Porto - from Moistero Serra do Pilar to Praça da Batalha:
Orientation: The first half of the day is devoted to walk near the Douro river and to famous, more modern streets in Porto. BUT, the second half - is devoted to the historic centre and, perfectly, complements the routes offered in Porto "Around the Cathedral" and "Historic Centre of Porto" itineraries - in exploring the historic centre of this outstanding city.
Attractions: Moistero Serra do Pillar, Ponte Luis I, Igreja de Santo Ildefonso, Rua de Santa Catarina, Capela das Almas, Trinidad Metro station, Igreja de Lapa, Banca de Materiais (Bank of Materials), Igreja do Carmo and Igreja Das Carmelitas, Praça de Gomes Teixeira and its Fonte dos Leões, Livraria Lello, Igreja de Trinidade, Porto Town Hall, Avenida dos Aliados, Praça da Liberdade, Praca da Batalha.
Start: General Torre Metro station, Vila Nova de Gaia.
End: Praça da Batalha (Sao Beneto Metro station).
From General Torre Metro station walk east, in the direction of the Avenida República (already known from the "Porto and Vila Nova de Gaia- walk along the Douro river - West of Ponte Luis I" itinerary). The House of Culture (Barbot house) located on Avenue of the Republic, in the Jardim da Casa da Família Barbot, Vila Nova de Gaia, district of Porto. This is an old family residence, erected in 1904 on the initiative of the Viennese Bernardo Pinto Abrunhosa, its first owner. However, the name by which is known comes from Ermelinda Barbot, owned the property in 1945. It is listed as a Public Interest since 1982. The Municipality of Gaia acquired the property, recovered it and then installed the Culture House, headquarters of the Department of Culture, Heritage and Tourism of the municipality. The Barbot House - House of Culture currently has an area for exhibitions and promotional events such as debates, seminars, workshops, book launches and musical moments. It is the only example of new art in Vila Nova de Gaia and includes elements of Arabian-inspired rooftop tiles neoclassical inspiration and also elements of oriental taste, approaching the building of a French taste of the late nineteenth century. The roof with sunglasses denotes the influence of the style of the Second French Empire of Napoleon III:
Walk along Avenida República to the north (river direction). In the cross-lights of Rua Rodrigues de Freitas - move to the east side of the avenue and climb along Rampa do Infante Santo to Moistero Serra do Pilar (see our itinerary "From Moistero Serra do Pillar to Praca da Batalha"):
There are FIVE WONDERFUL lookout sites over the Douro river in Porto and Vila Nova de Gaia: Torre dos Clerigos, Moistero Serra do Pilar, Crystal Palace Garden (In my opinion - the best, see later in this route !), Ponte Arrabida and along Avenida Paiva Couceiro in the eastern part of Porto). All of these observation points are described in our Porto blogs. I could not resist returning again (see our itinerary "From Moistero Serra do Pillar to Praca da Batalha") to this Miradouro and taking photos, again, of the magnificent views of Porto, Vila Nova de Gaia and the Douro river:
Ponte do Infante:
Ponte Luis I:
Vila NOva de Gaia:
Caves de Gaia:
Barcos Rabelos carrying some Port wine barrels:
Torre dos Clerigos:
Porto Se' Cathedral:
Funicular of Vila Nova de Gaia:
Metro on Ponte Luis I:
We are, now, in Vila Nova de Gaia but we head to Porto itself. This is the first itinerary in Porto that we cross the Douro river (from VNDG to Porto) via Ponte Luis I ( we did the same in the "Porto and Vila Nova de Gaia- walk along the Douro river - West of Ponte Luis I" itinerary - via Ponte Arrabida). From Moistero Serra do Pilar - head west on Largo Aviz toward Rampa do Infante Santo, Largo Aviz turns left and becomes Rampa do Infante Santo, turn right onto R. Rodrigues de Freitas, turn right onto Av. da República, 210 m, turn right onto R. Casino da Ponte and turn left. We cross Ponte Luis I on the level dedicated to the Metro - over a wooden deck for pedestrians.
Funicular dos Guindais and Avenida de Gustavo Eiffel from the bridge:
Ribeira from the bridge:
Vila Nova de Gaia from the bridge:
The yellow Metro line (No. 5) crossing the bridge:
View from the northern (Porto) enge of the bridge:
Cross Rua Saraiva de Carvalho. On your left the ascent to the Porto Se' - Cathedral and on your right, north-east: Torre dos Clerigos. