrive to Piazza Campo Dè Fiori (field of Flowers). The name was first given during the Middle Ages when the area was actually a meadow. A colorful market-square surrounded by ancient colored houses and cafe's/tratorias. The food and flowers market operates until the early afternoon hours (closed on Sundays) and is one of the most popular in Rome. The crowded (and dirty) square might be disappointing: a lot of noise, rubbish, high prices and everything is touristic. BUT, from time to time you'll see street-performances (Brazilians making Kapuera, Africans with vibrant dance and music) and a lot of interesting spices, cheeses, pasta packages and even... flowers.
The monument to philosopher Giordano Bruno at the centre of the square. Do not miss the reliefs on the statue.
On Rosh Hashanah, 9 September 1553, the Talmud and many other Jewish books were burnt in the Campo dei Fiori. Throughout the remainder of the sixteenth-century, a complete edition of the Talmud could not be found anywhere in Italy. A plaque, commemorating this event and period, had been placed in the square:
Take the north-east corner of Campo dei Fiori and continue onto Via del Biscione, 25 m. You arrive to Piazza del Biscione - a pretty, tranquile square:
Here I met three smiling Norwegians:
Note, here, the negozio (shop) for selling ice-cream with candies: "Mio Italian Sweety". Turn left to PIazza Pollarola, another charming small square. Turn left to Via Baullari (taste huge selection of ice-cream flavors in Blue Ice) and cross, again, the Campo dei Fiori from north to south - arriving to Piazza Farnese. Here, there are two identical decorative fountains located in the Piazza Farnese, in front of the Palazzo Farnese in Rome, Italy. They were placed in the Piazza in the 16th century. The granite stone basins of the fountains are believed to come from the ancient Roman Baths of Caracalla. The emblems on the upper part of the fountain are those of the Farnese family, and the builder of the Palazzo, Cardinal Alessandro Farnese, later Pope Paul III. Palazzo Farnese is one of the most important High Renaissance palaces in Rome. Owned by the Italian state, it was given to the French Government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. The palace is closed to the public.
With our face to the Pallzo Farnese - 30 m., on our left stands Palazzo Spada. It is explored, in-depth in our trip "From Castelo Sant Angelo to the Pantheon". We exit the Piazza Farnese from Ristorante Camponeschi - at the eastern side of the square. We head, now, to the Jewish Ghetto. THere are 2 options to arrive to Ponte Sisto (Sisto Bridge on the Tiber river:
1. Passing Palazzo Spada: Head southeast on Vicolo dei Venti toward Via dei Balestrari, 57 m. Continue onto Via Capo di Ferro, 100 m. Turn right onto Via dei Pettinari, 170 m. Continue onto Ponte Sisto.
2. Arriving to POnte Sisto by the pretty, ancient, aristocratic Via Giulia or along the river. Head northwest on Vicolo dei Venti toward Via del Mascherone, 3 m. Turn left onto Via del Mascherone, 130 m. Turn left onto Via Giulia (explored, in-depth in our trip "From Castelo Sant Angelo to the Pantheon"), 110 m. It is a beautiful, atmospheric (a bit neglected) road. Many mansions/palaces with marvelous courtyards and gardens:
Via Giulia - the Hungarian Academy - designed by Michelangelo:
Continue onto Piazza di San Vincenzo Pallotti, 50 m. Turn right onto Via dei Pettinari, 12 m. Continue until Ponte Sisto.
Along the Tiber river near Ponte Sisto:
Ponte Sisto leads to the Trastevere quarter (see our trip to Trastevere) - BUT, we don't cross the river and we continue along the Tiber river, along Lungotevere dei Vallati - until Ponte (bridge) Garibaldi:
Isola Tiberina (Tiber Island) from Ponte Garibaldi (the Tiber Island is explored in the "Trastevere Quarter" Trip):
The street along the Tiber river changes its name to Lungotevere de Cenci. We arrive to Fabricius Bridge - Ponte Fabricio. The Fabricius Bridge leads to the Tiber Island (Isola Tiberina) and, from there, another bridge leads to the Trastevere Quarter. The Fabricius Bridge is populated by young Africans (mainly, from Senegal) selling handicrafts:
Opposite the bridge, on the other side of the bustling Lungotevere dei Cenci - stands the impressive Jewish Sinagoga (no. 9 in the street). It was built in year 1901 and its grandiose dome dominates the whole surroundings. the Museo Ebraico, in the Synagogue premises displays the history of the Jewish community in Rome along 2000 years. Open: Mon-Thu 09.00-18.00, Fri - 09.00-14.00, Sun 09.00-12.30.
The Jewish Ghetto extends from the Jewish Synagogue (south) to Piazza Mattei (north). It is a compact area but tyo explore its flavors, atmosphere, internals and secrets you'll have to devote, at least, 1.5-2 hours. I recommend that you'll visit the Jewish Ghetto, as we did, included in the "Trastevere Quarter" trip (doing the Ghetto in the morning and Trastevere - later). I guess that you'll arrive to this point late in the afternoon - so we head to the Teatro di Marcello.
With our back to the river we head northwest on Lungotevere Dè Cenci toward Via del Portico D'Ottavia, 7 m. Instead of turning left to the Ghetto along Portico D'Ottavia - we turn right onto Via del Portico D'Ottavia, 16 m and turn right onto Via di Monte Savello, 73 m - facing, on our right the spectacular Teatro di Marcello. It is an ancient marvelous open-air theatre, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice, once again provides one of the city's most popular spectacles or tourist sites.It was named after Marcus Marcellus, Emperor Augustus's nephew, who died five years before its completion. Space for the theatre was cleared by Julius Caesar, who was murdered before it could be begun. It was completed in 13 BC and formally inaugurated in 12 BC by Augustus. It could originally hold between 11,000 and 20,000 spectators. FREE ENTRANCE.
From the Marcello Theatre - it is only 100 m. climb to the most central area of Rome - Piazza Venezia with tens of buses and Metro station:
Barcelona - Col·legi de les Teresianes, Park Guell, Sant Pau Hospital - Part I.
Barcelona - La Segrada Familia, Plaça de Mossèn Jacint Verdaguer, Casa de les Punxes, Casa Comalat, Palau del Baro de Quadras, C/ del Rosselló # 248 and # 279, La Pedrera, Casa Batlló, Casa Amatller, Casa Lleó Morera, Passeig de Gracia Modernista houses, Palau Guell - Part II.
Duartion: 1 day. 15-16 km.
Weather: Never walk this itinerary in very hot or rainy days.
1. Barclona hotels are expensive. Most of them are NOT a good value for your money.
2. Barcelona is easily walkable. Avoid using any kind of transportation - as possible. See next two comments...
3. Barcelona is concerned, sometimes, with steep hikes.
4. Take water with you to Park Guell, as the hike is worth it but you will be thirsty during the summer months! Do not make long walk if the temperature exceeds 28-29 degrees.
5. The admission fees to every kind of attraction ARE EXPENSIVE. Your daily budget for more than 3-4 sites can, easily, pass the 50 euros/person budget !
6. Plan in advance. Most sights seeing is involved with long queues of waiting. Long lines for the toilets too. It won't take time to book your tickets on internet and it will save you 2 hours.
Catalonia was marked by the so-called ‘Modernisme' (or Modernista) , a movement that extended from ca 1880 to the First World War, parallel to currents such as Naturalism, Arts and Crafts, and Art Nouveau. It was motivated by return to traditions as an expression of national identity, as well as by the introduction of modern techniques and materials as part of progress.
It found expression in literature and music, as well as in painting, sculpture, decorative arts and architecture. The best known Modernisme architects include Antoni Gaudí and Lluís Domènech i Montaner.
The Modernisme movement was centred in the city of Barcelona, though it reached far beyond, and is best known for its architectural expression, especially in the work of Antoni Gaudí, but was also significant in sculpture, poetry, theatre and painting. Although it was part of a general trend that emerged in Europe around the turn of the 20th century, in Catalonia the style acquired its own unique personality. Its distinct name comes from its special relationship, primarily with Catalonia and Barcelona, which were intensifying their local characteristics for socio-ideological reasons after the revival of Catalan culture and in the context of spectacular urban and industrial development. It is equivalent to a number of other fin de siècle art movements going by the names of Art Nouveau in France and Belgium, Jugendstil in Germany, Sezession in Austria, Liberty style in Italy and Modern or Glasgow Style in Scotland, and was active from roughly 1888 (the First Barcelona World Fair) to 1911.
The earliest example of Modernista architecture is the café Castell dels tres Dragons designed by Lluís Domènech i Montaner in the Parc de la Ciutadella for the 1888 Universal Exhibition. It is a search for a particular style for Catalonia drawing on Medieval and Arab styles. As well as combining a rich variety of historically-derived elements, it is characterized by the predominance of the curve over the straight line, by rich decoration and detail, by the frequent use of vegetal and other organic motifs, the taste for asymmetry, a refined aestheticism and dynamic shapes.
Antoni Gaudí is the best-known architect of this movement. Other influential architects were Lluís Domènech i Montaner and Josep Puig i Cadafalch, and later Josep Maria Jujol and Enrique Nieto.
There are about 30 Modernisme works spread around Barcelona. Only the main, the 10-11 most important are explored here. Mainly, due to their proximity and accessibility for a-pied walkers.
Col·legi de les Teresianes - This isolated, elegant and sober building, which looks like an unassailable fortress, is the amazing convent school designed by Gaudí for a community of nuns from the Order of Saint Teresa of Jesus. This imposing building stands behind railings and among gardens, and has been used as a school ever since it opened.
Park Güell - A garden complex with architectural elements situated on the hill of el Carmel in the Gràcia district, built in the years 1900 to 1914.
Hospital de Sant Pau - A complex built between 1901 and 1930. It was a fully functioning hospital until June 2009, since when it has been undergoing restoration for use as a museum and cultural center. In 1913 it received an award for the best building of the year from the Barcelona City Council.
Sagrada Família - An immense basilica that has been under construction since 1882 and will be under construction for the next 25 years. It is one of Barcelona's most popular tourist attractions and considered Gaudi's masterpiece.
Casa de les Punxes - Casa de les Punxes (House of Spikes) or Casa Terrades is a building located on Avinguda Diagonal constructed in 1905, commissioned by the Terrades sisters. The house includes different ceramic panels illustrating patriotic motifs. The best known depicts Saint George and with the following legend: “Sant Patró de Catalunya, torneu-nos la llibertat” (“Holy Patron of Catalonia, give us back our freedom”).
Casa Milà - Casa Milà or " La Pedrera" is a building located at Passeig de Gràcia Avenue, built during the years 1905–1910. It is probably Gaudi's second most popular building in Barcelona.
Casa Batlló - A slender building originally built between 1875 and 1877 and remodelled in 1904-1906 by Gaudí and Josep Maria Jujol.
Casa Amatller - A building originally designed as a residence for chocolatier Antoni Amatller and constructed between 1898 and 1900.
Casa Lleó Morera - A building originally constructed in 1864 but renovated in 1902. In 1906 it received an award for the best building of the year from the Barcelona City Council.
Palau Güell - A mansion designed for the Catalan industrial tycoon Eusebi Güell and constructed between years 1885-1900.
Palau de la Música Catalana - A concert hall in Barcelona built between 1905 and 1908 for the choral society Orfeó Català. In 1909 it received an award for the best building of the year from the Barcelona City Council.
Casa Bonaventura Ferrer, Passeig de Gràcia 103 - Build in 1906. Since 1979 it has been listed as an historical and artistic heritage of Barcelona. In 2010 the building was remodeled and converted into a luxury boutique hotel under the name of "El Palauet".
I stayed only one night in Barcelona. I stayed in Portugal for 3 weeks and returned to my country through Barcelona. It was far cheaper to fly from Barcelona (with Vueling) and the flight from Porto (Portugal) to Barca costed me just 80 USD with Ryanair (efficient, punctual and spartan) (100 USD including my 18 kg. backpack).
I'll start with my hotel choice. I booked a room in a last-minute process - one day before my arrival.. Hotels in Barcelona, especially in the centre - might be expensive. You can find good deals if reservation made several months before your booking date. Do not expect to find a double room with attached bath in a price less than 80 euros/night. In most of the hotels the noise, during the night, is inevitable. Staying out of tourist traps is highly recommended. The only hotel with a sound mind price was Hotel Catalonia Castellnou, C/ Castellnou 61, 08017 Barcelona. Reasonably priced. Good value for money. The hotel is clean, silent, respectable, very convenient and cozy. It is 3-5 min. walk from the Ferrocarrils Catalonia (FGC) stop (NOT METRO) Les Tres Torres. The ride to Placa Catalonia takes 15 minutes and costs 2.15 euros. There is a train every 10-15 minutes. The same price as the Metro. It is in an residential area. If you want to have nightlife around your hotel - it's not the right one. There are some bars and restaurants around (10-15 euros for dinner). I booked a single room with a terrace (room 600) on the 5th + floor (45 euros). Double room will cost you 63 euros including breakfast. Breakfast was 9 (!) euros but worth every penny. It is a buffet style with a rich selection of pastries, fruits, juices and diary products. Taking a breakfast in a near bar, cafe or restaurant will cost you 6-7 euros at least. Internet connection, in the lobby, was working good. Good wifi. 12 - 13 minutes from supermarket on foot. A/C worked well. TV had English news channels (all in all 43 channels).
The view from the terrace:
Another important fact, from my experience: Barcelona is walkable. It is 45 minutes (3 km.) from my hotel to Park Guell. This the longest section in our daily route along the Modernista architectural sites. ALL OF THEM ARE NORTH TO Placa Catalonia.
The shortest route is (extracted from Google Maps): Head southeast on Carrer de Castellnou toward Carrer del Rosari, 77 m. Turn left onto Carrer del Rosari, 290 m. Slight right onto Via Augusta, 80 m. Turn left onto Ronda del General Mitre/Ronda General Mitre, 1.3 km. Slight left onto Carrer de Ballester, 550 m. Turn left onto Av. de Vallcarca, 150 m. Turn right onto Baixada de la Glòria, 350 m (the most difficult, inevitable section). Turn left onto Av. del Coll del Portell, 250 m. Turn right, 6 m - Park Güell.
I did a longer and a bit different way which should take about 60-70 minutes. The main point, in this route, is Jardins del Turó del Putget or Park Putget (Putxet). Every route chosen is involved with section of steep climb (especially, to Park Guell itself, via the Beixada de la Gloria stairs). High above it all and nestled on Putget hill, these spacious and open gardens offer one of the most privileged viewing points of Barcelona. These gardens are much more accessible than they may initially seem, since there are more unobstructed paths than flights of stairs. Except for access to the highest part of the hill, the Park Putxet gardens can be crossed from one side to the other without stepping on a single stair.
From Hotel Catalonia Castellnou I headed north-east to the Plaça de Joaquim Pena and Carrer del Milanesat. Turn right to C/ Vergos and continue eastward along Via Augusta (where the Les Tres Torres FGC subway station is located). Turn LEFT to Ronda del General Mitre (a bustling, but, still, elegant street) and take its left pavement. On the first cross-road turn left to the Col-legi de les Teresianes, Ganduxer, 85-105. In 1887, a community of nuns from the Order of Saint Teresa of Jesus decided to build a school in Sant Gervasi de Cassoles, a village in the north of Barcelona. An unknown architect had already laid the foundation stone and established the floor plan of the building when Gaudí took over the project. He altered the actual structure of the building and left his own highly personal imprint on the ensemble. Unlike his other projects, Gaudí had to work with a limited budget and this explains the use of austere materials, such as brick and reconstituted stone, or the plaster walls inside.
Return to Ronda General Mitre. Now walk on the right side (shaded) pavement and continue eastward. Here, starts our adventurous section. Turn left to Carrer de Balmes. The Ferrocarrils de la Generalitat (FGC) line runs under Carrer Balmes, where you'll find Plaça Molina, Padua and El Putxet FGC stations. Turn right and continue climbing on the LEFT LEG of Carrer de Bertran. Turn right (2nd turn) to Carrer del Pare Fidel Fita. Here you climb up approx. 100 stairs and turn left to Carrer Roca i Batlle (a steep climb uphill). Turn right to Carrer de Marmellà. On your right is the Centre Esportiu Municipal Putxet. We arrived to Jardins del Turó del Putget. El Putget - often written El Putxet - is a small peak between Vallcarca and Sant Gervasi, which was first documented as the site of a chapel in the 17th century but whose history only really dates back to around 1870 when, owing to the dreadful sanitary conditions in Ciutat Vella, bourgeois Barcelona families began to build summer homes there. At the time, El Putget was one of the three neighborhoods, along with La Bonanova and Lledó, that made up Sant Gervasi. With the arrival of the Sarrià railway in 1863, the metro in 1924 and the tram, the summer homes in El Putget gradually became permanent residences. Just like in Sarrià or La Salut above Gràcia, fine houses, many of them Modernista, were built around the hill and some can still be seen particularly along Carrer de Mulet or Carrer de Puigreig. Usually is a very quite park, with some cozy resting places, and it has a huge variety of plants. As it's located on a hill, some of its roads and stairs are quite stepped, but it's a lovely park with seating areas, smalls squares and even a playground.
The views from this park are really wonderful. BUT, I think the best scenery is during the afternoon hours when the sun shines from the west with Park Guell to the east of this park. So, don't expect to have the best views, from this park, at the first half of the day... In case you decide to climb to the top of Putxet Hill, through the park's stairs - it will consume another 15-20 minutes of your time. The park contains taps, rest rooms and picnic benches.
You leave the Jardins del Turó del Putget by following the signposts pointing to C/ Manacor. You exit the park, at one of its eastern exits, along Carrer de Manacor, You walk down along Carrer de Manacor and see, almost, immediately, the steep road leading to Park Guell. The road slopes down and changes its name to Carrer d'Agramunt. You cross three roads on your way down: Av. Argentina, C/ Bolivar and Av. Valcarca. At last you arrive to the famous stairs leading to Park Guell - Beixada de la Gloria. It is a series of escalators (and a bit of a manual climb in parts) that lead you to Guell Park. Although the buildings inside are pretty interesting to look at, it's worth the visit for the fantastic views across the city. You'll find benches around, to rest, before the ascent to Park Guell.
Before the SECOND series of escalators, you have a very steep section of climbing on foot:
When Park Güell began to be built in 1900, Barcelona was a modern and cosmopolitan metropolis whose economy was based on the strength of its industry and which had over half a million inhabitants. Its walls had been knocked down nearly half a century earlier and the new city, the Eixample planned by engineer Ildefons Cerdà, had grown spectacularly from 1860 onwards, in what was the largest 19th century city development project in Europe. From the 1860s, the construction of the Eixample gave Barcelona’s architects many professional openings for expression, endowing the city with one of the continent’s richest and fullest repertoires. The first attempts at Modernisme were brought into its wide spectrum of historicist and eclectic architecture at the end of the century. When art nouveau finally triumphed at the International Exhibition in Paris in 1900 - the most significant architects within Modernisme, such as Domènech i Montaner and Gaudí, went very much further in their original interpretation of art nouveau, based on the paradox of having to be modern without renouncing tradition. The association between entrepreneur Eusebi Güell and architect Antoni Gaudí began when Güell saw a window display that Gaudí had planned for glove retailer Esteve Comella at the Universal Exhibition in Paris in 1878. In 1886 Eusebi Güell entrusted Gaudí with building his new house, the Palau Güell in Nou de la Rambla street in the old quarter of the city. Later, in 1895 Gaudí built a winery in Garraf county in collaboration with Francesc Berenguer. In 1898 he planned the church for Colònia Güell, home to the workers at the large textile factory that the industrialist owned on the outskirts of Barcelona. And finally, in 1900, Gaudí was given the assignment of designing Park Güell. Güell understood better than any of his contemporaries the meaning of Gaudí’s architecture. The relationship between the two men was not simply that of an artist and his patron, but a real story of friendship. For many years the Güell family lived in the large family house (now a school) that stood on the land where the development was located, while Gaudí lived in one of the two houses that were built there. In the businessman’s own lifetime, the park was already considered to be one of Barcelona’s great tourist attractions, and the large square was often let for staging Catalan events, traditional Catalan Sardana dancing and other civic and social events. Gaudí planned and directed the construction of the park from 1900 to 1914 as infrastructure and facilities for an English-style garden suburb, planned to accommodate sixty single-family residences. The project was a financial failure and became city property in 1923. Although it was never fully completed, it is one of Gaudí's most colorful and playful works. Be sure to check every corner of this beautiful place for a multitude of architectural surprises. A highlight of Barcelona.
While the entrance to the Park is free, there is an entrance fee to visit the monumental zone with the architectural sights, and a separate fee to visit Gaudi’s house, which contains the furniture he designed. Gaudí's house, "la Torre Rosa," — containing furniture that he designed — can be only visited for an another entrance fee. There is a reduced rate for those wishing to see both Gaudí's house and the Sagrada Família Church. Opening times: Autumn-Winter from 27 October to 23 March: from 08.30 to 18.00, Spring-Summer from 24 March to 30 April: from 08.00 to 20.00, from 1 May to 26 October: from 08.00 to 21.00. General ticket € 7 (on-line) or € 8 (ticket office on-site). In addition, consider that now a limit is set on visiting the park. Only 400 tickets go on sale every half an hour. When buying tickets online, you need to clearly state the date and the time of your visit, and most importantly, not to be late, because in this case the ticket will be canceled. Remember: A limit of 400 tickets per 30 minute increments has been set to control the crowds ! Slots are limited. Although this route is planned as a full-day one, from morning till evening - I recommend going to Parc Guell (the Catalan name) just before sunset so that you can watch the sky light up as the sun sets and begin to see the city lights twinkle. It is also often less crowded at this time so you don't have to deal with as many tourist crowds. Don't forget to take your camera! Park Güell is one of the best photo opportunities in Barcelona, and an absolute must see for those visiting the incredible city. Beautiful architecture and mosaics can be found hidden (and in plain sight) all throughout the park, creating a surreal and magical feeling, almost as if you have walked into a fairy tale world. I wandered through Park Guell for a few hours and felt like I could've stayed for a few more. I'd definitely recommend bringing a picnic and spending some time on one of the many beautiful mosaic benches and watching the world go by. Yes, it's a very touristy attraction, but also incredibly peaceful and relaxing. The views are simply unreal and the park is bustling with life.
Two metro stations, Vallcarca and Lesseps, are situated within 20 minutes of walk from the park. Consider that in order to get to the park you have to surmount quite a steep ascent. You can take the underground metro to the station Lesseps along L3 and follow the signs towards Park Güell. better way is to take the bus, as it drops you right outside the park. Bus 24 goes from Plaça de Catalunya (it goes through Universitat area towards La Rambla), straight through Passeig de Gracia towards the park. You can see many of the attractions along the way, and experience Gracia quarter on the bus. A bus No. 116 goes from the metro station Lesseps directly to the park – stop L’Olot.
The paths within the park wind round the hill, up towards the highest point where you can see a complete view of Barcelona and the bay in panorama. We come, first, to these two point, the Mirador Villarco and the Turó de les tres creus. These are two gathering points that offer great views:
El Mirador - view to the west:
Las 3 cruces (Turó de les tres creus): This is the highest part of the park, from here you can see most of Barcelona. Currently there are three crosses on top of a hill of stone, named "Calvari". Two of them indicate the cardinal points (N-S-E-W), and the other pointing skyward.
From these two highest points we slope gently into the park having wonderful overview of the whole park:
We don't enter the park from its main entrance. The main entrance to Park Güell is on the south side, on Carrer d’Olot, from which visitors can enjoy the spectacular view of the stairway (see later).
The navigation in the park is easy and, in every intersection - you see signposts directing you the various attractions. we shall refer to the main highlights in Park Guell.
Gaudí's multicolored mosaic salamander, popularly known as "El Drac" (The Dragon), at the main entrance, as restored after the vandalism of February 2007. This is the famous lizard, which is normally Confused with a dragon. Probably one of the most photographed, easily identified Gaudi pieces:
The Dragon Stairway: double flight of steps from front entrance up to the columns room. The stairs lead to a hall with 86 columns under an ornate ceiling. Besides supporting the huge terrace above, this area was intended to become the market of the complex. This is the most famous part of the park, has become a symbol of Barcelona as the "Sagrada familia", and other more modern constructions (Agbar Tower ...). Above the main entrance is a grand staircase leading to the Hipóstila room divided by a number of water sources:
wall leading up the stairs:
The Greek Theatre (or the Main Terrace): Right at the centre of the monumental zone of Park Güell is the large esplanade which the original plans called the Greek Theatre and which has more recently been rechristened as Plaça de la Natura (Nature Square). Following the stairs you go through a large porch that have eighty-six columns that supports a large square. The roof is covered with brittle and white uniform, but it is not plain, is sinking between column and column. In the middle there are fourteen brittle, spread unevenly. In spaces where there is no brittle medallions. The columns are also covered with white brittle at the bottom. Bird nests built by Gaudí in the terrace walls. The walls imitate the trees planted on them. A 100-meter-long unbroken bench, adorned with colorful mosaic, skirts the platform. Its shape resembles a twisting sea serpent that has got out of the deep in order to bask in the sun. Shady lanes and observation areas revealing the greater part of the Catalan Mediterranean seashore are situated throughout the park. Park Güell, which was intended as a commercial project, ended up being a real masterpiece of the landscape art.
Another name to this attraction is Hall of Hundred Columns. In spite of its name, the hall has only 86 columns of Doric Order. Its important element is the vaulted roof, on which rosettes symbolizing seasons, solar and moon cycles are situated. Thanks to its unusual structure the hall has wonderful acoustics. Musical concerts and performances are often organized here:
Hypostyle Room (columns room) - conceived as a covered space to be used as a market for the estate:
stairs leading to the Main Terrace or Greek Theatre (Nature Theater):
Serpentine bench the wraps around 3 sides of the esplanade:
No lack of decoration – multi-colored tiles make the Main Terrace a vibrant place:
The Main Terrace walls (with the "birds' nests"):
The Austria Gardens: What we now know as the Austria Gardens was one of the zones to be used as plots in the estate. When the Park Güell was turned into a public park, however, the zone was used as a municipal plant nursery. This part of the precinct has a completely different look to the rest of the park, and it got its name through a donation of trees from Austria in 1977. Most of the viaducts (photos - see below) are located, formally, in the Austria gardens. These areas were originally meant to be divided into residential plots but was instead a plant nursery. It was officially made into a public garden in the 1960s designed by Lluis Ruidor:
There are ceramics everywhere, even on the park's walls:
The Roadways, Paths and Viaducts: Outside the monumental zone of the central part of the park, running east towards the Carretera del Carmel exit, is the Pont de Baix, bridge, the first of the viaducts of the network of paths that help overcome the topography and connect the various parts of the park. Gaudí planned three viaducts with a width of five metres, snaking their way up the mountain, to lead carriages from the main entrance on Carrer d’Olot up to the high part of the estate, the Turó de Tres Creus (Three Crosses Hill). They are known as the Pont de Baix, the Pont del Mig and the Pont de Dalt (lower, middle and high bridges), names that already appeared on the first postcards of the park. They are suspended on a structure of sloping columns and vaults made from unhewn stones taken from the site itself. On their upper parts, the balustrades are crowned by plots with vegetation.
The Museum: The house, designed by Francesc Berenguer i Mestres (Reus, 1848 - Barcelona, 1914) was built between 1904 and 1906. In 1906, Antoni Gaudí bought the house and became his residence. A few months before he died the year 1926, Gaudí left his residence To Park Guell. The Museum is the only thing that not really worth it in the park. While it gives you a deeper introspective to his works, it was still very small and honestly not worth the admission. OPENING TIMES: October-March: from 10.00 to 18.00, April-May: from 10.00 - 20.00, June-September: from 09.00 to 20.00. ADMISSION PRICES: 5.50 euros, reduced - 4.50 euros.
Same sculpture elements that adorns a portion of the Basilica de la Sagrada Familia:
Gaudi often designed furniture to compliment his architectural work.
The main entrance to Park Güell and the porter's lodge pavillions: it is formed by an iron gate, and two pavilions, a warehouse, a shelter for the carriages, and a main staircase. It covers an area of 400 sqm. Currently one of the pavilions and the warehouse is business tours, gift shop (Casa del Guardia) and bar. The main entrance is in C/ OLot.
The two pavilions at the main entrance of the park:
the interior of the porter's lodge:
View from the main entrance in C/ Olot:
There are many musical gathering points around Guell Park:
You exit Park Guell from its eastern entrance in Carretera del Carmel. With your face out - turn RIGHT to a narrow road/path - C/cottolengo del padre alegre sloping down to the east. On your right a house for sick poor people (Cottolengo del Padre Alegre) and on your left a green wall. Along the asphalted path there are proverbs of Antoni Gaudi like: "Anything created by human beings is already in the great book of nature.", "Nothing is art if it does not come from nature". In the end of the descent - turn LEFT (on your right and left - tennis courts) - Riera de Can Toda. You descend in this road and cross Carrer de la Mare de Déu de la Salut. On your left a Chinese restaurant Ta - Tung. Turn left onto Carrer de la Mare de Déu de la Salut, 28 m. Turn right onto Carrer del Secretari Coloma, 54 m. Turn left onto Ronda del Guinardó, 200 m. Turn right onto Carrer de Sardenya. On your right is Sardenya Centre Esportiu Municipal and Holmes Place sport hall. Here, you can find (on your right) a simple, straight-forward bar/restaurant with filling lunch at 9-10 euros (Menu'-del-dia). DO NOT continue with Car. de Sardenya. Take the most left street - Ronda del Guinardo and walk along this road, on your left Parc de les Aigües (A green island that audibly and visually separates part of the homes of the Baix Guinardó district from the intense traffic from Alfons X el Savi square) and, later, crossing C/ de Padilla:
Ronda del Guinardo # 49:
Here starts a nice avenue of palm trees (on your left). You cross Carrer de los Castillejos. Continue walking 2-3 minutes and the Hospital de Sant Pau is on your right. The formal entrance is further east along the bustling street. I recommend turning right and finding a way to enter the hospital from its back. Hospital de Sant Pau is actually two distinct sites. This site can be accessed FREE without security controls if you come from the back of the hospital. Sant Pau is still a working hospital, but the original Modernista buildings at the front (west) have been converted into a museum, The more western complex of hospital buildings is already a tourist site with admission fees of 8-14 euros. The largest, and in many ways the most impressive, of the Modernist sites in Barcelona, indeed in all of Catalonia, is probably also one of the least known and visited. The appearance is stunning to see and the impressive architecture is very interesting. A visit to this hospital is a pleasant activity. Make a visit and be amazed.
Sant Pau, is the world's largest Art Nouveau site. It is a complex built between 1901 and 1930, designed by the Catalan modernist architect Lluís Domènech i Montaner. In 1401, six hospitals in the city of Barcelona merged to form the Hospital de la Santa Creu, a fine example of civilian gothic architecture. With the growth of the city and the advances in medicine in the 19th century, the centre was unable to meet the demands of the time and construction of a new building was proposed. Thanks to the legacy of Pau Gil, a banker, the first stone of the new building was laid on January 15th, 1902. "Sant Pau" was added to the old name of "la Santa Creu" to honour the wishes of its benefactor. The architect Lluís Domènech i Montaner was commissioned with the project. Over the years, the Hospital de la Santa Creu i Sant Pau became the most significant public building in Catalan modernista/Modernisme. The architectural complex of Hospital de la Santa Creu i Sant Pau is an unmistakable landmark in the culture and heritage of Barcelona city in particular and in Catalonia in general. Its architectural and patrimonial value extends beyond its urban location and the site has won European and international acclaim. In 1997, together with the Palau de la Música Catalana (one of the world's leading concert halls), the Hospital was declared World Heritage by UNESCO for its singular architectural and artistic beauty. It was a fully functioning hospital until June 2009, it is currently undergoing restoration for use as a museum and cultural center. As of July 2014 there are still tours of the hospital being given several times a day (in the western part of the complex). In 2003 a new hospital building was erected to the north of the Domènech i Montaner's Modernista pavilions.
First, we take the FREE section of Sant Pau hospital and spend here 15-20 minutes taking photos of the fantastic buildings around:
The west site of Sant Pau hospital cannot be accessed free of charge. Opening time: November – March: Monday to Saturday, 10.00 to 16.30. Sundays and holidays, 10.00 to 14.30, April – October: Monday to Saturday, 10.00 to 18.30, Sundays and holidays, 10.00 to 14.30. January 1st and 6th, December 25th and 26th, closed. Guided Visits: Monday to Saturday: Catalan, 11.30 and 12.30. Spanish: 10.30 and 13.30. English: 12.00, 13.00 and 16.00. French: 11.00. Sundays and holidays: Catalan, 11.30 and 12.30. Spanish: 10.30a and 13.30. English: 10.00, 12.00 and 13.00. French: 11.00. Admission fees: Self-guided visit: 8€, Guided visit: 14€. Concession ticket: aged 16 to 29, over 65, disabled, Self-guided visit: 5.60€, Guided visit: 9.80€. A bit pricey considering that most of the buildings are not restored or, if restored, not open to visitors. 11 stunning building, 4 of which you can enter. Others are still under renovation. Allow a good hour and a half, two hours, as the details and the place are just amazing. The Sant pau is so much quieter than the Sagrada Familia and Park Guell and you can really take your time and appreciate the beauty of the hospital.
This visit begins at the Administration Pavilion, in the exhibition space, where a video, an interactive touch table and other elements introduce you to the monumental and artistic heritage and its significance, the historical evolution of the institution and its contribution to medicine. Undoubtedly, the entrance will be not indifferent to the visitor.
Hospital Santa Creu i Sant Pau – Entrance Hall:
Trencadís (broken tile shards) is a widely used technique in the Catalan Art Nouveau architecture, which can be found again and again in the old Sant Pau Hospital and particularly clearly in the Main Terrace in Park Güell. The tour continues with steps leading to a hallway with large windows and the Art Nouveau ceiling so beautiful and so worked, which confirm that the visit has been worthwhile:
Hospital Santa Creu i Sant Pau – Chapel:
In order to get to the other buildings you head down into the basement and then along part of the network of underground passageways that unite all the separate parts of the original hospital. You can’t explore all of these as the pavilions that are out in the garden are either used by different organisations or have yet to be restored. Nonetheless you do get an idea of what Domènech i Montaner was aiming for, keeping all the servicing of the hospital’s requirements underground and creating the ability to get to all the pavilions without having to pass through or disturb any of the others. Following the route indicated by this pavilion you will pass by different chambers, all with stunning Art Nouveau details. In some rooms there are monitors projecting information about the restoration of the old Hospital de Sant Pau and its transformation into the new Art Nouveau Site. Once traversed the halls of the Administration Pavilion that are truly amazing, if the official route is followed, you will go down stairs leading to the tunnels of the old hospital, through which workers moved and carried the stretchers. The route through the tunnel leads to the modernist courtyard of the site, from which you can visit the rest of the pavilions. Each of these pavilions had its particular function in the old hospital. The largest, the Administrative Pavilion, as said before, is also part of the tour. Its facade glows with mosaic murals telling the history of hospital care, and inside the building there are beautiful columns with floral capitals and a luxurious, dusty pink tiled ceiling:
Walking on through this superb setting you come to the Sant Rafael Pavilion, whose lovingly restored interiors are once again as they were conceived at the start of the twentieth century. You can also visit the Main Hall of the Administration Pavilion, the Pau Gil Room and the Lluís Domènech i Montaner Room, one of the main spaces of the building. The recommended tour finishes in the Sant Jordi Pavilion, a completely refurbished space that hosts temporary exhibitions. At the moment only eight of the buildings have been fully renovated. The initial plan, for which a budget of €100 million has been allocated, takes in 12 buildings and they are those around the central building of the garden as well as the administration building itself:
Hospital Santa Creu i Sant Pau – Main Stairwell:
If Art Nouveau interiors of the Sant Pau Site are awesome, the facades of the different pavilions composing the old hospital are equally astonishing. The site is still under restoration (Summer 2014) and it is easy to find fencing surrounding the areas that are not visitable. There are toilets and running water in the visiting areas:
Hospital Santa Creu i Sant Pau – Pau Gil i Serra:
In Part II of this blog - we continue to La Sagrada Familia and other Modernista monuments - north of Placa de Catalonia.
Parque das Nações (Park of the Nations):
Start & End: Oriente Metro station.
Distance: 7-8 km.
Weather: perfect destination for a cloudy, gloomy or, even, little rainy day. If the day is very hot - go early and spend the first half of the day in this area. Good chance for ocean breeze.
Tips: No high heels and no sandals in this itinerary. Walking/stepping on wooden bridges and (on our way to the Oceanario) on slotted wooden plates - please use steady-state sneakers or sportive shoes. BRing umbrella if there is even a slight chance of rain. There will be no shelter in most of our route.
Parque das Nações (Park of the Nations) is a leisure, commercial, and residential area since the 1998 World Exposition. It covers an extensive area in northeastern Lisbon next to the Tagus estuary, formerly used for mainly industrial purposes. The area underwent a tremendous transformation in the 1990s when it was chosen as the location for the World Exhibition. After the exhibition, the area got its current name (the Portuguese still refer to it as "Expo"), and more transformations occurred such as the new Vasco da Gama shopping mall, the Lisbon's International Fair complex, hotels and many new bars, restaurants, office and residential buildings. Many attractions built for the Expo '98 remained and keep drawing visitors, such as the Oceanarium, one of the world's biggest aquariums. In terms of culture, several facilities must be highlighted: the Pavilhão de Portugal (Portugal Pavilion), the Pavilhão Atlântico (Atlantic Pavilion), the Oceanário (Oceanarium), the Área Internacional (International Area), which became the Feira Internacional de Lisboa exhibition centre, and the Estação do Oriente train station. Taking advantage of its geographical position, Parque das Nações also have a brand new Marina, Marina Parque das Nações featuring 600 berths and modern infrastructures, a river pier for cruises or historical vessels. It is also a spot for bird watching as it is sited in the Tagus Estuary, one of the largest and diverse estuaries of Europe. Today, the Parque das Nações is a lively, dynamic and multipurpose space. It is the brand of contemporary Lisboa, a place where the city’s inhabitants have fun, enjoy shows, go for a walk, play sport, shop, work and live in quality and tranquility.
Oriente Metro and Train station: One of the most stunning modern sights in Lisbon is Oriente Station. It was built by master architect Santiago Calatrava with a roof of glass and steel made to look like a row of trees. Upon arrival at the Parque das Nações, it is impossible not to notice the work of the Spanish architect Santiago Calatrava. The Oriente station dominates the view, serving as an element of urban order, majestic, and includes a bus terminal, car park, underground station, train station and shopping gallery. The entrance to the metro platform has huge tile murals designed by some of the best local contemporary artists. The station will soon be expanded to become the main terminal of the high speed train service planned for Lisbon, and as the city's first stop for the train arriving from the future Lisbon Airport to be built across the river:
Torre São Gabriel:
Vasco da Gama shopping mall:
Towers of offices named after two of Vasco da Gama's ships, São Gabriel and São Rafael:
Pavilion of Knowledge - Ciência Viva. It is an interactive science and technology museum. Mainly games-based, its exhibitions and activities allow children to explore a variety of themes in an interactive and fun way. The “Pavilhão do Conhecimento – Ciência Viva” was designed by the architect João Luís Carrilho da Graça and awarded with the Grand Prize of the FAD Jury in 1999 and it is an emblematic building, representative of the architectural shift that took place with EXPO’98. With an average of 800 visitors a day the “Pavilhão do Conhecimento – Ciência Viva” is nowadays one of Portugal’s most visited museums.
Pavilhão Atlântico - The great hall of Lisboa (Arena): The Pavilhão Atlântico is one of the biggest and most modern covered pavilions in Europe, capable of accommodating all kinds of events. With a 20,000-person capacity, the enclosure hosts nearly 100 events per year. With an architecture based on the old ships that played a central role in the Portuguese Age of Discovery, the Pavilhão Atlântico is now the stage for countless sporting events and welcomes the large scale shows that take place in the capital.
The Atlantic Pavilion Concert Hall:
The Portugal Pavilion is a striking building designed by Portugal's Pritzker Award-winning architect Alvaro Siza Vieira. Its remarkable sagging concrete roof weighing 1,400 tonnes and measuring 50 by 67 meters (167 by 223 ft) is an instant attention-grabber, undulating like a sailcloth, keeping the maritime theme of most of the district's architecture. The building is currently empty but there have been plans to turn it into an architecture museum:
With the Feira Internacional de Lisboa on your right and the Arena on your left - turn left (WEST) and you arrive to a garden (Parque das Nações) with fountains and ground decks of wood - with tunnels of water and many pretty colored tiles. There are several volcano fountains in the park:
From here we head NORTHWARD along the water on wood decks and bridges. On our right we pass near the Torre de Vasco de Gama, Myriad by SANA Hotels, Cais das Naus:
On our left are housing complexes along the ocean:
If we look back - we see the São Gabriel and São Rafael twin towers, and the Atlantic Pavilion. The Cable Car provides an air trip over the whole of the Park of Nations, along the river Tagus. The cable car runs parallel to the river along the full length of the site. Round-trip: €5.90, One-way: €3.95.
Torre São Gabriel:
We walk north - our destination is the Vasco da Gama Bridge. After passing the Parque de Tejo, we pass by the Passeo de Tejo. On our left is Parque Infantil with an interesting sculpture of Audrey Flack (1931) - Rainha (queen) D. Catarina do Bragance, Bronze, 1998:
We start to walk on wooden deck bridge - leading to the giant Vasco de Gama (VDG) bridge. It is the longest bridge in Europe (including viaducts), with a total length of 17.2 km, including 0.829 km for the main bridge, 11.5 km in viaducts, and 4.8 km in dedicated access roads. Its purpose is to alleviate the congestion on Lisbon's other bridge (25 de Abril Bridge), and to join previously unconnected motorways radiating from Lisbon. Construction began on February 1995; the bridge was opened to traffic on 29 March 1998, just in time for Expo 98, the World's Fair that celebrated the 500th anniversary of the discovery by Vasco da Gama of the sea route from Europe to India:
In the small intersection, on the wooden deck, you can turn right to Estacada das Gaivotas - to get a closer view of the mighty bridge:
This our final, northmost point. From there turn back (southward) to get far view of the Torre Vasco de Gama:
We leave the seafront path/bridge. With low houses on our right, we turn RIGHT (west) to these houses and housing quarter. Cross the grass and find a path leading (zigzag) southward (south-west, in the beginning) to these nice residences. We head back to Torre Vasco de Gama. Head west on Caminho das Gaivotas toward Passeio dos Heróis do Mar, 130 m. Turn left onto Passeio dos Heróis do Mar, 10 m. Slight left to stay on Passeio dos Heróis do Mar, 800 m. Turn right onto Rua Comandante Cousteau. The parallel road more south is Rua do Cais das Naus - leading back to Torre de Vasco de Gama:
Rua Comandante Cousteau:
Rua do Cais das Naus:
Again, Torre Vasco de Gama / Myriad Hotel:
We continue southward (passing by the point where we started our walk along the sea) leaving the Oriente station (on our right, now) on our back. We step now on big plates of wood. Quite dangerous. You can walk here only with sneakers. No sandals and no high heels. We walk, now, along Passeio Neptuno and see the Oceanário on our right:
WE can stop at the Oceanário de Lisboa or walk even further (south) to the Marina of Parque Das Nações. In the latter case - we can return to the Oceanário through Passeio Neptuno or return along Rua das Musas.
Oceanário de Lisboa opened during the Expo’98, the Oceanário de Lisboa is one the largest public aquaria in Europe. It is the Oceanário’s mission to promote knowledge of the oceans, educating visitors and the public about the necessity of protecting natural resources, through changing their daily habits. Every year, one million visitors walk through the Oceanário’s exhibits, which rank first as the most visited attraction in Portugal. Students, teachers, families and organized groups may enjoy quite a few activities, including guided tours, theme workshops, seminars, concerts for babies, birthday parties and even spending a very special evening right next to the sharks. The Oceanário de Lisboa was the first European Public Aquarium to be awarded the 9001, 14001 and EMAS Quality Certificates. Other distinguished acknowledgements include the Valmor Architecture (1998) competition, the International Chiara Science Award and the EMAS Award 2005 (Eco-Management and Audit Scheme).
It also plays a very active role in multiple research and conservation efforts, regularly collaborating with academic and zoological institutions on projects such as CORALZOO, SECORE, FAITAG, and even in situ environmental conservation efforts focusing on Lamprey-eels, from the Tagus estuary, and Sea-turtles in Cape Verde. Together with the Gulbenkian Foundation, the Oceanário created an Award which rewards excellence on scientific projects that encourage a sustainable use of the oceans. Designed by renowned architect Peter Chermayeff, the Oceanário de Lisboa includes two buildings, connected by a bridge. The exhibits are housed on the main building, which is surrounded by water, evoking a docked ship ready to cast off. The support building features a striking wall with 55 thousand tiles, depicting jumbo sized marine animals. The Oceanário is situated in the heart of the amazing Esplanada da D. Carlos I.
Tickets can be purchased near the waterfall and the big fountain and NOT near the souvenirs shop.
There is also an computerized/automated vending machine. Free - children 0-3, 11€ - children 4-12, 16€ - from 13 to 64, 11€ seniors 65+. Family - 42€. Opening hours: Summer 10.00 - 20.00 (last entry 19.00) , Winter 10.00 - 19.00 (last entry - 18.00):
East to the Oceanário I had a dinner at Restaurante Chimarrão - Parque das Nações, Alameda dos Oceanos. See tip below.
We head back to the Oriente station - passing by, again, the Pavilhao do Conhecimento, Cienca Viva:
and the Parque das Nações:
We turn left, here, near the Casino - to the Oriente Station:
Guimarães - the historic centre + Monte da Penha (seperate blog):
Main attracions: Palacio Vila Flor, Toural square, Largo da Misericordia, Largo do Oliveira, church of Nossa Senhora da Oliveira, Praça de Santiago, Rua de Santa Maria, Ordem Terceira de São Domingos, Plataforma das Artes, Jardim do Carmo, Convento de Santo Antonio dos Capuchos, Guimarães Castle, São Miguel do Castelo, Palace of the Dukes of Bragança, Largo Condessa da Mumadona, Teleférico de Guimarães, Monte da Penha.
For the Monte da Penha description - see the Guimaraes - Monte da Penha itinerary.
Duration: 1 day.
Distance: 7-8 km (without Monte da Penha). 14-15 km. with Monte da Penha. The distance from Guimarães Castle and Palace of Dukes to Monte da Penha is about 5 km.
Orientation: As the first capital of Portugal and birthplace of the nation's first king, Guimarães is one of the country's most historic cities, and its World Heritage medieval streets with well-preserved monuments make it one of the most attractive places to visit in Portugal. It is possible to visit the city on a day-trip from Porto or Braga. Walking around is no doubt the best option to explore Guimarães. Guimarães' historic centre is somewhat small (but beautifull!) and everything is within a short walking distance. Also, while strolling around you may take some time to admire the architecture, watch people and mingle with locals. Furthermore, there are no steep climbs or uneven pavements, so I’m sure you will feel quite comfortable walking around the city. The castle and Paço dos Duques, which are a bit off centre, are neverthless situated within walking distance, so it’s no use in moving around by car or bus. In the Centro Storico area there are many pedestrianised streets and pathways which are not accessible to cars or public transportation anyway.
BUT, If you plan to visit a bit further than Guimarães' historic centre and monuments, such as Mosteiro de Santa Marinha on the slopes of Monte da Penha or make a visit in Penha Mountain ( A MUST !!!), or even a bit further such as Citânia de Briteiros or Mosteiro de Tibães, then walking is not enough and a bus, car or a bike would be very convenient. Using public transportation may be enough for visiting Monte da Penha. For visiting the Guimarães historic centre AND Monte da Penha - you'll need one long, busy day. We devoted a separate itinerary blog to Monte da Penha.
Transportaion: Catch the Metro to Campanhã Station or São Bento Station in Porto and then get a train to Guimarães. Duration: 75 min. - 2 h. Price (aprox.): 5€. From Porto, you have a train every hour. The train station of Guimaraes is located about 1 km south of the historic city centre.
Guimarães (jointly with Maribor, Slovenia) was the European Capital of Culture in 2012. Guimarães is one of Portugal's most important historical cities. Its historical center is a UNESCO World Heritage Site, making it one of the largest tourist centers in Portugal. Unesco declaration, in 2012, was a huge success, with more than 2,5 million people visiting the city in 2012. An exceptionally well-preserved and authentic example of the evolution of a medieval settlement into a modern town, its rich building typology exemplifies the specific development of Portuguese architecture from the 15th to 19th century through the consistent use of traditional building materials and techniques. The historic centre is formed by a large number of stone constructions (950-1498). The period from Renaissance to neoclassicism is characterized by noble houses and the development of civic facilities, city squares, etc.
The city proper has a population of approx. 52,000 inhabitants. Guimarães is located in a valley and surrounded by hills and because there is some distance to the sea, the Winter is normally cold and rainy and the Summer is hot and lightly humid.
The city is often referred to as the "birthplace of the Portuguese nationality" or "the cradle city" (Cidade Berço). The historic town of Guimarães is associated with the emergence of the Portuguese national identity in the 12th century. The administrative seat of the County of Portugal was established here by Henry of Burgundy. It also had been the birthplace of Afonso I, the first Portuguese king. The city played crucial historical role in the Battle of São Mamede (24 June 1128), which had a tremendous importance in the formation of Portugal.
Guimaraes was founded between year 950 to 957 (10th century) and had its origin around a monastery built by Countess Mumadona Dias, widow of Count Hermenegildo Mendes. To protect the monastery from Muslims, the Countess built also a military tower. In 13th century the city was all surrounded by a big perimeter of walls and divided into low city and high city.
Your walk: From the Guimarães railway station you turn left along Avenida Dom João IV and walk until Hotel Fundador. Here you turn right and descend along Avenida Dom Afonso Henriques - a nice and shady tree-lined avenue. Immediately after the first turn to the right (Rua Paulo VI) you see the Palacio Vila Flor. The Vila Flor Palace was built by Thaddeus Luis Antonio Lopes de Carvalho Fonseca and Camões in the eighteenth century. Later, passed into the possession of the Jordan family, who completed the work begun by Luis Tadeu. In 1853 it received the Queen Mary II, by decree of June 23 of that year, when the village of Guimarães became a city. In 1884, it was the venue of the I Industrial Exhibition and Trade Guimarães. It was purchased by the city of Guimarães in 1976, served as a place to house the Guimarães' University of Minho music academy, theater workshop and venue for training classes. It is a striking building in the unfolding history of Guimarães. The Vila Flor Cultural Centre is the result of the restoration of Vila Flor Palace and its gardens, and the construction of a new building for the showrooms. The restoration promoted by the Municipality of Guimarães was granted by tender to the firm of Pythagoras Architects. The new building for the theater is combined with the nineteenth-century Baroque palace and its gardens. Opened on September 17, 2005 with the concert of the famous Madredeus group. The Vila Flor Cultural Centre has a large auditorium with a capacity of about 800 seats and a small auditorium with 200 seats. The new building also houses a restaurant, Café Concert and administrative services. The restored palace, with an exhibition area of about 1000 square meters, also houses the headquarters of the Assembly Municipal:
The gardens of Vila Flor Cultural Centre received in 2006, Honorable Mention in the category Open Spaces of Public Use in Architecture and other national awards:
You keep walking down the Avenida Dom Afonso Henriques street until you're face to face with the old tower's left of what was the old wall where PORTUGAL WAS BORN HERE, and arrive to Toural square. On your right is Jardim Público da Alameda - a space with cement floor beds and lawns, lots of trees and park benches, highlighted by a bronze statue and the bandstand.
On your right (east), in one of the old towers of the city's old wall it is written "Aqui nasceu Portugal" (Portugal was born here):
The Largo do Toural, known as the "living room", is considered together with the squares of Oliveira and Santiago - the city centers of Guimarães. There are various commercial spaces located where you can find several references of trade in Guimarães, from bakeries, restaurants, hotels, flagship stores, among others. Is it worth standing in one of the corners of the wide square and observe the architecture of the buildings' facades that flank the square, as well as the pace and city life. In some periods of the year, the night lighting of the square is operative and is very attractive.
Note, in the square the lovely houses' facades and various traditional shops. There are still a few old shops around the Alameda and Toural square, some of which bring to mind the traditional and exquisite embroideries of Guimarães - like: Largo do Toural, house # 38, Casa Ferreiea da Cunha:
Historical Centre of Guimarães is classified as World Heritage. It is a great idea to discover the old centre stone by stone, street by street walking along the city walls and getting lost in the tiny streets of this amazing medieval town. A heightened feeling of patriotism seems to fill the air around Toural square and national symbols can be seen everywhere, as well as those of Vitória de Guimarães, the local football club.
With your face to the north - to the Jardim Público da Alameda - continue north, cross Rua Rainha Dona Maria II and you arrive to Largo da Misericordia. Good to take some nice pictures of the fountain and the square:
Return to Rua Rainha Dona Maria II and walk EAST until its end - to meet another central hub of Guimarães (but far more quaint than Toural square) - The Oliveira square (Largo do Oliveira) - the historical center of Guimarães, with the Padrão do Salado on the left (picture below). Very well preserved medieval square located in the historic center, with several monuments nearby. So many photo opportunities and spotless . Very clean and all the buildings are so well maintained. Stroll lazily around the Square, visit the Church of Our Lady of the Oliveira ("Oliveira" means the olive tree), enjoy the traditional residences with their balconies and beautiful wooden doors and windows and make a few photos at the Gothic monument of "Padrão do Salado". All dating from the 17th Century!
The Largo da Oliveira is dominated by the collegiate church of Nossa Senhora da Oliveira. The church, originally founded by Afonso Henriques in the 12th C., in thanksgiving for his victory in the battle of Ourique, stands on the site of an earlier convent founded by Countess Mumadona in the 10th C. It was considerably enlarged in 1387-1400 by Joao I to commemorate the battle of Aljubarrota, when most of the original Romanesque cloister was demolished. The church as it appears today is largely 16th C.; the Manueline tower was added in 1505.
Features of the interior of the church include a Gothic stone altar and the Romanesque baptismal font from the Capela de Sao Miguel do Castelo, where Afonso I Henriques is said to have been christened. The silver altar in the sacramental chapel is particularly valuable:
Continue NORTH (your left coming from Rua Maria II) along the Rua de Santa Maria, one of the most ancient streets of medieval Guimarães. After the political actions of the Reconquista organized by the Kingdom of Galicia in the 9th century, the medieval foundations of the actual city have roots in the 10th century. At this point, the Countess Mumadona Dias, erected a monastery in her property of Vimaranes, which originated the fixation of people in the area known as "vila baixa" (downtown). At the same time, she ordered the construction of a castle on the hill area which became known as "vila alta" (uptown), to defend the settlement. To connect these to other areas, the Rua de Santa Maria was built:
Rua de Santa Maria connects Largo da Oliveira and the Santiago Square. Along its route, note the following monuments:
The Convent of Santa Clara (currently the Guimarães City Hall - Praca de Municipio). The building of Camara Municipal or City Council is situated at Rua de Santa Maria not far from the Church Nossa Senhora de Oliveira. It is worth to spend there twenty minutes an take several nice pictures:
The Gothic House of Valadares de Carvalho (# 9), the Casa do Arco (# 28),
the House of Peixoto (# 39), the the House of Aries, which today houses the Municipal Library Raul Brandão (# 58):
and many others that give it its own identity and characteristic to this city. Thus, for many centuries Rua Santa Maria is the most important street of Guimarães and where he lived part of his elite.
Rua de Santa Maria leads to the Square of Santiago (Praça de Santiago), surrounded by residential complex greatest artistic and environmental quality of 17 and 18 centuries is marked by the presence of the building of the former Town Hall, whose ground floor consists of a porch supported by Gothic arches, element singular articulation between Praça de Santiago and Largo da Oliveira. The story goes that the apostle James S. Guimarães brought an image of the Blessed Virgin Mary, and this was placed in a pagan temple that is off this square. Honoring this image caused renaming the area - Plaza de Santiago. So, in this square then once existed a small chapel porch (from the XVII century) dedicated to Santiago which was demolished in the late century. XIX. The current square still retains the medieval traces, despite the changes done over time. The Chapel, despite its demolition in 1887, is still possible to be located in the square: since the design of cobblestone pavement - there is a granite sign which marks the location of the former chapel. The square of Santiago is now a friendly place at any time of the day. The square is one of the main meeting places and socializing with locals and visitors:
Return south along Rua de Santa Maria. In its middle (our face is, now, to the SOUTH) - turn RIGHT (west) to Praça de São Tiago:
Continue west along Rua Doutor António Mota Prego. Turn left and continue south along Largo da Misericórdia (already browsed before) and continue west (left) along Rua Rainha Dona Maria II also visited before. Turn left, then right, cross again Largo do Toural, right, left and enter Rua Dom João I. Here, you see, on your right, the Ordem Terceira de São Domingos - a marvelous building, off the beaten touristic track. The Venerable Third Order of St. Dominic (VOTSD) is a Private Institution of Social Solidarity (IPSS), nonprofit, called "Order of St. Dominic". The building consists of 4 floors and is attached to this Chapel of the institution. It also has a garden and private parking:
Return north-east to the beginning of Rua Dom João I and turn LEFT (north-west) to Rua Paio Galvão. On your left is the Plataforma das Artes. The Platform of Arts and Creativity is an infrastructural project to transform the Old Market of Guimarães to a multifunctional space dedicated to artistic, cultural, economic and social activity. This site will host a series of skills and arts dedicated to three major program areas spaces:
1. The International Centre of Arts José de Guimarães, which hosts a permanent collection of José de Guimarães. 2. An area of temporary exhibitions space 3. Complementary activities, presentations and small shows - plus a series of ancillary services and car parking. This space or part is geared to young artists who, in various areas of activity, wish to develop projects of a temporary nature, whilst propelling a creative dynamic environment that will infuse the entire platform. It is planned to install, in this complex, a restaurant / cafeteria and a bookstore.
THe whole platform complex had been constructed for the Guimarães - Europe Centre of Culture - 2012. It seems that the project had been stuck and suffers from temporary stagnation. With this project, It is intended that the transformation of the marketplace into a multifunctional space dedicated to artistic, economic, cultural and social activities within the scope of European Capital of Culture 2012, will allow, hopefully, for the physical and functional reintegration of the past municipal market area into the urban fabric, to become a reality and so, to recover one key area of the city space:
Shimmering brass walls surround this arts centre that Portuguese firm Pitagoras Architects has completed in year 2012:
I recommend visiting the the studio of Barreira Painter with large-scale batiques wit the image of Frida Kahlo in its front. The young, talented painter creates most of his pictures as Improvisations to Solomon Joseph Solomon pictures. Solomon Joseph Solomon (16 September 1860 – 27 July 1927 , UK) was a British painter, a founding member of the New English Art Club and member of the Royal Academy. Solomon painted mainly, dramatic, theatrical scenes from the Mythology and the Bible on large canvasses. These scenes include some of his more popular paintings. One of Solomon's most popular works was Samson (1887), depicting a scene from the Biblical story of Samson and Delilah. Samson is one of few Solomon paintings on regular display, at the Walker Art Gallery in Liverpool. Some other Solomon paintings that have received significant attention include Ajax and Cassandra (1886) and The Birth of Love (1896).
Solomon Joseph Solomon - Ajax and Cassandra:
Continue north-west along Rua Paio Galvão until itse nd and turn right onto Rua de Gil Vicente (the main commercial thoroughfare in the city). In the main circular square - continue north along Avenida General Humberto Delgado. Continue north along the avenue. In the first cross way turn right to Rua Agostinho Barbosa - to see the Jardim do Carmo. Framed by palaces and the Convento do Carmo, decorated by seventeenth-century source, is considered by many as the best leisure area of the city. Trapzoidal, distributed by several beds, around a monumental fountain, built in 1583 by master Gonçalo Lopes.
Return (west) to Avenida General Humberto Delgado and turn right, continuing north along the avenue. In the next crossway - take the right (east) leg and climb along Rua Doutor Joaquim de Meira. Walking along Rua Doutor Joaquim de Meira - you'll see, on your right the path leading to the Castle. But, keep walking along Rua Doutor Joaquim de Meira to hit Convento de Santo Antonio dos Capuchos. Situated in the middle of a holy hill, the church occupies space in the building built as the XVII century. Visitors are invited to walk the hallways, courtyards and cloisters of the imposing building and visit its magnificent XVIII century sacristy. In the nineteenth century it underwent major reconstructions and was transformed into a hospital. The original building still retains the early church, the sacristy and cloister:
Retrace your steps and reverse direction. Return south along Rua Doutor Joaquim de Meira. Turn left onto Caminho do Castelo - to face Guimarães Castelo - Guimarães Castle.The whole area is the Monte Latito within the Colina Sagrada (Sarcred Hill) of Guimarães. It includes the Guimarães Castle, small Romanesque church - São Miguel do Castelo and the Palace of the Dukes of Bragança:
The medieval Castle, built on the site of the first fort of the 10th century. The present construction was built from stone, begun at the time of Afonso I and continued with various modifications in the following centuries. The imposing medieval Guimaraes Castle with eight crenellated towers 28m high, was built in the 10th century to protect the population from attacks by the Moors and the Normans. It was then extended to its present size in the 12th century by Afonso Henriques, the first king of Portugal, who was baptized in the small Romanesque chapel next to the castle. It was completely renovated from 1387 to 1413, with three naves and a wooden roof structure, according to the Portuguese Gothic model. The cloister was added in the 16th century and the present sanctuary to the church in the 17th. Part of it was demolished in the 18th century and since then it has been subject to restorations. FREE ENTRY. Everyday 9.30 -18.00. This is a small castle and the walk takes you inside and around the central tower. It is a short visit since most sections are closed to the public. Signage is minimal. Access to the walls is barricaded:
Close to the castle, there is a small Romanesque church, São Miguel do Castelo (Igreja de São Miguel do Castelo), ruined in the 19th century and restored in the 1920s. The church is emblematically linked to the foundation of the Portuguese Kingdom; legend suggests that it was the sight of the baptism of the young Afonso Henriques. At this humble chapel, D. Afonso Henriques, the founder and first King of Portugal, was baptized. The "original" baptismal fountain still can be seen inside the chapel. Legend or not, the Church of St. Michael of the Castle (the oficial name of the chapel) was built around the 13th Century, in the late romantic style, at the so called Sacred Hill ("Colina Sagrada"). It became ruins until the 20th Century, when restoration efforts brought it to the actual looks. The Chapel, together with the neighboring Castle of Guimarães and the Palace of the Dukes of Bragança (see below), form a complex of great historical and architectural importance:
Nearby, south-west to the castle is the Palace of the Dukes of Bragança (Paço Dos Duques De Bragança). The most beautiful building at Guimaraes ! The palace is a wonderful restoration and worth seeing. A large medieval palace, with 39 unusual brick chimneys showing strong Northern European influence. Built from stone down the hill from the castle. The first construction dates from 1420-22, most probably under French influence. The building was conceived as a symbol of the pride of the Bragança family. The building underwent various vicissitudes, serving as a military headquarters in the late 19th century. During the Salazar dictatorship as an official residence for the president. Inside is an impressive banqueting hall with a splendid wooden ceiling, and an extensive collection of portraits, furniture, carpets, and porcelain dating mainly from the 17th and 18th centuries. The Palace was only inhabited permanently during the 15th Century and in the following centuries a progressive abandonment and consequent ruin settled. This condition was only altered when - in the 19th century - what was left of the Palace was reused so a military barracks could be installed in its premises and, in the 20th century, due to political motivations, it was fully rebuilt. Between 1937 and 1959 a complex reconstruction was carried out based on a project by the architect Rogério de Azevedo. At the same time, a Commission was created to gather a group of objects, dating mostly from the 17th and 18th centuries, in order to assemble the interiors. The Ducal Palace of the Bragança was classified as a National Monument in 1910 - even before its reconstruction - and is currently a dependency of the Direção Regional de Cultura do Norte. Inside there is a Museum (1st floor), a wing for the Presidency of the Republic (main facade, 2nd floor) and a vast area dedicated to several cultural initiatives (on the ground floor). The Ducal Palace of the Bragança is one of the most visited Museums in Portugal both by Portuguese as well as foreigners.
Prices: Adult - 5 euros, senior - 2.50 euros. You can pay one more euro and get a second ticket to the Museo de Alberto Sampaio which doesn't seem well known but is 10 minutes walk down the hill and holds wealth of art and artifacts.
Open: everyday: 09.30 - 18.15. Last admission: 17.45. Closed: January 1, Easter Sunday, May 1 and December 25. Free entrances: First Sunday of each month, Children up to 12 years old.
Visitors are allowed to take non commercial photos without flash light and tripod.
The Palace is located in the urban setting of the historic centre of Guimarães on the top of Monte Latito, encircled by a forested park and green-space, intersected by several pedestrian trails. In its proximity to the southeast, the Chapel of Santa Cruz, to the north the Church of São Miguel do Castelo and the Castle of Guimarães. In a space to the left of the main ramp/entranceway is a monument erected to Afonso Henriques:
The following description is taken from the Wikipedia(=>)
Structured around a central rectangular courtyard, the lateral buildings housing the official residences, while a chapel is located opposite the entrance. Its simple/basic form is one of the best examples of Portuguese late-medieval construction used by the nobility, comparable to the 14th century French palaces/buildings of the time. The plan developed around a rectangular building with four rectangular towers, around an interior courtyard dominated by the chapel on the southeast wing. The spaces are articulated and staggered horizontal floors, covered with different roof tiles, in addition to with six tall chimneys. Each façades is made of granite, masonry block and interspersed by rectangular windows of varying styles: cruciform, stained-glass, standard and oblique. A few of the first floor windows are covered in metal grating. The northwest façade has an arch doorway surmounted by corbels and is recessed from the two towers. The superior floor is a balcony that runs the length of the interior courtyard, supported by corbels, which unite the guard towers. The lateral (northeast and southwest) façades are of a lower height and covered by trim and corbels, that support the covered balcony, interspersed by openings at floor level. The southwest wing is broken by the body of the chapel, which extends away from the façade (identifiable by two large Flemish stained-glass windows), and is highlighted by a cantilever roof within the courtyard. The towers are all closed rectangular bodies, with watchtowers, interspersed by small windows. The interior patio, accessible from the main doorway, is a balcony that overlooks the courtyard: supported by Gothic arches on the main floor and columns on the second. At the roof-line, on all interior façades are balconies supported by granite corbels, while the chapel-side façade is highlighted by two isolated balconies (covered by tiled awnings) supported by similar corbels. The same façade is highlighted by a cantilever roof, supported by a rounded wooden arch and two supports decorated with columns. In the interior of this awning is a portal (consisting of four inset arches) preceded by a staircase, which gives access to the chapel. The gallery is covered by masonry stone on the main floor, and tiles on the second, with interior covering in wood.(>=)
In 1937, restoration work was begun on the building and on 24 June 1959, exactly 831 years after the Battle of São Mamede, the palace was brought back to life in all its Norman-inspired Gothic glory. On the ground floor in the north wing is a small museum of contemporary art, which houses pieces given to the city of his birth by the painter José de Guimarães (the artist who created Portugal´s tourism symbol).
The main entrance and ramp showing the two floors and entrance:
The southeast corner of the Palace, showing a clear division between building styles:
The west facade:
The austere interior spaces include simple granite walls with ceilings and floors in wood. Spaces on the first floor are divided into several rooms, separated by narrow corridors that run perpendicular to the façades. In these spaces are the visitors reception area, storage, carpenters space, main hall and office of the director of the site. In the main wing is the unique staircase in the palace, consisting of four flights in granite. The intermediary floor, corresponds to the museum space, consisting of the towers and halls with rock fireplaces, including the Salão de Banquetes (Banquet Hall) and the Salão dos Paços Perdidos(Hall of Lost Town Hall), with roofs designed like the interior keel of a boat, in wood. The last floor, was dedicated for the use of the President of the Republic, and is characterized by a succession of bedrooms with private bathrooms, between two suites located within the towers (for the President and Prime Minister. This floor is immediately accessible via the small elevator on the ground floor and staircase from the second floor cloister. The last floor of the posterior wing is marked by a succession of rooms and the chapel.
"Prastrana" tapestries depicting Portuguese wars in North Africa. There are four copies of the tapestries Prastrana:
Helmets and spears from Portuguese wars in Africa:
Room of Donna Catherine:
The courtyard and chapel entrance, showing the Romanesque era portico and exaggerated influences dating from the Estado Novo era:
The chapel has a single nave, which is covered by a wooden ceiling presenting visible joists. A straight narrow wooden choir, allows access to balconies which extend to the front of the church and the exterior facade, as well as the corridors of the remaining wards. The richly carved wood benches in the nave precede the elevated presbytery, which is delimited by a wooden guardrail. The little chapel is so peaceful and the stained glass windows are beautiful:
stained glass windows in the chapel:
Room of St. Miguel:
We head now to Monte da Penha. Our direction, at the moment, is south (and, later, north-east). We head, first, to Largo Condessa da Mumadona. With your back to the Dukes Palace we descend southward. We turn left (where the carriage with horses stand). You get to small park with stone seats (there are restrooms here !). Descend the stairs. On your left - a nice fountain:
From the fountain - DO NOT DESCEND THE STAIRS. Take the path to the left. Ascend and descend the stairs - when the palace and the city walls on your left. IN the end of the stairs - cross the street (Rua Dona Constância de Noronha) and turn right (west). Walk west along Rua Dona Constância de Noronha (Tribunal da Comerca - on your right).
You arrive to the Largo Condessa da Mumadona. Mumadona Dias, or Muniadomna Díaz, Countess of Portugal in the 10th century, who ruled the county jointly with her husband from about c. 920 and then on her own after her husband's death around 950 until her death in 968. Celebrated, rich and the most powerful woman in the Northwest of the Iberian peninsula, she has been commemorated by several Portuguese cities. Guimarães Castle was built by Mumadona.
Statue of Mumadona Dias, in front of the city court:
Note, west to the square, the ancient city walls. On your back - the Paço Dos Duques De Bragança lighted under the afternoon sun. With your face southward - pass Convento de Santa Clara and cross southward Rua Almirante Sousa Ventura. Head south on R. dos Combatentes da Grande Guerra toward R. Abade de Tagilde, 200 m. Turn left onto R. Dr. José Sampaio/N101-2, 60 m. Turn right onto R. do Rei Pegu, 300 m. Slight left and you arrive to the Teleférico de Guimarães, Rua Comendador Joaquim Sousa Oliveira 37. THe cable, here, brings you to Penha Mountain - Monte da Penha. Penha is the name of a mountain located right next to Guimarães old town. It offers amazing views over entire city. On the top of the mountain, you may visit the Sanctuary to which you will ride the cable car climbing 400 m over the ground providing passengers with unforgettable experience and most amazing views on Guimarães. Penha Mountain, is the only mountain in Guimarães, when you can have a wonderful view over the city. You can go there through an elevator, where you can taste a little more of the mountain spirit, and at the same time get different views of the city. It provides a journey of 1,700 m., Winning an altitude of 400m. in just 7-10 minutes. Penha Mountain has excellent access and parking for cars and buses, Cable turns a visit to Guimarães Penha mountain - unforgettable. Penha Mountain, beyond the Sanctuary, offers a wide range of infrastructure, especially one Camping Mountain, a mini-golf, fitness circuits, walking areas and picnic in the shade of leafy trees, restaurants, bars and cafeterias. OPen: Months of November, December, January, February and March: 10.00 - 17.30. Months of April, May and October: 10.00 - 18.30. Months of June, July and September: 10.00 - 19.00 Monday to Friday and Saturdays, 10.00 - 20.00 Sundays and holidays. August: 10.00 - 20.00. Closed for maintenance the last Monday of each month. Last shipment: 15 minutes before closing. Adult - 4.5 euros.
for the Monte da Penha description - see the Guimaraes - Monte da Penha itinerary.
Parlamentsgebäude - The Austrian Parliament - outstanding Greek architecture:
Transportaion: U-Bahn (subway): U2, U3: Volkstheater, tram D, 1, 2: Stadiongasse/Parlament, tram 46, 49, bus 2A, 48A: Dr. Karl Renner-Ring.
Note: Lion's share of the text - is taken from the Wikipedia web site.
The Austrian Parliament building, (Parlament or Hohes Haus, formerly the Reichsratsgebäude), is where the two Houses of the Parliament of Austria conduct their sittings. The building lies at the Ringstraße (Universitatsring) in the first district Innere Stadt in Vienna, close by the Hofburg Imperial Palace and the Palace of Justice. The main construction lasted from 1874 to 1883. The foundation stone was laid in 1874; the building was completed in 1883. The architect responsible for its Greek Revival style was Theophil Hansen (Danish origin). The architect von Hansen designed the building as an ensemble, where each piece harmonizes with the rest. He was also responsible for the interior decoration such as statues, paintings, furniture, chandeliers, and other elements. One of the building's most famous features is the statue of Athena and the fountain, a notable Viennese tourist attraction. At the foot of the ramps are statues of Horse Tamers. Eight more statues on the balustrades show historians from the Antiquity: four Greek historians on the left ramp and four Roman historians on the right ramp. The building is decorated on all sides with many more statues and friezes (together more than one hundred) and four sculpture groups of chariot riders adorn the roof of the Parliament.
The whole visit in the Parliament is a real experience. Ignore the fact that so few tourists are paying vor a guided tour in this stunning attraction. The guided tour is sweeping and interesting. The interior is wonderful. It is one-hour visit - long remembered.
Opening hours for guided tours: Mid-September until mid-July (except on days when parliament is in session): MON - THU: 11.00 , 14.00, 15.00, 16.00, FRI: 11.00, 13.00, 14.00, 15.00, 16.00, SAT: 11.00, 12.00, 13.00, 14.00, 15.00, 16.00. Mid-July until mid-September (except on days when parliament is in session): MON - SAT: 11.00, 12.00, 13.00, 14.00, 15.00, 16.00. Admission: 5 €, Individual ticket/reduced* € 2,50, For persons aged 19 or under free. Combined ticket with Palais Epstein - 8 €. Duration: approx. 55 minutes.
The imposing structure is dominated by the central portico with eight monumental Corinthian columns. Sculptures on the tympanum depict Franz Joseph who grants his subjects a constitution. Wide ramps lead to the portico. Baron von Hansen's design for the Reichsratsgebäude uses the neo-Greek style, which was popular during the 19th century Classic revival. Hansen worked at that time in Athens and was recruited by the Greek-Austrian magnate Nikolaus Dumba, who was on the committee for constructing a new parliament building. Hansen was inspired by the design of the Zappeion hall in Athens. Despite heavy damages and destruction during World War II, most of the interior has been restored to its original appearance. The parliament building covers over 13,500 square meters, making it one of the largest structures on the Ringstraße. It was constructed to house the two chambers of the Reichsrat, the legislature of the Austrian part (Cisleithania) of the Austro-Hungarian Empire. The original plans saw separate buildings for the House of Representatives and the House of Lords, but for practical and financial reasons it was later decided to house both chambers in one building. Von Hansen's concept of the layout reflected the structure of the Imperial Council (Reichsrat), as was stipulated by the so-called February Patent of 1861, which laid down the constitutional structure for the empire. The two chambers were connected by the great hypostyle hall, which was the central structure. The hall was supposed to be the meeting point between the commoners and the lords, reflecting the structure of society at the time. Today, the parliament building is seat of the National Council (Nationalrat) and the Federal Council (Bundesrat). It contains over 100 rooms, the most important of which are the Chambers of the National Council, the Federal Council and the former imperial House of Representatives (Abgeordnetenhaus). The building also includes committee rooms, libraries, lobbies, dining-rooms, bars and gymnasiums. It is the site of important state ceremonies, most notably the swearing-in ceremony of the President of Austria and the state speech on National Day on each October 26. The building is very closely associated with the two Houses, as shown by the use of "Hohes Haus" as a metonym for "Parliament". Parliamentary offices overspill into nearby buildings such as the Palais Epstein (see above):
Parliament - rear side:
The main entrance at the portico is an exact copy of the gate of the Erechtheion on the Acropolis of Athens, fitted with a bronze portal. From the main entrance at the Ringstraße one passes into the vestibule of the building, which contains Ionic pillars. The walls are decorated with Pavonazzo marble. The niches contain statues of Greek gods. Seen from the entrance starting from the left these are Apollo, Athena, Zeus, Hera, and Hephaestus, and from the right Hermes, Demeter, Poseidon, Artemis and Ares. Above the niches with the gods is a frieze more than 100 m long by the Viennese artist Alois Hans Schram, running along the corridor and continuing into the atrium. It is an allegorical depiction of the blessing of Peace, the civic Virtues and Patriotism. Above the entrance that leads to the grand Hall of Pillars (Säulenhalle) is a frieze with an allegorical depiction of Austria on her throne. Representing the motto "Goods and Blood for thy country" (Gut und Blut furs Vaterland), warriors are swearing their loyalty and women are bringing offerings:
Hall of Pillars:
For the interior decoration Baron von Hansen used Greek architectural elements such as Doric, Ionic and Corinthian pillars, and in the two rooms Pompei-style stucco technique for the walls. Located behind the entrance atrium is the grand Hall of Pillars (Säulenhalle) or peristyle. The hall is about 40 m long and 23 m wide. The 24 Corinthian pillars are made of Adnet marble, and all of them are monoliths weighing around 16 tons each. The pillars carry the skylighted main ceiling in the middle and the coffered side ceilings. The floor is made of polished marble resting on a concrete hull. The space below was designed as a hypocaust for a floor heating and air circulation system for the hall. Located on the transverse axis at the end of the Hall of Pillars are the chamber of the former House of Representatives (on the left ) (see below) and the chamber of the former House of Lords (on the right) (see below). Von Hansen's idea was to have the Hall of Pillars as the main central part of the building. It was designed to act as a meeting point between the House of Lords and the House of Representatives. Hansen also wanted to have the hall used by the monarch for the State Opening of Parliament and the Speech from the Throne, similar to the British tradition. However, such ceremonies were never held in the building, since Emperor Franz Joseph I had a personal disdain for the parliamentary body. Speeches from the Throne in front of the parliamentarians were held in the Hofburg Palace instead. The architect von Hansen paid particular attention to the design and construction of this hall. The marble floor was polished in a complicated process. The capitals of the pillars were gilded with 23 carat (96%) gold. Running around the wall was a frieze - designed and painted by Eduard Lebiedzki. The monumental piece of work took decades to prepare and design, and four years, from 1907 until 1911, to paint. The frieze showed allegories depicting the duties of parliament on a golden background. The hall was heavily damaged by aerial bombardments by British and American during World War II. On February 7, 1945 the hall suffered direct hits by aerial bombs. At least two pillars and the skylight were completely destroyed. The gilded coffered side ceilings under which the frieze ran on the walls were almost completely destroyed. The few surviving parts of the frieze were removed and stored. Only in the 1990s were the surviving parts restored as much as possible. Because of its representative character, the Hall of Pillars is presently used by the President of the National Council and the Federal Council for festive functions, as well as for traditional parliamentary receptions. Located at the back of the Hall of Pillars is the reception salon (Empfangssalon) of the President of the National Council. The room is fitted with Pompeian wall decorations in stucco and a large glass skylight. Hanging on the wall are portraits of the Presidents of the National Council since 1945. Further behind the reception salon is the former reception hall for both chambers of the Imperial Council. It is used today for committee meetings and hearings on financial, state budget, and audit court matters by the National Council, thus its present name, Budgetsaal. The hall is richly decorated with marble, stucco, and a rich coffered ceiling in the Renaissance style. Inlaid into the ceiling are the coat of arms of the 17 Kronländer kingdoms and territories represented in the Imperial Council.
Former House of Representatives Chamber:
The chamber of the former House of Representatives (Abgeordnetenhaus) is used today by the Federal Assembly (Bundesversammlung) whenever it convenes for special occasions such as National Day and the inauguration ceremony of a newly-elected Federal President of Austria. It originally contained 364 seats. With the introduction of various electoral reforms, the number was increased to 425 seats in 1896 and with the introduction of male universal suffrage in 1907 to 516 seats. The chamber has viewing galleries on two levels. The first gallery has in the middle a box for the head of state. The right side of the gallery is for the diplomatic corps and the left side for the cabinet and family members of the head of state. On both far ends are seats for journalists. The gallery on the second level, which is slightly recessed from the one on the first level, is for the general public. The chamber is architecturally based on an ancient Greek theatre. The wall behind the presidium is designed like an antique skene with marble colonnades that carry a gable. The columns and pilasters of the wall are made of marble from Untersberg, the stylobates of dark marble, the decorations of the doors of red Salzburg marble. The wall space between the pillars is made with niches in between decorated with statues made of Carrara marble. The statues show historical persons such as Numa Pompilius, Cincinnatus, Quintus Fabius Maximus, Cato the Elder, Gaius Gracchus, Cicero, Manlius Torquatus, Augustus, Seneca the Younger and Constantine the Great. The friezes above were painted by August Eisenmenger and depict the history of the emergence of civic life. Starting from left to right it shows: Battle of the Centaurs and Lapithes, Minos judges according to his own discretion, Swearing-in of the representatives of Sparta, Brutus condemns his sons, Menenius Agrippa reconciles the estates, Sophokles in competition with Aischylos, Sokrates visiting the market of Athens, The order of the representative buildings through Pericles. Note: the head of Pericles actually has the features of Baron Theophil von Hansen, Herodot in Olympia, Plato teaches law, Demosthenes addresses the people, Decius Mus dedicates himself to death, Caius Gracchus holds a speech from the speaker's platform, Solon has the Athenians swear on the laws, Peace.
National Council Chamber:
Since 1920 the former meeting room of the House of Lords has been used as a plenary meeting room by the National Council. The House of Lords (Herrenhaus) used to have its chamber where today the National Council convenes. The chamber was designed in the classical style, with a horseshoe-shaped seating arrangement facing the chair. The Chamber of the National Council was destroyed in 1945 during aerial bombardments and was completely rebuilt in a modern style. The new chamber was finished in 1956 and is a typical example of 1950s architecture. Apart from the coat of arms made of steel, the chamber lacks lustre and without decoration. The carpet is mint-green, considered to be neutral at the time since it was not the color of any political party. Behind the speaker's stand is the government bench (Regierungsbank), which is however only fully occupied during important events such as the declaration of the government (Regierungserklärung) or the sessions of budget speech (Budgetrede):
Federal Council Chamber (Bundesrat):
Located next to the Chamber of the former House of Lords is the current Chamber of the Federal Council of Austria (Bundesrat). The room was used by the Lords as an antechamber and informal meeting room. After the end of the Austro-Hungarian Empire and the new republican constitution in 1920, the former Lords room became the Chamber for the Federal Council. The seating arrangement of the present Chamber of the Federal Council is similar to the other two great chamber halls. Members of the Federal Council sit in a semicircle facing the presidium. In front of the presidium is the cabinet bench. The furniture was completely renewed in 1999. In 1970, the coat of arms of Austria as well as of the nine Austrian states was installed above the presidium:
The Athena Fountain (Pallas-Athene-Brunnen) in front of the Parliament was erected between 1893 and 1902 by Carl Kundmann, Josef Tautenhayn, and Hugo Haerdlt, based on the plans by Baron von Hansen. In the middle is a water-basin and a richly decorated base. The four lying figures at the foot of Athena are allegorical representations of the four most important rivers of the Austro-Hungarian Empire. They represent at the front the Danube and Inn, in the back part the Elbe and Moldau rivers. On the sides are little cupids riding dolphins. The statues of the Danube, Inn, and the cupids were executed by Haerdtl, those of the Elbe and Moldau by Kundmann. The female statues above represent the legislative and executive powers of the state, executed by Tautenhayn. They are again dominated by the Goddess of Wisdom, Athena standing on a pillar. Athena is dressed in armor with a gilded helmet, her left hand carries a spear, her right carries Nike.
From Deák tér (Deák square) to Erzsébet tér ( Erzsébet square) circular route: 3/4 day - 1 day.
Start: Deák Ferenc tér metro station. End: Deák Ferenc tér metro station.
Attractions: St. Stephen's Basilica or Szent István-bazilika, Széchenyi István tér, Adam Clark Square, Shoes on the Danube Bank, Hungarian Parliament, Kossuth Lajos tér, Museum of Ethnography, Olimpia park, Jászai Mari tér, Margit híd, Alkotmány utca, House of Hungarian Art Nouveau, Liberty Square (Szabadság tér), Október 6. utca, Erzsébet Square (Erzsébet tér).
Tip 1: from Deák tér to Liberty Square (Szabadság tér).
Tip 2: from Október 6. utca to Deák tér.
Orientation: a preliminary itinerary, mainly in the Pest part of Budapest. Covering the main highlights of Pest. Suitable for your first half a day in this wonderful and magnificent city. A first-glance route for purely beginners.
Head west on Deák Ferenc tér and turn right to stay on Deák Ferenc tér,
180 m. The Deák Ferenc square (Deák Ferenc tér), named for Ferenc Deák -- 17 October 1803 – 28 January 1876, a Hungarian statesman and Minister of Justice. It is a major intersection and transport junction in Budapest. Károly körút, Bajcsy-Zsilinszky út, Király utca, Deák Ferenc utca, and Harmincad utca converge here. The three lines of the Budapest Metro each have a station under the square.
Anker House or Anker Palace or Anker-ház - 6 Deák Ferenc tér. The Anker House was the the first block of flats in Budapest (1907), offering home for many people. Its name was given after its constructor, the "Anker Life and Pension Insurance Company". Ignác Alpár was the designer of this building. The company desired a remarkable front for its promotions, so the plan of the building had two towers on both corner and tent-shaped roof ornamented with sculptures on the edges. Alpár substituted the roof with a huge pyramid, therefore he was strongly criticized by the the authority of the city.
The Erzsébet tér, a large green 19th century square/park is on both of your sides. Turn left onto József Attila utca, 80 m (Attila Jozsef, Hungary's most loved 20th century poet). The Erzsébet tér is on your left.
Turn right onto Sas utca, 160 m. The Rézkakas Bistro is on your right. A bit further the Misto Bistro, Sas Utica 9, is on your right. Lovely food and very reasonable cost:
Turn right onto Szent István tér, 80 m. The Danubius Centre (on the corner of Hercegprímás utca is on your left. Turn left to stay on Szent István tér. You've arrived to St. Stephen's Basilica or Szent István-bazilika.
It is named in honour of Stephen, the first King of Hungary (c 975–1038), whose right hand is housed in the reliquary. St. Stephen converted the nomad Hungarian tribes into Christianity, thus managed to found a strong state between Western and Eastern European empires of the era. Today, it is the third largest church building in present-day Hungary. It is 96 m. high. According to current regulations there cannot be taller building in Budapest than 96 metres. This is the most important church building in Hungary, one of the most significant tourist attractions. It was completed in 1905 after 54 years of construction, according to the plans of Miklós Ybl, and was completed by József Kauser. It took more than 5 decades and 3 architects to build Budapest's Basilica. Several misfortunate events delayed the works. József Hild made the designs in 1845 but because of the 1848/49 Revolution and War of Independence works started only in 1851. József Hild designed a large neoclassical basilica similar to the basilica in Esztergom. The ground plan forms a Greek cross. Because of the vicinity of the Danube huge foundations had to be constructed that resulted in an underground cellar almost as large as the subsurface building.
After the death of Hild, Miklós Ybl, designer of the Opera House took over overseeing the construction. After Hild's death Ybl reworked the plans creating a neo-Renaissance style church. You can recognise Ybl's work at the main facade and the wall along Bajcsy-Zsilinszky út. In 1868 the dome collapsed, luckily nobody died. Ybl drew up new plans and building started again almost from scratch. He couldn't see his work completed, since he died in 1891. József Krauser finished St Stephen's Basilica in 1906. According to the rumor, at the consecration mass Emperor Francis Joseph kept looking upwards afraid of another collapse of the dome. The building suffered heavy damages during the bombings in World War II. Many art treasures and precious documents survived down there the second world war. Reconstructions have only started in the 1980-ies and were finished just recently.
The façade has two large bell towers. In the southern tower is Hungary's biggest bell. Visitors may access the dome by elevators or by climbing 303 stairs.
Also, the most famous Hungarian soccer player (considered to be one of the best in the World), Puskas, is buried here in the Basilika...
Buildings near St. Stephen's Basilica square:
Habsburg-Prusian soldier sculpture near Szent Istvan Ter in Zvinyi Utca:
From time to time there is a spectacular laser show projected onto the front of the cathedral.
Open: MON - FRI: 9.00 - 17.00, SAT: 9.00-13.00, SUN: 13.00-17.00.
Admission: free (except the lookout in the cupola, that can be visited from spring to autumn, you can enquire at Tel. (+36 1) 311 0839 about exact opening hours before visiting it). Free ... but, except been pressured into making a donation of 200 HUF in the entrance...
Guided Tours in English: Phone: (+36 1) 338 2151. MON-FRI: 10.00 - 15.00. The guided tour includes: Chapel and the floodlit Holy Right of St. Stephen, Treasury, Panorama view from the cupola (only between 1st April-31st October). Tickets: 1 600 HUF for an adult (without going up the cupola: 1100 HUF), 1 200 HUF for pensioners and students (without going up the cupola: 900 HUF). Remember: The look-out in the cupola can be visited between 1st April-31st October.
The church has a rooftop with a 360 view of the city. You have to pay small fee for climbing up there - (500 HUF). You can take lifts most of the way (there are 303 steps). The view from the top is amazing and a great way to get an overview of the city and sites as well as some terrific photos. From here you will have the best view of the Danube and the Parliament building:
It also has spiral stairs that make a great picture:
The 96 m high Dome stands out from the mass of office buildings and apartments in Pest. Four pillars hold the massive structure. A fresco of God the Father dominates the center of the cupola. Between 1st April-31st October you can admire one of Budapest's best panoramic views from the right tower. An elevator takes you up until halfway; from there you have to climb up on stairs. You'll climb out into the inside of the dome in a wrought iron construction and you'll get to the space between the outside and inside of the dome. Quite an exciting adventure, but the view will compensate you for the trouble:
Copper engravings at the top of the dome:
stained-glass windows at the top of the dome:
Music at the Basilica: In the past century the Basilica has been home to choral music, classical music as well as contemporary musical performances. The Basilica choir performs often in different parts of Europe as well as at home. In the summer months, every Sunday you can see performances from many distinguished Hungarian and foreign organ players alike. Concerts take place Thursday evenings and last a little over an hour. There are also 15 minute "mini concerts" on Fridays. You'll be moved by the gorgeous choir. The organ concerts (usually, on Mondays evenings) are performed by one of Hungary's most talented pipe organ players Kolos Kováts. Price of the Concert: 1st cat: 30 EUR/7 800 HUF, 2nd cat: 24.25 EUR/6 300 HUF, 3rd cat: 17.3 EUR/4 500 HUF. Students: 1st cat: 28 EUR/7 300, 2nd cat: 22.70 EUR/5 900 HUF, 3rd cat: 16.15 EUR/4 200 HUF.
Tip: come during a service on Sundays mornings.
The architecture and the interior decoration, as a whole, are stunning and breathtaking. Although it's a bit dark inside, you can still admire the marvelous frescoes, statues and mosaics. The incredibly ornate interior features about 50 different types of marble. The chapels are elaborately decorated with many sculptures, including a bust of the Basilica’s patron saint, who was the first Christian king of Hungary. The interior is lit by spotlights, highlighting the ceiling paintings, the high altar and some of the side chapels. Ionic columns and statues of the twelve apostles adorn the outside walls.
Main Altar: statue of St. Stephen carved out from Carrara marble by Alajos Strób. The Patrona Hungariae Altar by Gyula Benczúr depicts St Stephen offering the Hungarian Crown to the Virgin Mary and asking her to be a patron of Hungary:
The acoustics inside are superb. The magnificent organ sounds heavenly. Don't miss the stained-glass windows:
Window depicting St. Margaret:
Follow the transept to the back left side of the altar to a smaller rear chapel. Here you will find a reliquary with the hand of St. Stephen in it. This relic is considered national icon of Hungary – the right hand of St. Stephen. It is one thousand years old... On 20th August the Holy Right is carried around the Basilica in a procession.
The Szent Jobb (Holy Right Hand):
From Szent Istvan Ter (the square in front of the Basilica) we head to the Széchenyi István tér. These are two distinct squares (quite similar names...) with 600 m. (10 minutes) walk. Head north on Szent István tér
10 m. Turn left to stay on Szent István tér, 80 m. Turn left back onto Sas utca, 18 m. Turn right onto Zrínyi utca, 75 m. Turn left onto Október 6. utca, 95 m. Turn right onto Mérleg utca, 260 m and turn right onto Széchenyi István tér. A lovely patch of grass, flowers and trees - surrounded by heavy traffic. There are very few ways to get to this park, with few crosswalks, without risking being hit by a car. The square was named Roosevelt tér in 1947 after the American president Franklin Delano Roosevelt. This square has been recently renamed to honour the designer of the Chain Bridge, which it faces. It is beautifully nestled at the foot of the iconic Chain bridge of Budapest and offers among the best views of Castle Hill in Buda.
The buildings around the square - clockwise:
The Hungarian Academy of Sciences (Magyar Tudományos Akadémia), founded by Count István Széchenyi, is at the northern end of the square.
The Art Nouveau building with the gold tiles to the east is Gresham Palace , built by an English insurance company in 1907. It now houses the aristocratic Four Seasons Gresham Palace Hotel:
On the southern end of Széchenyi István tér is a statue of Ferenc Deák , the Hungarian minister largely responsible for the Compromise of 1867, which brought about the Dual Monarchy of Austria and Hungary:
The statue on the western side is of an Austrian and a Hungarian child holding hands in peaceful bliss. The Danube and the Chain Bridge (Széchenyi Lánchíd) are also on the west.
Step on the Chain Bridge ((Széchenyi Lánchíd)) to get a wonderful view of Széchenyi István tér (your face to the east and back to the west):
Crosss the Danube over the Széchenyi Chain Bridge from east to west - from Pest to Buda. Designed by the English engineer William Tierney Clark, it was the first permanent bridge across the Danube in Hungary, and was opened in 1849. We start, crossing the bridge and the Danube, on the Pest side of the river in Széchenyi (formerly Roosevelt) Square, and we end it on the Buda side in Adam Clark Square, near the lower end of the Castle Hill Funicular, leading to Buda Castle. Its construction was proposed by Count István Széchenyi, one of the leading figures in 18th century Hungary. Its official name is Széchenyi Chain Bridge. Works were started in 1839 to the plans of English engineer William Tierney Clark with the financial support of Baron György Sina, a Viennese financier. The construction was supervised by Scottish engineer Adam Clark, who later on went on to marry a Hungarian girl and settled down in Hungary. The place at the Buda end of the bridge has been named after him. The inauguration of the Chain Bridge took place on 20 November 1849. At the time of its construction, the Chain Bridge was regarded as one of the modern world's engineering wonders. Its decorations made of cast iron, and its construction, radiating calm dignity and balance, have elevated the Chain Bridge to a high stature in Europe. It became a symbol of advancement, national awakening, and even of the linkage between East and West. The lions at each of the abutments were carved in stone by the sculptor, János Marschalkó. They are visibly similar in design to the famous bronze lions of Trafalgar Square - but, they are smaller, were installed 15 years before those of Trafalgar Square and appear from below to lack tongues. But it is only a legend: the lions do very well, have tongues, however, these can only be seen from above... At the Buda end, their plinth also contains the coats of arms of the families Széchenyi and Sina cast by András Gál. The lions sculptures have luckily survived the destruction of World War II. At the end of World War II, retreating German troops blew up all bridges of Budapest, among them also the Chain Bridge on 18 January 1945. The bridge was destroyed nearly completely, only its pillars remained intact. The decision to rebuild it was made in the spring of 1947. The construction work was started: pillar portals were being extended, abutments broadened, custom-houses pulled down, a pedestrian subway installed at the Buda end and the tram subway completed on the Pest side. The inhabitants of Budapest were finally able to repossess one of the most renowned buildings of the city on 20 November 1949, exactly hundred years after its initial inauguration.
The whole length of the bridge amounts to 380 meters, it is 14.8 meters in width. It contains two traffic lanes, being only 6.45 meters wide each, and pavements at the two rims. The two river piers are 48 meters high.
Before dropping off the bridge - give another look along the whole length of the Chain Bridge - from west to east:
At the Buda end we arrive to the Adam Clark square (named after the chief engineer of the bridge construction and who designed the all-important tunnel (alagút) under Castle Hill, which took just eight months to carve out of the limestone in 1853). Its centre is decorated with flower beds from spring to autumn. You can also find an oddly shaped oval stone here, the milestone "0" (easily missed) carved by Miklós Borsos. It has been placed on the south-western part of the square since 1975, and it marks the fact that the main roads of Hungary all set off here, making it the starting point for the counting of kilometers. The square also hosts one of the termini of the Buda Hill Funicular which takes you up to Buda Castle within a couple of minutes and 1100 HUF, from where you can enjoy a beautiful view of the panorama of Budapest with the Chain Bridge. This is kind of a "hub" where you can take a funicular up to the Castle Hill, take a bus or a walk over the Chain Bridge to Pest side. Really crowded and full of street vendors, roaring cars and buses and full with smoke and noise:
View of the Parliament from the Chain Bridge in Adam Clark square:
View of the Buda tunnel and funicular from the Chain Bridge in Adam Clark square:
From here we head for 1 km. to the Hungarian Parliament. Retrace your steps and cross back the Danube on the Chain Bridge - your back to the west and your face to the east - from Buda back to Pest. From the Pest end of the Széchenyi Lánchí - head northeast toward Belgrád rkp, 60 m.
Continue onto Belgrád rkp, 35 m. Slight left onto Széchenyi rkp., 500 m. (***) (see below the Shoes on the Danube Bank memorial monument). When you cross Zoltan Utca, on your right - turn left to the Danube - to see the Shoes on the Danube Bank. No visit to Budapest is complete without visiting the Shoes on the Danube sculpture and hearing the haunted voices of the Holocaust in Hungary. If you're in the area, don't forget to walk through the Danube Promenade and pass by the Shoes on the Danube Bank, the memorial sculpture that honors the Jews who were killed by fascist militiamen in Budapest during WWII. They were ordered to take off their shoes, and were shot at the edge of the water so that their bodies fell into the river and were carried away. It represents their shoes left behind on the bank. The memorial is by Gyula Pauer and Can Togay, and was erected on the east bank of the Danube in 2005:
Continue along Széchenyi rkp, north, 200 m. further. The Danube river is on your left. Turn right onto Kossuth Lajos tér. 70 m.
Turn (twice) left to stay on Kossuth Lajos tér, 280 m. You are facing the Hungarian Parliament Building. Opening hours: 1 APR – 31 OCT MON – FRI: 8.00 – 18.00. SAT - SUN: 8.00 – 16.00. 1 NOV - 31 MAR MON – SUN: 8.00 – 16.00. Visits to the House of Parliament are restricted during weeks in which the National Assembly holds its sittings. On the first day of the plenary, the building will be accessible to visitors from 8.00 to 10.00 and the ticket office will be open until 11.00. There are NO guided tours on national/bank holidays: 15 MAR, 20 AUG and 23 OCT. There are also NO visits to the House of Parliament on the following days: 1 JAN, Easter Sunday, Easter Monday, 1 MAY, 1 NOV and 24 – 26 DEC. Prices: Full price - HUF 4000 (about $16 or 13 euros), Students (ages 6-24) - HUF 2000, EU citizens (adults) - HUF 2000, EU citizens (students) (ages 6-24) - HUF 1000, Visitors under 6 years of age - FREE. Same-day tickets can be purchased in limited numbers at our ticket office in the Visitor Center. (Please note that purchasing tickets on the spot might take a considerable amount of time.) Advance tickets are available online at www.jegymester.hu/parlament. Please be advised that the online provider charges an e-fee of HUF 200 (about 75 cents) per ticket in accordance with its Purchase Policy. If you get the tickets online, you have the option to select the time that matches the language of the tour. The numbers in a group are limited and so don't wait to the last minute. Guided tours times by Languages: • Hungarian: 10.30, 13.30, • English: 10.00, 12.00, 13.00, 14.00, 15.00, • French: 11.00, 13.30, • Hebrew: 12.30, • German: 10.00, 13.00, 14.00, • Russian: 12.30, 15.15, • Italian: 10.15, 13.15, 14.15, 15.30, • Spanish: 10.15, 13.15, 14.15, 16.00. Buying the tickets at the Visitor Center of the Parliament Building can be problematic as you might be disappointed about getting the tour time you want. You enter the Parliament Building Security Screening at the tour time selected, not before. The tour last about 50 minutes and the guides are very knowledgeable.
Getting to the Parliament Building: Take the Subway (M2) to Kossuth tér, or Streetcar 2, which runs along the Pest riverfront and has a stop at Kossuth tér.
Hungary, officially the Republic of Hungary, is a parliamentary republic. Its legislature is the unicameral National Assembly, which has 386 representatives, elected for a four-year term. The election system is said to be one of the most complicated in Europe. Half of the representatives are elected in single-seat constituencies, half of them on party lists. The Prime Minister is elected by a majority of votes of the members of parliament. The President of the Republic, elected for a five-year term, has more of a ceremonial role. Technically he is the Commander in Chief of the armed forces and he nominates the Prime Minister.
The Hungarian Parliament Building (Országház) is the seat of the National Assembly of Hungary, one of Europe's oldest legislative buildings, a popular tourist destination of Budapest. It lies in Lajos Kossuth Square, on the bank of the Danube. It is currently the largest building in Hungary and still the tallest building in Budapest. Nearly half a million visitors see the House of Parliament annually. The building is open nearly every day of the year for visits led by trained guides who speak numerous languages. After purchasing their tickets, groups depart from the newly inaugurated Visitor Centre to take a tour of approximately 50 minutes through the most beautiful rooms in the building.
The Hungarian Parliament, built in 1896 for the 1,000 year anniversary of the founding of Hungary is a huge and gorgeous building, both inside and outside. As the millennial celebrations of 1896 approached, the nation's demand for representation channeled the conception of a unique Parliament building. The Palace of Westminster in part inspired the design, but a well-known Hungarian architect, Imre Steindl, laid out the plans in their entirety. The building stretches 268 meters in its length, along the Danube embankment. Ornamented with white neo-Gothic turrets and arches, it forms the most outstanding landmark of the Pest side horizon. Statues of Hungarian monarchs and military commanders decorate the outer walls.
The commanding building of Budapest Parliament stretches between Chain Bridge and Margaret Bridge on the Pest bank of the Danube and is the 3rd largest in Europe. It is a very beautiful building with all its spires and towers. The building has 27 doors, 29 staircases, and 13 elevators. Over a thousand people worked on the construction of it, during which 40 million bricks, half a million precious stones and 40 kilograms (88 lb) of gold were used. In addition to planetary, conference and session rooms, it includes over 200 offices. The symmetrical arrangement of the building is designed to serve a double chamber system, similar to the Capitol in Washington. The huge dome hall in the middle was designed for joined sessions. This part of the building was the first to be completed, hosting the parliament millennial section of 1896. 16 statues of Hungarian kings and rulers, along with their coat of arms, ornate the walls: St. István, St. László, Kálmán Könyves, András the 2nd, Béla the 4th, Lajos Nagy, János Hunyadi and Mátyás Hunyadi, kings of Hungary, followed by Transylvanian monarchs: István Báthori, István Bocskai, Gábor Bethlen and György Rákóczi the first; and three Habsburg rulers: III. Károly the 3rd, Terézia Mária and Lipót the 2nd.
The façade of the parliament faces the river Danube, but the official main entrance is on the opposite side on Kossuth tér:
Stunning building to see at any time, especially at night:
The best if you see the parliament building, at night, from a cruise boat along the Danube:
As Hungary resorted to a single chamber system at the end of 1944, the northern conference room (once serving the upper chamber) is often used for international conferences. The southern conference room came to host the chamber of deputies. With excellent acoustics, the 25 meters long, 23 meters wide, and 17 meters high room originally seated 438 deputies, while an inner circle of velvet chairs seated the ministers. The pulpit seated the president and the notaries. Wall paintings depict historical events, statues represent allegoric figures of honoured virtues.
The Parliament also includes an extensive library of around half-a-million books and documents, handled by a modern information system. The huge reading-room is situated on the lower floor.
The square in front of the building, Kossuth Lajos tér, is also nice and there is a very nice park quite close to the building.
The Parliament is actually on the Pest side but it is right on the River so if you stand in front, you can't see most of it unless you look straight up (not the best view). The best views can be from the opposite (Buda) side of the river next to Batthyány tér metro station (only one stop by subway from Kossuth square on the M2 line) or from the Fisherman's Bastion or any place up on Castle Hill in Buda:
Changing of the guard is every hour by the hour and might be interesting considering the fact there are only 2-3 soldiers:
The Parliament interiors:
The design of the interior of the building is breathtaking, and as magnificent as the exterior. The interiors are rich and sunk in gold, everything is golden. The Parliament has about 691 rooms but you will only be taken to about four. The tour takes about 45 minutes, and is well worth the price. It covers the main entrance stairs and hall, one of the lobbies, the old House of Lords and the Hungarian Crown Jewels. The tour begins with a climb up the decorative, gold-plated Staircase XVII (the ceremonial staircase)
to the most spectacular floor of the building, the main floor. Framed by statues, stained glass windows and rich, decorative frescoes, this urban corridor offers a lovely view of the recently renovated Kossuth Square, the Main Square of the Nation.
The Hungarian Coronation Regalia is the most prized treasure; it includes the Holy Crown, the orb, the sceptre and a Renaissance sword. The Hungarian Crown Jewels were lost and stolen numerous times. After World War II, they were transported to Western Europe and eventually given to the American Army for safekeeping from the Soviet Union. For much of the Cold War, the Crown Jewels were held at the United States Bullion Depository (Fort Knox, Kentucky) alongside the bulk of America's gold reserves. They were eventually returned to Hungary under the presidency of Jimmy Carter in 1978. This is the coronation crown used to crown kings since the twelfth century. Our tour guide emphasized that the power to rule the country lays in this crown and if you weren’t crowned with it then you are not a legitimate king:
Afterwards, visitors can marvel at The Old Upper House Hall that once housed the Upper House and now hosts conferences and meetings. Although the tour doesn't take you to the currently used lower house chamber, you can see the similar chamber of the former upper house. Surrounding you in all directions are elaborate gold decorations and beautiful stain glass. The definition of opulence and wealth. They spared no expense in putting together this room. Or if they did, it certainly didn’t look like it. The Upper Hall boasts panels made of Slavonian oak, gold-plated decorations, excellent acoustics and a gallery of several floors. The seats have been arranged in a horseshoe shape. A huge oak podium with space for the Speaker and the Member speaking emerges at the heels. Paintings of the coats of arms of Hungary's royal families can be seen on the main wall behind the podium, with murals depicting the historical role of the nobility on both sides. The splendid composition of tables and benches with seating for 453 Members is arranged in seven neat rows, stunning in magnificent brown, green and red:
Having left the Upper House Hall, we enter the Upper House Lobby. The pyrogranite sculptures made of a special material considered to be an innovation in its day in the Zsolnay works in Pécs preserve the memory of old Hungarian national groups and crafts. In the media lobby of the Upper House, you can find beautiful wooden sculptures depicting different trades and professions to serve as a symbolic reminder to politicians about who they are there to represent. The crowning jewel of the room is the largest hand-knotted carpet in Europe, resplendent in turquoise beneath one's feet.
From here we proceed to the geometric centre of the House of Parliament and the symbolic centre of Hungary, the Dome Hall. This is where the Hungarian Holy Crown and the Coronation Insignia, among the oldest coronation regalia in Europe, have been kept since 1 January 2000 and where they are protected 24 hours a day by the Crown Guard of the Hungarian Armed Forces. The building features an impressive interior dome reaching about 226 feet (69 meters) high. The Dome Hall itself, which is almost 27 metres tall, is complemented by an ambulatory at the lowest level. This is linked to a splendid, sixteen-rib vaulted ceiling with colourful stained glass windows interspersed between the ribs. At the base of the rib-like pillars, statues of Hungarian rulers occupy golden pedestals accompanied by their pages under canopies of gold:
The stain glass windows are the work of the famous Hungarian artist, Miksa Róth:
Hunters' Hall is one of the fascinating rooms surrounding the Dome Hall from the Danube side, stunning frescoes adorn its walls:
The tour of the House of Parliament closes with a visit to the other pearl of the building, the Grand Stairway. The 96 stairs that dominate the space covered with red carpeting leads from the main entrance to the Dome Hall. Two large frescoes and one small one made by master painter Károly Lotz adorn the ceiling of the main stairway. However, the jewel in the crown is a collection of eight, four-tonne granite columns, of a type of which only 12 can be found in the entire world. The decorative stained glass windows that frame the space on both sides represent outstanding works of art from the workshop of Miksa Róth:
Other notable attractions are the numbered cigar-holders that line the window sills outside the debate chambers. Smoking politicians left their cigars in the holders, when they went in to vote. When they returned they could easily find their cigars, if they remembered the number of the holder:
The area in the immediate vicinity of the Hungarian Parliament contains numerous buildings and statues, which speak volumes about the city and its history.
Kossuth Lajos tér: The square where the Hungarian Parliament stands was named after Lajos Kossuth, the leader of Hungary’s 1848-49 War of Independence against Hapsburg rule, a Hungarian lawyer, journalist, politician and Governor-President of Hungary in 1849. He was widely honored during his lifetime, including in the United States, as a freedom fighter and a bellwether of democracy in Europe. His memorial, as well as a memorial for the 1956 Hungarian Revolution can be seen in front of the Parliament building.
Walking towards the center of the square, you encounter “The Flame of Revolution,” a somewhat severe marble block with eternal flame, placed here in 1996 to mark the 40th anniversary of the 1956 Hungarian Uprising. Across the main part of the square a symbolic grave recalls a notorious massacre of Hungarian demonstrators, which occurred here during the uprising:
To its right is the imposing building of the Museum of Ethnography (12 Kossuth Lajos tér; www.neprajz.hu), originally constructed in the late 19th century as the Supreme Court. Its attractive, permanent exhibition covers the history of Hungarian folk art and customs. Opening hours:
TUE - SUN: 10.00 - 18.00. Prices: Adult: HUF 1,000, Child & senior: HUF 500.
Also on the north side of Parliament is a statue of Mihály Károlyi, the first president of independent Hungary for five months before he was driven into exile in 1919:
In front of the Parliament building, more to the south is the equestrian statue of Francis II Rákóczi:
The Statue of Attila Jozsef – popular, much-loved, working-class Hungarian poet in the 1950s - has been moved to the embankment south of the Parliament square. A sad figure he was, as he showed signs of schizophrenia and withdrew into his poetry. At the age of 32 he was crushed by a starting train while crawling through the railway tracks. Whether this was an accident or a suicide nobody knows:
It is 1.2 km, 15-20 minutes walk further north to Margit hid (Margaret Bridge). Head north on Kossuth Lajos tér, 170 m. Turn left to stay on Kossuth Lajos tér, 100 m. Continue onto Balassi Bálint utca, 170 m.
Turn left onto Olimpia park, 60 m. Turn right to stay on Olimpia park,
100 m. Easily recognizable by the giant Olympic rings at it's center. This is one of the most recently renovated of the city's parks (Spring 2014). It's clean, well-maintained, and good for family time.
Turn right toward Jászai Mari tér, 10 m. Turn left onto Jászai Mari tér, 100 m. Turn right to stay on Jászai Mari tér, 75 m. Turn left to stay on Jászai Mari tér, 70 m. This is the northern terminus of tram nr. 2 at the Pest bridgehead of Margit híd. Jászai Mari tér is split in two by the foot of Margaret Bridge. The white building between the tram stop and the Danube is the office building of the Hungarian Parliament (once the headquarters of the Central Committee of the ruling Hungarian Socialist Workers’ Party). There is an extensive bunker system directly underneath the area, built by the German army in WWII, a part of which has been transformed into an art gallery - look for the stairs in front of the adjacent McDonalds. To the north of the square is an elegant apartment block forming part of the Palatinus Houses , built in 1912 and facing the Danube. They contain some of the most expensive flats for sale or rent in Budapest.
Turn left onto Szent István krt, 37 m. Continue onto Margit híd, 350 m
Turn right to stay on Margit híd (Margaret Bridge) and the bridge is on your right. Connecting Pest and Buda across the Danube. It is the second northernmost and second oldest public bridge in Budapest. Margaret Bridge is the second permanent bridge in Budapest after Széchenyi Chain Bridge. This bridge leads up to Margaret Island (there is an embranchment from the middle pillar onto Margaret Island). It is 637.5 m in length and 25 m in width. It was built between 1872 and 1876 by French engineer Ernest Gouin's company Societé de Construction des Battignolles. The bridge structure rests on seven pillars altogether: one central pillar, two riverside pillars and four riverbed pillars. Their ornated statues were carved by French sculptor Thabard in 1874. A plaque is embedded at the southern side of the central pillar, commemorating the date of the construction, as well as the name of the designer. As the time had passed, the Margaret Bridge became the most congested bridge of the Hungarian capital. The horse tramway line dating from 1879 was replaced by a much heavier electric tramway line in 1894. In 1920, the demolished wood-blocks were removed and substituted by a much heavier stone pavement. All these reasons and the rapid growth of public traffic made some structural changes necessary. Between 1935 and 1937, the bridge was fortified and extended southwards, so that it became possible to place two more traffic lanes onto it. During World War II, on 4 November 1944 the three Pest side pillars were blown up in unexplained circumstances during the afternoon rush-hours, demanding numerous victims. Like all other bridges over the Danube in Budapest, the Margaret bridge was destroyed by the retreating Nazis in 1944. The bridge's two ends are: Jászai Mari tér (Pest) (northern end of Grand Boulevard) and Gyóni Géza tér and Germanus Gyula park in the Buda side. The complete length of the bridge amounts to 607 meters, it is 25 meters in width. It contains four traffic lanes (two in each direction), two tramway lines in the middle and one pavement each at both sides. Tram lines 4 and 6 cross the bridge, stopping also at the middle of the bridge, at the passage to Margaret Island. At the moment, Margaret Bridge is the worst worn bridge in Budapest. It is in urgent need of total overhaul, but the Budapest traffic would be seriously affected by the elimination of this important road. It could not be shut down until a new Northern bridge, the Megyeri Bridge was completed at the end of September 2008. According to current plans, reconstruction will be started in the first half of the year 2009. One of the most important aspects of the renovation will be the protection of the historical features of Margaret Bridge, among others the reinstallation of the sculptures that once decorated it:
We don't walk along the bridge and DO NOT pass to the Buda part (see other blogs on Budapest). We stay in the Pest side of the Danube. We change direction and return southward. It is 1.3 km walk to Alkotmány utca. Head southeast on Margit híd back toward Jászai Mari tér, 350 m. Continue onto Szent István krt., 350 m. Turn right onto Hegedűs Gyula utca, 15 m. Continue onto Szemere utca, 500 m. Turn left onto Alkotmány utca, 45 m.
We are a bit east to the Parliament complex. Walk east to the end of this road - just not to miss the Hummus Bar, Alkotmány St 20, in this road, Hummus is known to be one of the oldest Middle Eastern foods. Made from chickpeas, sesame, lemon and garlic, it can be enjoyed as a dip, spread, or combined with meats and vegetables. Hummus is healthy and nutritious which is high in Vitamin C, iron and fiber and is perfect to be eaten during breakfast, lunch, dinner or simply as a snack:
Retrace (a bit ) your steps. Head west on Alkotmány u. toward Vadász utca, 110 m. Turn left onto Vadász utca, 85 m. Turn right onto Kálmán Imre utca, 270 m. Turn left onto Honvéd utca, 120 m. Note the House of Hungarian Art Nouveau (Magyar Szecesszio Haza), Honved utca 3. Opening times: MON - SAT: 10.00 - 17.00, Sunday is closed. Prices: Adult ticket: 2000 HUF, Senior, student: 1500 HUF. Free admission for ages 6 and under. The building is a stunning example of Hungarian Art Nouveau with its specially designed murals and stained glass. It is not quite a museum. It holds 3 stories of amazing Art Nouveau furniture, décor, etc. However, it is in no discernible order and generally lacks textual information about the pieces. It is more random collection of objects and furniture crammed into an splendid Art Nouveau house. Note: The café charming. You get to see plenty by just visiting the cafe, especially on the trip to the toilets...
Head south on Honvéd utca toward Szabadság tér, 40 m. Slight right onto Szabadság tér another 40 m. Liberty Square (Szabadság tér) is a public square with a mix of business and residential: The United States Embassy in Hungary and the headquarters for the Hungarian National Bank are located in the square. The Bank of Hungary building is in the historicist style of architecture. Some buildings on the square are designed in the Art Nouveau style.
There is also a monument for Soviet liberation of Hungary in World War II from Nazi German occupation. It was designed by Károly Antal and honors the soldiers of the Red Army who died in 1944-1945 during the liberation of Budapest. The monument consists of an obelisk with a crest showing the Communist hammer and sickle. At the bottom is a bas-relief of Soviet soldiers engaged in battle. The obelisk is crowned with a five-pointed Communist star. Many modern-day Hungarians are not terribly fond of this monument and would prefer to see it removed. Not only is it a reminder of the Soviet occupation, but to add insult to injury, the monument stands at the exact location of an early twentieth century monument that was erected in protest of the 1920 Treaty of Trianon, which resulted in the loss of almost three quarters of Hungary's territory:
Two buildings were designed by Ignác Alpár. Both buildings, which stand opposite one another, were completed in 1905. The grandest of the two, the former Stock Exchange Building (Tőzsdepalota), graces the west side of Freedom Square. Its design is neoclassical in style with Secessionist decorations. This is particularly noticeable at the building's impressive entrance which is crowned with two temple-like towers. In 1948 the Communists closed down the stock exchange and the building became the (former) headquarters of the Hungarian Television:
Ignác Alpár's other building, located at the square's eastern side is the Hungarian National Bank Building (Magyar Nemzetí Bank). The structure was built in the late classical style and includes elegant limestone reliefs by sculptor Károly Sennyei on the exterior, depicting various aspects of money, commerce and trade:
Another interesting building is the U.S. Embassy Building (Chancery Building), completed in 1900 and housing U.S. diplomats since 1935. Designed by architects Aladár Kármán and Gyula Ullman. This building was first the home of the Hungarian Hall of Commerce:
Behind the US Embassy, facing hold street, stands the Post Office Savings Bank Building. Built in Art Nouveau style, it was designed by a favorite architect of that period, Ödön Lechner. The facade is decorated with flower and bee motifs, symbolizing the bank's activity. The building's cornice is stunning as is the majolica (earthenware with a white tin glaze) roof ornamentation. The building is hard to photograph because the most extravagant element is the roof. You can see why Lechner picked up the label "Hungarian Gaudi:
In the square there is a monument for Ronald Reagan. It was unveiled In 2011. The bronze statue, a work of the Hungarian sculptor Istvan Mate, was created to honor Reagan for his role in bringing an end to the Cold War:
and a monument of Harry Hill Bandholtz. It is near the Hungarian National Bank and honoring the American general Harry Bandholtz, who in 1919 prevented Romanian troops from looting the Hungarian National Museum:
The famous fountain of the Liberation square:
A prison ("Újépület") that had previously occupied the space, was the site of the execution of Prime Minister Lajos Batthyány in 1849, following the Hungarian Revolution. The building was destroyed in 1897 and the square was built thereafter.
The parliament from Szabadság tér:
From Danubius Hotel Gellért back to Pest centre:
From the Szent Gellért tér (Gellért Square) we walk 900 m. to our next destination - Móricz Zsigmond körtér (Móricz Zsigmond square). Head southeast on Szent Gellért tér, 35 m. Turn right to stay on Szent Gellért tér, 35 m. Continue onto Bartók Béla útca, 600 m. Turn left to stay on Bartók Béla útca, 15 m. Turn right to stay on Bartók Béla útca, 130 m.
Turn left onto Móricz Zsigmond körtér, 55 m. Turn right to stay on Móricz Zsigmond körtér, 60 m. Móricz Zsigmond square is an extensive square located in Újbuda (New Buda), or Budapest's 11th District. Two main boulevards converge onto this square: Béla Bartók utca and Villanyi utca. The square resides in 500 m. aerial distance to the river Danube. It is named after famous Hungarian writer Zsigmond Móricz in 1945. The square was a centre of fierce fighting in the 1956 Hungarian uprising. A new M4 metro line (Green line) had been opened from April 2014 with a station located at the square. The writer Móricz Zsigmond lived nearby at 50 Bartok Bela road from 1936 to 1937. The oldest building is #2, half of it destroyed at 1956. Note the attractive #1 building which was built around the end of the 1950s.
Prince St. Imre - a relief sculpture in Móricz Zsigmond square and its iconic statue:
The most iconic building in the square is the "Gomba" or mushroom. The traffic on the current Villányi út and on Karinthy Frigyes út started in 1928 and in 1937. The tram tracks were connected at the middle of the square, where the statue stands now. The Gomba was built in 1942, and originally functioned as the terminal of the suburban train. The connected tram tracks surrounding the monument were removed in 2002. The square is very busy: there are the terminals of trams no. 6 and 61 and of 8 bus lines, and another 5 tram and 4 bus lines cross it. THe old Gomba has been destroyed and the old new round shaped building, the Gomba is alive again:
From this square we head to the Parish Church of St. Imre (Church of Szentimreváros). Head northeast on Móricz Zsigmond körtér toward Karinthy Frigyes út, 60 m. Note: the nicest building in the Karinthy Frigyes road is No. 4, which was built by the National Bank in 1914. Turn left to stay on Móricz Zsigmond körtér, 55 m. Turn left to stay on Móricz Zsigmond körtér, 20 m. Turn left onto Bartók Béla út, 67 m. Slight right onto Móricz Zsigmond körtér, 63 m. Continue straight onto Villányi út, 350 m. The Church of Szentimreváros or the Parish Church of St. Imre, (Budai Ciszterci Szent Imre Templom), Villányi út 25 will be on your right. The city district was named Szentimreváros (City of St Imre) in 1934 on the 900th anniversary of St Imre’s death, the son of the first Hungarian King, St István. The Cistercian Order settled here in 1923, began to teach and to organize a new parish. Gyula Wälder designed a large-scale neo-Baroque building complex of which the high school was built as first, then the church was completed in 1938, but the construction of the monastery was prevented by the 2nd World War and the following era. Both the school and the parish church were nationalized in 1948 and 1951 respectively. The Cistercian Order has been restored in 1989 and got the church again.
The church has 3 naves. the main altar represents the scene when Saint Imre, Saint Stephen's son offers himself to Virgin Mary. The altar painting was created by István Takács while the gided neobaroque wooden statues (Saint Stephen, Saint Margareth and Saint Leslie) are Béla Markup's work. In fact, the church situated at the Feneketlen tó (Lake without a bed) (bottomless lake) and watching it from the other side of the lake (it's also illuminated in the evenings) it very scenic. The church stand north to the lake. To appreciate the whole panormic view go to the south side of the lake and watch the church, the Gellert Hill in far background and the Hemingway Cafe, 2 Kosztolanyi Dezso ter, on your left (east) (Good food but a bit pricey in Hungarian standards). At feneketlen to, which is bottomless lake in Hungarian, you can find a Christmas market during the December-January months. The lake entails urban legends mainly revolving around its name and origin. The bed of the lake used to be a marsh. Around the 1860s workers of the nearby brick factory used it to extract clay. Legend has it that they have dug so deep they have reached an underground water stream that burst out with such ferocity it washed away workers and their tools and filled the enormous pit. Even today there are a few who claim that the remains of the workers are still at the bottom:
From the Hemingway Cafe-restaurant we head southwest on Frankfurt stny. toward Frankfurt stny., 67 m. Turn left to stay on Frankfurt stny., 44 m. Continue onto Kosztolányi Dezső tér, 56 m.
Kosztolányi Dezső statue:
Turn left onto Bocskai út, 400 m. Continue onto Október huszonharmadika u., 450 m (interesting street with wonderful mixture of old and new architecture in south of Budapest):
Continue onto Irinyi József utca, 300 m. We pass through the Lágymányos Info / Science Park, Irinyi József u. 4-20. The whole complex of buildings (academic and commercial) is at the Lágymányos part of Budapest, at the Buda side of Petőfi bridge. A world expo was to take place in Budapest in 1995. It never happened. On the Pest side a National Theatre and the Palace of Arts were built (see our blog of "southern Budapest") and in the Buda side a new University's campus and Info Park - as a foundation for a new Hungarian Silicon Valley. Since 1999 leading international Hi-Tec companies conduct research projects in the park's buildings:
If we continue direct east - we'll arrive to Petőfi híd or Petőfi Bridge. Sándor Petőfi (1823 – 1849) was a Hungarian poet and liberal revolutionary. He is considered Hungary's national poet, and was one of the key figures of the Hungarian Revolution of 1848. The bridge was built between 1933–1937, according to the plans of Hubert Pál Álgyay. The bridge was inaugurated in 1937 and was named after Regent Miklos Horthy. In 1945 it was blown up during the siege of Budapest and was rebuilt in 1952 and then received the name of Petőfi. It is 514 m in length (along with the sections leading up) and 25.6 m in width and rebuilt after the WW2. It is the second southernmost public bridge in Budapest. Petofi Bridge is situated southwards from Liberty Bridge. Its end in Buda is the Goldmann György tér (next to the campuses of the Budapest University of Technology and Economics, next to the Lágymányos campuses with their partying locations):
The view of the Pest side from Petőfi Bridge:
Continue, on the Buda side, northward along the Danube - through Egry József utca and Nina és Valdemar Langlet rakp or along Műegyetem rkp. After 1.3 km (approx. 20-25 minutes) walk - you'll see on your left the Budapest Technical University (Budapesti Műszaki Egyetem). It is located along the Danube bank between Liberty Bridge and Rákóczi Bridge (formerly called Lágymányosi Bridge). The Budapest University of Technology and Economics (BME) is commonly known as the Technical University. The largest central building, the "K" building was built in 1909 based on Hauszmann Alajos plans:
BME main entrance of the four allegorical female figures:
The BME interiors:
The view of the Pest side from the BME entrance:
A 400 m. further walk to the north brings us, back, to Szent Gellért tér. We turn right (east) to the Liberty bridge (Szabadság híd).
We cross the Danube over this bridge. Look back to the west side, to the Buda side and DO NOT MISS the Danubius Hotel Gellért under the evening sun rays:
We are, now, in Pest. The late afternoon or early evening hours are the best time, in a sunny day, to have a marvelous look at the grandiose Great Market Hall or Central Market Hall ("Nagycsarnok"). (see our blog "A rainy day in South of Budapest"):
It is 1.1 km. walk from the Central Market in Fővám tér, via Váci utca to Kristóf tér. From the Grand Market head southwest on Vámház krt, 30 m.
Turn right onto Fővám tér, 70 m. Continue onto Váci utca, 700 m. Váci utca (Váci street) is one of the main pedestrian thoroughfares and perhaps the most famous street of central Budapest. The street became a main thoroughfare of Pest in the 18th century and you'll find beautiful mansions from this era. Until the 1880-ies the main Promenade of Pest (Korzó) was the walkway lining the Danube between Eötvös Square and the Vigadó Square. By the turn of the 19th-20th centuries Váci utca took over the role of shopping street from Király utca, and the role of promenade fro the Korzó on the Danube embankment. Most of the protected buildings date from this period. There is a large number of restaurants and shops catering primarily to the tourist market. All the fashion "big names" are represented in this street: ESPRIT, H&M, Lacoste, Mango, Zara and many others. See our special blog of "Váci utca":
Turn right at Piarista utca, 10 m. Turn left onto Váci utca, 270 m and the street opens to Kristóf tér. The Square is one of the smallest squares in Budapest. The most distinctive element is the fishmonger girl statue, which was originally set up in 1862.
150 m. further north is Vörösmarty tér. At the centre of the Vörösmarty square facing west is a statue of poet Mihály Vörösmarty. Behind the monument is a fenced park and a fountain flanked by stone lions. At the north end of the square is the famous Café Gerbeaud. The southern terminus of the Budapest Metro's venerable yellow line (M1) is situated here. The British Embassy is also located at the square:
Head east on Kristóf tér toward Bécsi utca, 70 m. Continue onto Fehér Hajó utca, 140 m. Turn left onto Sütő utca, 60 m. Slight left and you arrive, finally, to our starting point onto Deák Ferenc tér.
Circular tour in Buda Castle Hill:
Tip 1: Buda Castle Itinerary.
Tip 2: Matthias Church (Mátyás templom).
Tip 3: The Fishermen’s Bastion.
Tip 4: Ruszwurm Coffee House.
Tip 5: Royal Palace (Királyi Palota) including the museums, statues and fountains around.
Attractions: Upper station of the Funicular (Budavari Siklo), Szent György tér, Sándor Palace (Sándor Palota), National Dance Theatre (Várszinház). Dísz tér, Tárnok utca, Matthias Church (Mátyás templom), Fishermen’s Bastion (Halászbástya), Szentháromság tér (Holy Trinity Square), Ruszwurm Café, Statue of Hussar general András Hadik, Hilton Hotel, Hess András tér, Táncsics Mihály utca, Vienna Gate (Bécsi Kapu), Mary Magdalene Tower, Országház utca, Dárda utca, Úri utca, Museum of Military History (Hadtörténeti múzeum), Tóth Árpád sétány, Royal Palace (Királyi Palota), Matthias's Well or Fountain, Statue of Prince Eugene of Savoy, The National Gallery (Nemzeti Galéria), The Budapest History Museum, National Széchényi Library, the Habsburg Gate, Fountain of the Fishing Children, Sculpture of a Turul bird, Upper station of the Funicular (Budavari Siklo).
Distance: 5-6 km.
Duration: 1 busy day.
Best time: A sunny day.Worst Time: Monday, when museums are closed.
Getting to Castle Hill: As private cars are not allowed to enter the zone, your only options remain public transport, walking or taxi.
Buda Castle from Hunyadi János útca and Hunyadi László lépcső:
Getting around: Buda Castle is small enough to discover it on foot. However, if you get tired, you can jump on bus 16 (formerly known as Várbusz) which has several stops inside the Castle District. Horse carriages are also waiting for taking you on a tour.
Buda Castle History: First inhabitants moved up here in the 13th century after the devastating Mongol attacks. The Castle District's Golden Age started when the Royal Court moved here. During the 15th century, under the rule of King Matthias, Buda became one of Europe’s most influential cities. The Turks invaded the Castle Hill in 1541 and ruled it until 1686 when the Austrian Habsburgs and their allied armies took back the hill. The siege left Castle District in ruins. After the Turks the Habsburgs moved here. Reconstructions began immediately, following the old street layout. The Castle became a government district. The current elegant Baroque appearance was formed by the mid 18th century. The battles in 1944-45 ruined the place again. Reconstructions after the war rebuilt the District: the buildings by the Habsburgs were reconstructed, the street pattern of the medieval city has been kept and much of the architectural features have been restored. People still live in Buda castle environs. Cars are banned from the area: only people who live or work there, guests of the Hilton Hotel, taxis and the Várbusz (buses 16 and 16A) have permission to drive up.
Our itinerary in Buda Castle area: From the upper station of the Funicular (Budavári Sikló) (we'll browse the statues around in the end of our route - when we'll return to the funicular station)
walk WEST to Szinház utca. Walk along Szinház utca, the first street on the right facing Szent György tér as you exit the Funicular. The St George's Square was notable place in the city. In 1457 the Hungarian King Ladislaus V beheaded László Hunyadi, brother of King Matthias in this square. In 1514 Thomas Bakócz Archbishop of Esztergom read the the papal letter to the public, which called for a crusade; this later became the Dózsa George's parasztfelkeléssé. In most of the space excavations currently underway. Great views over to the east (Pest) and west (Taban).
The first building to your right will be Sándor Palace (Sándor Palota), the President's Office. Sándor Palace is a fine example of Classicist architecture. It was built in 1806 and converted to the Prime Minister's office in 1867. At the end of World War II, the building was severely damaged and it was in ruins until 2000, when it was decided to re-establish the Prime Minister's office in its place. In 2002, based on a Parliament ruling it became the President's Office:
Next to it stands the National Dance Theatre (Várszinház). The National Dance Theatre was originally built as a baroque style church in 1736 and was later converted into a theatre:
Szinház utca ends at Dísz tér (Parade Square). Known as the Pasha's square, St. George's square and since the 19th century, as Parade square, it was the centre of the castle district during the Middle Ages. It is surrounded by Baroque and Neo-classical buildings, including the Post Office with the ochre façade (see below). You will see there a statue of a hussar in the uniform of the period of Marie-Thérèse and the honvédi statue (soldier from the Hungarian army), which commemorates the uprising of the Hungarians against the Habsbourgs in 1848-1849. In Disz ter the following monuments can be seen: former Ministry of Defence, which looks better like a huge Emental cheese because of the World War II bullet holes. On the left side of the square if the former Ministry is behind you the one of the oldest post offices can be found next to a pretty old pharmacy, where the interior is also representing its unique age (more than 300 years) but of course the medicines were always updated:
The Post Office building today, a former pharmacy site:
Monument to the Independence War in Dísz tér:
Internal courtyard in Dísz tér:
From Dísz tér continue your walk on Tárnok utca to the Holy Trinity Column, erected in 1713 (see below). Tárnok utca is the street to your left as you leave Dísz tér: a busy trading area in the Middle Ages (German merchants). The Treasurer 's Street, is edged with beautiful houses with painted façades and Baroque decorative touches:
Note the façade of no. 14 (Tarnok café or Tarnok Kavehaz): this house dates back to the 14th and 15th centuries and was restore during 1950s. Opening hours: MON - FRI: 10.00 - 23.00:
In the end of Tárnok utca is the Szentháromság tér. To the right of the square (east side) is the over 700-year old Matthias Church (see Tip 2), the scene of several coronations, including that of Charles IV in 1916, the last Habsburg king.
Then head over to Fishermen's Bastion (see Tip 3) for some of the best views of the city. There is free access to the lower part of Fishermen's Bastion, however you will have to pay for the view from its towers.
Head WEST to the Szentháromság tér (Holy Trinity Square): The centre of Budapest Castle District is at Szentháromság tér (Holy Trinity Square). The Baroque-style Trinity statue, in the middle of the square, commemorates the victims of the 1691 plague epidemic. The sculpture at the top represents the Holy Trinity. It sits on a sturdy pillar decorated with statues of little angels and - below - large statues of saints. The column rests on a large pedestal adorned with bas-reliefs and the Hungarian crest:
Here stands the Old Town Hall of Buda (Régi Budai Városháza), which lost its original function when Buda, Pest and Óbuda were united in 1873: a white Baroque building that was constructed in the early eighteenth century according to plans by the Italian architect Venerio Ceresola. You may also want to visit the House of Hungarian Wines (Magyar Borok Háza), also located on the square (Town Hall cellar). There are over 500 wines on display in the cellar from the different wine regions in Hungary. The tasting fee includes a guided tour through the cellars as well as some snacks to accompany the wine tasting. The wines exhibited here are also available for sale. The statue of Athena, the town's guardian, is set in a niche:
Antique's shop in Szentháromság tér:
If you need a coffee break to keep you going, or just want to get a taste on Budapest's coffee culture, - head south on Szentháromság tér toward Szentháromság utca, 30 m. Turn right onto Szentháromság utca, The Ruszwurm Café (Tip 4), Szentháromság utca 7 is on your right.
Nearby is the statue of Hussar general András Hadik (Szentháromság utca and Úri utca crossing), a favorite of Empress Maria Theresia is well known to local students. The statue, designed by György Vastagh Jr. was presented to the public in 1937. The general is on horseback; take a close look at the horse's testicles. They are shiny yellow, unlike the patina on the rest of the statue. Engineering students have for years polished the horse testicles on the morning of difficult exams, supposedly for luck:
Locate the Hilton Hotel, Hess András tér 1-3. just north of Szentháromság tér and Matthias Church and see the remains of a former Dominican cloister, now part of the hotel. Before the construction could be started, the archaeological excavations took 4 years to complete. The hotel was opened in 1977, and its structure incorporates a 13th century Dominican cloister and a 17th century Jesuit college, which makes up the facade and the main entrance of the hotel, combined with modern glass elements. The nave of the former church now gives home to the Dominican Courtyard, where numerous theatre performances are organized from spring until autumn:
Fortuna Passage, a narrow alley opposite the Hilton Hotel:
Hess András tér: Hess András tér adjoins Szentháromság tér to north. This square is named after the first printer to set up here in 1483. He published Buda's chronicles, the first book to be written in Hungarian. The statue in the centre is Pope Innocent XI (work of J Damko (1936) who played a very important role during the war against the Turks.
The house at No. 3 Hess András tér was rebuilt in the early eighteenth century on thirteenth-century foundations; in 1760 it housed the Red Hedgehog (Vörös Sün) Inn, as can still be seen on the carved stone inn-sign above the gate. It was here that in the eighteenth century the first theatrical performances in Buda were held.
The house at No. 4. facing the hotel was formed by joining together the remains of three fourteenth-century houses. Note the beautiful yellow façade of the building that houses the Fortuna restaurant:
Walk through Hess András tér to Táncsics Mihály utca (the eastern side of the square). Walk along this street (Institute for Musicology, Táncsics Mihály utca 7 is on your left) until its end. This street, lined with fine houses with colorful façades in the Baroque or Neo-classical style, bears the name of a journalist. Mihály Táncsics (1799-1884) was a hero of the struggle for national independence.In the Middle Ages, it was the main street in the Jewish Quarter in Buda:
Király Restaurant, Táncsics Mihály utca 25:
Táncsics Mihály utca ends at Vienna Gate (Bécsi Kapu), the northern gate of the Castle Hill. In the Middle Ages Bécsi kapu tér was called the 'Saturday Market'. The Vienna Gate is informally known as the gate used to leave the old city in route to Vienna. The present gate was rebuilt in 1936 to celebrate the 250th anniversary of the liberation of Buda. This event is described on a plaque along the wall, just inside the gate. You can walk up to the top of the gate where you get a beautiful view of the Buda Hills and for a very unique and not often seen angle onto the parliament building. From here it takes only a few minutes to get to busy Széll Kálmán tér:
The neo-Romanesque building towering above houses the National Archives. Next to the gate is Vienna Gate Square (Bécsi kapu ter) and the National Archive Building - a huge building with neo-Romanesque architecture, as well as the Lutheran Church. The National Archives holds documents which go back as far as 1526:
You'll find some charming houses around Vienna Gate too (No.-s 5-7). The most famous is the house at No. 7. It was built on the site of a medieval house. A priest and teacher, who lived here, rebuilt it in 1807. Beautiful grilles decorate the windows and the door of a staircase in the gateway. In the first half of the 20th century Baron Lajos Hatvany lived here, a patron of arts. In 1935 and 1936 Thomas Mann was his guest in this house for three times:
Lutheran Church on Bécsi kapu tér:
From the National Archive Building head southwest on Nándor utca. toward Országház utca, 70 m. Turn left onto Országház utca, 45 m. Turn right onto Kapisztrán tér, 45 m. The Mary Magdalene Tower will be on the right. Mary Magdalene Tower (Mária Magdolna torony), on the corner of Országház utca and Kapisztrán tér is the part of a 13th-century Franciscan church used by Hungarian speakers. Under Turkish rule, this was the only church allowed to remain Christian: the Turks converted all the other churches into mosques. Since this was the only Christian church, both Catholics and Protestants used it. In the end, the Turks converted it into a mosque as well. The chancel was destroyed in World War II and has not been rebuilt except for one stone window, as a memento. Only its 15th century tower survived the bombings:
From Maria Magdalena Tower start walking southward on Országház utca. This "street of the Parliament" has borne its current name since 1790.Note, along this road, several marvellous, historic houses:
Országház utca 22:
At that date this parliament used to meet in a former convent of the Claris nuns located at No. 28, today the National Science Academy.
Be sure to check out the houses located at 18, 20 and 22 Országház utca, as they date back to the 14th century:
Turn right on Dárda utca
and turn left on Úri utca to continue your walk. The longest street in the quarter of the castle. I think that this is the most beautiful stret in the Castle hill. You must walk along it to admire the façades of most of its Baroque houses. All these beautiful homes which appear one after another grant the street a certain residential look. Everything transmits calm and comfort:
Úri utca 29:
Úri utca 27:
Úri utca 31:
Úri utca 34:
Úri utca 35:
If you are interested in the labyrinth system situated in the caves and cellars beneath Castle Hill visit the Labyrinth of Buda Castle at Úri utca 9 or make a detour to Lovas út. The underground labyrinth served as a large shelter and hospital during World War II, but the Turks also used it back in the 16th century. Beneath Budapest's Castle Hill stretches a labyrinth of caves, tunnels and cellars. Opening hours: Every day: 10.00 - 19.00. Website: http://labirintusbudapest.hu/english.php.
Email address: firstname.lastname@example.org. It's about 10 km in length and a section of about 1.5 km is open to visitors. Part of the labyrinth was formed naturally; the other parts were excavated mostly in the Middle Ages for protection purposes. During World War II thousands lived through the siege down there. Opening hours: 10.00-19.00 every day. Two entrances: Úri utca 9., two minutes walk from Szentháromság tér, or: Lovas út 4/A (accessible with wheel chair). The temperature in the Labyrinth is around 14-15 Celsius and humidity is 90% so bring a coat or sweater with you. Night Tours with Lanterns - start at 18.00. Prices: adult: 2 000 HUF, (25% discount with Budapest Card), students/pensioners/teachers: 1 500 HUF, children up to 12 years of age: 600 HUF, guided tours (by appointment): 5 500 HUF. admission is free for people with disabilities:
The building at 31 Úri utca has a Gothic façade that dates back to the 15th century.
Take (RIGHT, SOUTH) to Nőegylet utca and continue your walk RIGHT (NORTH-WEST) on Tóth Árpád sétány. We head, first to the Military History Museum and we will trace back south-east along most of Tóth Árpád sétány - heading to the Royal palace. I heartily recommend walking along Tóth Árpád sétány on both directions. It deserves more than a prompt glance. In case you insist upon giving up this museum - turn left from Nőegylet utca to Tóth Árpád sétány. The entrance of the museum (flanked by cannons) is situated on the Tóth Árpád promenade, which offers wide vistas. The Museum of Military History is on the northwest side of the Tóth Árpád promenade. You can't miss noticing the Museum of Military History (Hadtörténeti múzeum), Kapisztrán tér 2-4. Besides a large collection of flags, military uniforms, and other military memorabilia, it has a collection of items from Hungary's involvement in various wars. The Hadtörténeti Múzeum includes numerous artifacts from the period of 1848 to the modern day, but as the city suffered greatly during the Second World War the building was heavily damaged and much of the original collection was lost. However, the museum recovered and has amassed an impressive collection, which includes many hands-on displays for children. Admission is free. Opening hours: Summer (APR 1 - SEP 30): TUE - SUN: 10.00 - 18.00. Winter (OCT 1 - MAR 31) TUE - SUN: 10.00 - 16.00:
In any case we continue along Tóth Árpád sétány in the south-east direction. The street, named after the Hungarian poet Arpad Toth. This is a lovely pedestrian promenade lined with chestnut trees that runs down from the one-some-mile craggy plateau where the Castle District perches. This is a favorite venue among locals (and some tourists, too) who sit on the benches or stroll and take in the views of Buda Hills. The Bástya sétány (Bastion promenade) was a promenade in the Castle Quarter. It ran behind the Western, Northern and partly the Eastern wall of the Castle. When defense importance of the Castle declined, the western part was afforested, then opened for the public in 1936 for the 250th anniversary of Buda’s Recapture. World War II caused major damages in the promenade, so it was rebuilt between 1966-1970 and it was divided to two sections. The Tóth Árpád sétány is the western part of the promenade. This promenade acts as a gathering place for locals and visitors who appreciate the beautiful architecture, trees, benches, fountains, and an incredible vista. The street is a whole greater than the sum of its parts - but its parts are impressive: the architecture is historic and harmonious; mature trees make a shady canopy; a wide walkway follows along a spectacular view; benches line the street, well-placed to allow a choice or shade or sun, and an appreciation of the view. In addition to the trees, historic character and amenities, this street is beautifully maintained and embellished with additional details such as historic lamp posts and a fountain. This is a wonderful promenade, on one hand which overlooks the hills on the Buda side of town, on the other hand, the picturesque houses. WHAT A GEM !!!
The Tóth Árpád sétány slights left (east) at its end and ends up at Dísz tér. We returned, gain, to Dísz tér. From Dísz tér you can already see the buildings of the Royal Palace. Both Szinház utca or Szent György utca will take you to the palace. Since, we walked through Szinház utca, at the beginning of our daily route - we'll opt and take, now, the Szent György utca to the Royal Palace. In most of the road's space excavations currently underway:
We return from the Royal palace complex to our final/first stop, today, the Castle Funicular station. We exit the Royal Palace site through its northern exit - the Habsburg Gate of the palace: Most visitors enter Buda Castle from St. George Square to the north, where the Sikló funicular connects Castle Hill with the Chain Bridge and Pest. An ornamental gate from the early twentieth century separates the square from the former royal domain and palace:
If you walk up the so-called Habsburg steps and pass through the gate - you'll see a small terrace decorated with the beautiful romantic fountain of the Fishing Children (Halászó fiú / Senyei Károly). The fountain was created in 1912 by Károly Senyey and shows children grasping a huge fish:
The bronze sculpture of a Turul bird is just outside the cable car station, right near the gate, is not, as you might think, an eagle, but the mythical Turul bird (which is believed to be a kind of falcon). This bird is a part of the story of how the Magyars settled the Hungarian homeland. This bird appeared in a dream to the wife of the Magyar leader Ügyek and told her that she would be the founding mother of a new nation.
One day Walk in Batthyány tér and Obuda:
Attractions: Batthyány tér, Szent Anna-templom (Church of Saint Anne), Fő utca, Szilágyi Dezső tér, Bem József tér, Margit House, Leó úti Synagogue, Zsigmond tér, Bécsi út, Lajos utca, Aquincumi military amphitheater, Flórián tér, St. Peter and Paul Parish Church, Óbudai zsinagóga, Arpad Bridge, Szentlélek tér, Zichy palace, Victor Vasarely Museum, (Obuda Museum), Fő tér,
Start: Batthyány tér Metro (RED M2 line) station. It is located under Batthyány Square in Buda, near the Danube river. Next to the station, there is the southern terminus of the Szentendre HÉV suburban railway. The station has two tram connections, to 19 and 41. Buses connections: Bus: 11, 17, 39, 86, 111, 160, 260, 260A.
End: Fő tér
Duration: 1 day. Distance: 12-13 km. Note: long-distance walk.
Introduction: Óbuda (Old Buda) (Ó means 'ancient' in Hungarian) is in the III. disrtrict of Budapes. Óbuda is the oldest part of Buda. It played an important role in Budapest's history from the Roman Era till the modern days. Although at first glance Óbuda seems to be a plain residential area with blocks erected in the communist regime - the centre has numerous sights and a lovely, quaint atmosphere that make it like a small rural town or even a village inside the city. For history lovers the district is well-preserved with remains from the Roman period to Baroque ornate mansions. Hungarians arrived after 900 and it served as an important settlement of major tribal leaders, later kings. Béla IV of Hungary built a new capital after the 1241-1242 Mongol invasion in Buda, somewhat south of Óbuda. On 1 January 1873 it was united with Buda and Pest to form Budapest. The area of Óbuda was inhabited in as early as the stone age. The Romans formed the capital of their Pannonia province - bordered by the river Danube - Aquincum in AD 106. Aquincum, garrison and civilian town, means "abundant in water" indicating that the Romans discovered and appreciated the area's most important natural treasure the thermal springs.
Batthyány Square (Batthyány tér) is a town square in the Buda side of the Danube directly opposite the Hungarian Parliament Building (Pest side). It is named after Lajos Batthyány, the first Prime Minister of Hungary, and a statue for him was erected in 2008. The HÉV suburban railway originates from the square, connecting Batthyány Square with Szentendre (see "Szentendre" blog).
The square is best known for its market hall - built between 1900 and 1902, which houses a modern supermarket and a small café on the second floor with views of the Parliament Building. Good thing that the market is open on Sundays. It's been recently renovated:
Batthyány Square is also noted for the Szent Anna-templom (Church of Saint Anne), a Roman Catholic church built by the Jesuits between 1740 and 1762, and one of Budapest's most beautiful Baroque buildings. The beautiful façade is dominated by two symmetric towers and between them the symbol of Holy Trinity and two angels. In the centre of the facade there is the statue of Szent Anna and the coat of arms of Budapest. The interior is in Baroque style with beautiful ceiling frescoes, the one over the high altar shows Holy Trinity and dates from 1771 while the central one is from early 20th century (paintings made by Pal C. Molnar and Bela Kontuly in the 1938). Frequent concerts, recitals and other musical events held here in the evenings. The church has a very fine pipe organ which is often used for recitals:
Another noteworthy building in the square is the former 'White Cross Inn' (Batthyány tér 4), which was established in 1766 when two older buildings were rebuilt in Rococo style. Habsburg king Joseph II stayed here twice when visiting Buda in 1783 and 1784. Nowadays, it is a beautiful Baroque building with Rococco ornamentation at the lower level, marred somewhat by a neon "Casanova" sign. According to legend, the serial seducer Giovanni Jacopo Casanova once stayed there when he came to Buda to take the water cure after many years languishing in prison.
On Batthyány tér the big red building on the north side was once a Franciscan Monastery, then a hospital run by nuns. It was built in the 18th century. Outside it is a statue of Ferenc Kölcsey created in 1939 by the sculptor Ede Kallós. Kölcsey (1790-1838) wrote the Himnusz, the Hungarian national anthem:
This square is right on the river (but look to the left...) and, like most of this city, boasts some pretty spectacular scenery. You can get a good view of the Hungarian Parliament Building and the Chain Bridge from the riverbank.
From Batthyány tér we head south, 55 m. Turn right to stay on Batthyány tér, 70 m. Then, turn left for 12 m. Continue onto Fő utca, 180 m. (passing Markovits Iván utca and Coyote Cafe' on your right) (see Tip below). The historic Fő utca (Main Street) crosses the square, and connects it to the lower end of the Budapest Castle Hill Funicular to the Buda end of the Széchenyi Chain Bridge. It continues further north until the Bem József tér. It dates from Roman times. It is bustling with commerce from as early as the 18th century. The area is called Watertown; following the 1686 siege of Buda, mostly German merchants and other privileged citizens moved here, building Baroque houses and courtyards.
Fő utca is lying parallel with the Danube. As we said before, walking along this road, from north to south, the huge Parliament building on the Pest bank will appear from time to time between blocks of buildings.
Continue straight onto Szilágyi Dezső tér, 95 m. Turn left to stay on Szilágyi Dezső tér, 60 m. Opposite stands the red-brick neo-Gothic Calvinist church whose roof is adorned with ceramic Zsolnay tiles from the Pécs factory. The church was designed and built in 1893-96 by Sámuel Pecz, who created the Main Market Hall, also with Zsolnay tiles. The building suffered bomb damage in the Second World War and was restored in the 1980s. The church is closed most of the time:
Outside the church on the river bank is a memorial to the March 15, 1848 revolution with the message 'Hazádnak rendületlenül' (steadfastly for your homeland):
There is a tiny statue by Béla Berán of Pecz dressed in medieval master builder’s clothes on a drinking fountain in the tiny park surrounding the church:
From Szilágyi Dezső tér - we change our direction and head to the north consuming, from now, quite a lot of kilometres of walk. We' ll strat in walking 950 m. (15-20 minutes) from Szilágyi Dezső tér to Bem József tér retracing our steps along Fő utca. Head north on Szilágyi Dezső tér toward Székely utca, 45 m. Continue onto Fő utca, 180 m. Continue onto Batthyány tér, 130 m. Continue onto Fő utca, 170 m. Continue straight onto Nagy Imre tér, 65 m. In Nagy Imre tér is located the former Communist Military Court of Justice on its northern side. Imre Nagy was sentenced to death here in 1958 for his prime role in the 1956 revolt. Here was also the site of the cruel prison , where many other victims of the Communist regime in Hungary were imprisoned and tortured.
Continue onto Fő utca, 300 m. Turn right onto Bem József tér, 35 m. József Bem (1794 – 1850) was a Polish general and a national hero of Poland and Hungary. Bem fought outside Poland's borders for the future of Poland. This square was the centre for the meetings during the Hungarian uprising of October 1956 against the Soviet invaders. The square was also a centre of 200,000 Hungarian students parade - protesting against Soviet rule in 1956. The statue in the square is of József Bem:
Continue northward onto Frankel Leó útca. In the intersection of Margit Krt. and Continue onto Frankel Leó út stands the Margit Haz (house):
The Frankel Leó road is quite long and it is 1.4 km. walk northward until we arrive to the Jewish Synagogue (Frankel Leó úti zsinagóga). The beautiful synagogue, in No. 49, wedged between apartment buildings, was built in neo-Gothic style. It was constructed by Sandor Fellner. and its inaguration was in year1888. The synagogue was empty and used as a stable during the WW2:
350 m. further and Frankel Leó road ends in Zsigmond tér:
A stone relief on a house in Zsigmond tér:
We are in Obuda. Getting to Óbuda from Downtown Budapest:
We take the western wing of Zsigmond tér and continue northward along Bécsi út. This street is still an important route, III. district's main thoroughfares. There are several famous buildings along Bécsi út (Újlaki Catholic Church, the People's Freedom Headquarters in St. Margaret's Hospital, an Óbuda University campus, Euro Center plaza, Óbuda cemetery next to the Jewish cemetery of Óbuda, and many other buildings, office buildings). DO NOT MISS THE SPECIAL ROOFS of many houses along this street:
We walk, now, approx. 1 km NORTHWARD along Bécsi út ( and its parallel road Lajos utca). Head north on Bécsi út toward Cserfa utca, 350 m.
Turn right onto Szépvölgyi út, 70 m. Turn left onto Kolosy tér, 77 m. The surrounding area is a shopping mall, a bunch of office buildings, good patisserie, and, moreover, it is the city's main sushi eateries. Continue onto Lajos utca, 400 m. Turn left to stay on Lajos utca, 45 m. Beyond the intersection with Nagyszombat utca - yo see the Aquincumi military amphitheater. A military amphitheater located south of former Roman military camp. It’s an interesting fact that this amphitheatre had an arena that was larger than the arena of the Colosseum in Rome (89,6 x 66,1 metres). The amphitheater was built during the reign of emperor Antoninus Pius. The construction work was performed by the Legio II Adiutrix technical corps. Imagine: the walls were supported by huge stone pillars. Free entrance. Aquincum Military Amphitheatre is the greater of two amphitheatres in Budapest, Hungary. (The other being the Aquincum Civil Amphitheatre,. located in further north in Obuda.). The Aquincum Museum is also 3.5 km. further north. To see the Aquinicum Museum - see our suggestion below to take a bus from Flórián tér:
It is another 1.1. km. walk to Flórián tér and more Obuda attractions. Head north on Pacsirtamező utca. toward Viador utca, 400 m. Slight right to stay on Pacsirtamező utca, 500 m. Turn right onto Flórián tér, 50 m. In Flórián tér ruins of a Roman military camp were discovered. The vsquare is built on the nucleus of this camp. The well preserved ruins of a bath complex called Thermae Maiores are on the north side of the square on grassy grounds. A small museum provides information about the baths and medicine in Roman times is seen in the Flórian tér underpass. The square itself is noisy and busy:
Side trip to the Aquinicum Museum, Budapesti Történeti Múzeum - Aquincumi Múzeuma, Szentendrei street 135: From Flórián tér walk About 3 min , 230 m north-west to Szentlélek tér. Take Bus134 towards Békásmegyer, Újmegyeri tér. Drop off at the 5th stop, Záhony utca and walk About 2 min ,,140 m to the Budapesti Történeti Múzeum - Aquincumi Múzeuma,
Záhony utca 4. The Aquincum Museum is definitely an interesting site to visit. The museum houses amazing archeological artifacts from the ancient Roman city of Aquinicum. You can also see the actual site of excavation outdoors. English translations could be improved. Prices: 1600 HUF. Opening hours : 10.00 - 16.00. Time Required : 1 - 2 hours.
From Flórián tér move eastward crossing the road beneath Árpád híd (Árpád bridge) will take you to the 18th century Baroque style St. Peter and Paul Parish Church, Lajos utca 168. From lórián tér head south on Polgár utca. toward Tavasz utca, 10 m. Turn left onto Tavasz utca, 170 m
Slight right at Szentlélek tér, 95 m. Turn right toward Lajos utca. Take the stairs, 60 m. Turn left toward Lajos utca. Take the stairs, 90 m. Turn left onto Lajos utca, 130 m. Turn left onto Zichy utca, 35 m. Turn right onto Lajos utca. The yellow-colored church will be on your right. After the Roman era the Hungarian tribes arrived in the 9th century and Óbuda started to flourish once again. A castle and several churches were built on top of the Roman ruins. The first church, named after St. Peter, was built here in 1015. At the time Óbuda was significantly more developed than Buda, which only became popular in the wake of the Mongol invasion in the 13th century, when King Bela IV moved his royal seat to higher ground. Dominating the easternmost side of III Flórián tér is the yellow Baroque Óbuda Parish Church, which was built in 1749 and dedicated to Sts Peter and Paul. There’s a lovely rococo pulpit inside. Architect: János György Paur. The first church was built here in 1015. This church has only one big nave with lovely side altars on both sides.
Antonio Bonfini (1427–1502) was the personal historian of king Matthias Corvinus. His sepulchral monument, which the sculptor John Seres works, can be seen at the left (south) side of the parish. Relief carved of red limestone. Author: János Seres. Inscription: IN MEMORY OF ANTONIO BONFINI KING MATTHIAS' CHRONICLER, BECAME HUNGARIAN, WHO WAS BURIED IN THE CHAPEL OF ST. MARGARET DRAWN IN THE OLD DAYS THIS PLACE.
Adjacent to the parish church (east of it) is the Óbudai zsinagóga, Obuda Synagogue. Budapest's oldest synagogue, was built in 1737, demolished and rebuilt in 1820-1821 in classic style. Architect: Andreas Landesherr. Jews settled in Óbuda from 1712 at a time when Jews were forbidden to live in Buda. Countess Zichy invited them to live on Zichy family property in Óbuda. The building's original copper roof was requisitioned by the government and melted for ammunitions production during World War I. At the time the synagogue was built, the community of Óbuda was the largest Jewish community in Hungary. In 1850, the town had 3440 Jewish residents. The community shrank throughout the nineteenth and early twentieth centuries as members moved into the flourishing city of Pest. But the town, district III of Budapest was still 10% Jewish in 1926. In the 1970s, the diminishing Jewish community sold the building for use as a television studio. Used for a long time as a TV studio, it was reinaugurated as a Synagogue on September 5, 2010:
The Two Tablets on the top of the Obuda"s synagogue:
200 m. west to the Synagogue - there is a famous restaurant - Kehli (see Tip below).
We change direction and head northward again. It is 450 m. walk to the Vasarely Museum. From the Óbudai zsinagóga we head north on Lajos utca toward Zichy utca, 25 m. Turn left onto Zichy utca, 35 m. Turn right onto Lajos utca, 130 m. Turn right toward Szentlélek tér, 65 m. Slight left at Serfőző utca, Take the stairs, 110 m. Turn left onto Szentlélek tér, 45 m.
We crossed the Arpad bridgw from south to north and, now, we are north to Arpad hid. The Danube is on our right (east). Situated at the northern end of Margaret Island, Arpad Bridge is the second longest and at present the most congested bridge in Budapest. It is named after chieftain Arpad, the leader of the first Magyar settlers of Hungary. The construction of the bridge had been planned since the installation of the old Elizabeth Bridge in 1903, however the design competition was only launched in 1930. Its construction was started in 1939 to the plans of János Kossalka. Due to World War II, the construction of the bridge was suspended in 1943 and could only be resumed in 1948. At that time, the so-called post-war "bridge battle"- i.e. the reinforcement of the endeavor to set into operation the largest possible number of Danube bridges as soon as possible and with the lowest possible material consumption - was in full swing. For this reason, the installation of the steel structure only included the parts attached to the two middle head-beams of the bridge, thus narrowing the bridge-deck from the originally planned 27.6 meters to 13 meters. The bridge was finally inaugurated on 7 November 1950, yet the socialist government named it after Stalin instead of the originally proposed Arpad. Finally, it was rechristened Arpad in 1958:
On your way you will pass the Baroque-style Zichy palace (Zichy-kastély) that belonged to an aristocratic family, who once owned Óbuda. The palace, commissioned in the 18th century, is home to several Museums. There is a museum dedicated to the Hungarian born pop artist, Victor Vasarely, another to Lajos Kassák, an iconic figure of the Hungarian avant-garde movement and yet another to the history of Óbuda. The Baroque-style mansion was built by Henry John Zichy Jäger stonemason and Bebo Charles, sculptor between 1746 and 1752. The outbuildings were also made in the 18th century:
The Holy Trinity Statue at Szentlélek tér:
At Szentlélek tér (or at the eastern end of Fő tér) an engrossing group of sculptures by Imre Varga - an artwork which became a symbol of Óbuda. The amazing group of sculptures "Women with Umbrellas" makes you stop for a while and admire the artwork which became a symbol of Obuda. They lend a peculiar atmosphere to both of the the squares. You remember that Imre Varga also created the Tree of Life in the Great Jewish Synagogue in Pest:
The first museum we'll browse is the Victor Vasarely Museum, 3rd District, Szentlélek tér 6, next to Árpád híd HÉV (Green Train Line departing from Red Metro Line Batthyány tér stop) - 170 m. south to Zichy-kastély. Victor Vasarely Museum, Hungarian born founder of op art. Two floors of colorful, geometric art. Hundreds of works by the Hungarian born painter can be seen along with temporary exhibitions of other Hungarian artists. The museum is very well organized, and shows the evolution of Vasarely style until his late projects. Vasarely created his art without computers and used his imagination to make the geometric shapes in various shades. I loved this museum. The permanent exhibition is a refreshing, colorful and quite extraordinary. Opening hours: 10.00 - 17.30. Prices (valid for both the permanent and temporary exhibits): full price 800 HUF, for Budapest Card owners: 700 HUF, discount tickets: (visitors from EU countries aged between 6-26, and 62-70): 400 HUF, free - for children under 6, visitors from EU countries over 70 years of age. Photo permit: 300 HUF, Video permit: 1 500 HUF:
Óbuda Museum is in Fő tér - adjacent and north to Szentlélek tér. Entrance from: Fő tér (Main Square) 1-4. Open: TUE - SUN 10.00 - 18.00. Prices: full price: 800 HUF, discount ticket (visitors from EU countries aged between 6-26, and 62-70): 400 HUF, admission is free for children under 6, visitors from EU countries over 70 years of age, family ticket (2 adults+2 kids): 2 000 HUF. Rich collection introduces local history. Highlights include a 19th-century farmhouse kitchen from Békásmegyer, the output of master cooper Simon Tóbiás, and a vintage 1970s apartment interior. Hungary's only toy museum will be a thrill to kids and their parent alike. The Zsigmond Kun Flat Museum has a unique collection of folk art furniture.
Lajos Kassák Museum, Entrance: Fő tér (Main Square) 1. Opening Hours: WED - SUN: 10.00 - 17.00, closed on MON - TUE. Prices: full price. 600 HUF, discount ticket (visitors from EU countries aged between 6-26, and 62-70): 300 HUF, admission is free for children under 6, visitors from EU countries over 70 years of age. The exhibition consisting of 20, 000 items depicts the life and works of Lajos Kassák (1887-1967), famous representative of Hungarian Avant-garde:
We walk a few steps to the north to Fő tér. Getting to Fő tér: Take Subway (M2) to Batthyhány tér. From Batthyhány tér take the Suburban Railway (HÉV) to Árpád híd. FÖ TER (MAIN SQUARE) in Obuda is a secluded square from the 17th-18th centuries. The town hall is a beautiful building constructed in the 18th century. Fő tér is the main square in Óbuda, the oldest part of Budapest. This charming square is surrounded by several Baroque-style buildings, including the City Hall of Óbuda and some museums and restaurants. Most buildings were commissioned in the 17th and 18th centuries, when Óbuda belonged to the Zichys, a wealthy aristocratic family. Its like a little, silent island within the large city. Interestingly, the Fő tér is very quiet most of the time.
The YELLOW building of the local government (to the left, west of the statues of "Women with Humbrellas") is also located at this square. The word VÁROSHÁZA means City Hall, but, nowadays, it hosts the district mayor. The exterior is MARVELLOUS:
We return to the centre of Pest by: Walk about 3 min , 230 m to 8:54 PM
Szentlélek tér. We take the HEV Commuter train H5 towards Batthyány tér (4 stops) to Batthyány tér stop. We take the Subway M2 (RED) towards Örs vezér tere (2 stops) and stop at Deák Ferenc tér.
1 day around the Heroes' Square: The Heroes' Square, The National Museum of Fine Arts (closed until May 2018), Palace of Art (the Béla Bartók National Concert Hall, the Ludwig Museum, the Festival Theatre), Budapest City Park, Castle Vajdahunyad, the Ják chapel, The Statue of Anonymus, the city lake with its ice skating rink (winter only), Szechenyi Baths, Budapest Zoo & Botanical Garden.
Start & End: Hősök tere M1 Metro station.
Hősök tere - The Heroes' Square:
Heroes' Square is the largest and most impressive square of the city. Heroes’ Square in the 6th district is one of the most visited sights in Budapest. It is a World Heritage site. Whether you are a history buff, or a normal tourist, you cannot skip this place. It is a gem in it's own right, a simply fabulous monument.
Transport: Take the M1 (Yellow line) to Hősök tere.
Orientation: Hősök tere is surrounded by two important buildings, Museum of Fine Arts on the left and Palace of Art (or more accurately Hall of Art) on the right. On the other side it faces Andrássy Avenue which has two buildings looking at the square — one is residential and the other one is the embassy of Serbia (former Yugoslavian embassy where Imre Nagy secured sanctuary in 1956).
The square had been constructed in 1896 to mark the 1000th anniversary of Hungary. It is located at the end of Andrássy Avenue and next to City Park. It is surrounded by two important buildings, Museum of Fine Arts on the left (see Tip below) and Kunsthalle (Hall of Art) on the right, The square construction was part of a much larger construction project which also included the expansion and refurbishing of Andrássy Avenue and the construction of the first metro line in Budapest.
The central feature of Heroes' Square, as well as a landmark of Budapest, is the Millennium Memorial (Millenáriumi Emlékmű). The Millennium Monument, designed in 1894 by Albert Schickedanz and completed thirty-five years later. The many statues were designed by György Zala. The Millennium Monument in the middle of the square was erected (in 1896-7) to commemorate the 1000-year-old arrival of the Magyars to the Carpathian areas. Archangel Gabriel (the symbol of the Roman Catholic religion) stands on top of the center pillar (36 m. high), holding the holy St. Stephen’s Crown and the double cross of Christianity. According to the story, Gabriel appeared to St. Stephen in his dream and offered him the crown of Hungary. Pope Sylvester II indeed sent a crown to him acknowledging Hungary and King Stephen as a defender of Christendom. Today you can view the Holy Crown in Budapest Parliament. Árpád and the seven leaders who led the Magyar tribes to Hungary (Előd, Ond, Kond, Tas, Huba, and Töhötöm), around 896 AD, can be seen on the stand below. Árpád's descendants formed the Hungarian royal dynasty. Statues of kings, governors and other important historical figures stand on top of the colonnades on either side of the center pillar. From left to right you can see: King St. Stephen – Hungary’s first king, founder of the Hungarian state, King St. László- a noble and king, several miracles are attributed to him, King Kálmán Könyves King Coloman de Beaiclerc-annexed Croatia and Dalmatia to Hungary, King András II – participated in the Crusades, King Béla IV – rebuilt the country after the Mongol invade in the 13th century, King Charles Robert – created a strong and wealthy Hungary in the first half of the 14th century, King I Nagy Lajos - son of Charles Robert, during his reign Hungary reached the greatest expansion of its territory, King Matthias – a Renaissance King who made Buda Europe’s cultural centre in the 15th century, István Bocskai- as a result of his fight against the Habsburg reign Transylvania became independent in 1606, Gábor Bethlen – prince of Transylvania in the 17th century, leader of an anti-Habsburg uprising, Imre Thököly – leader of Hungarian Protestants against the Habsburg rule, Ferenc Rákócz I - leader of the War of Independence against the Habsburgs in the 18th century, Lajos Kossuth – leader of the 1848/49 War of Independence. At the foot of each statue a small relief depicts the most important moment of the life of the personality.
The monument consists of two semi-circles on the top of which the symbols of War and Peace, Work and Welfare, Knowledge and Glory can be seen. Statues of the right colonnade: John Hunyadi - The Siege of Belgrade (1456), Matthias Corvinus, Matthias with his scholars, István Bocskay, Hajdú soldiers defeat the imperial forces, Gabriel Bethlen who concluded a treaty with Bohemia, Imre Thököly - The battle of Szikszó, Francis II Rákóczi - who returned from Poland, Lajos Kossuth - who rallied the peasants of the Great Plain.
Since many of the attractions weren't ready in time, in 1896, the festivities were held one year later in 1897. When the monument was originally constructed, Hungary was part of the Austro-Hungarian Empire and thus the last five spaces for statues on the left of the colonnade were reserved for members of the ruling Habsburg dynasty. From left to right these were Ferdinand I (relief: Defense of the Castle at Eger); Leopold I (relief: Eugene of Savoy defeats the Turks at Zenta), Charles III, Maria Theresa (relief: The Hungarian Diet votes support "vitam et sanguinem") and Franz Joseph (relief: Franz Joseph crowned by Gyula Andrássy). The Habsburg emperors were replaced with Hungarian freedom fighters when the monument was rebuilt after World War II. The memorial won the first prize at the 1900 World Exhibition in Paris. The monument was completely finished in 1929 and the square received its name 3 years later, in 1932.
During the Communist era the place saw many demonstrations on national Hungarian holidays. In 1989 a crowd of 250,000 gathered at the square for the reburial of Imre Nagy, former Prime Minister of Hungary, who was executed in 1958. Since 2002 the Millennium Monument together with Andrásy Avenue is part of UNESCO’s prestigious World Heritage sites.
The tomb of the unknown soldier can also be found in the square. The Hungarian War Memorial stands in front of the column commemorating the heroes who died for the independence of Hungary. A popular spot for wreath-laying ceremonies on national holidays. At the two sides the representative buildings of the Museum of Fine Arts and the Art Gallery both worth a visit with high standard temporary exhibitions, such as Van Gough, Rembrandt and the collections of Spanish and French paintings.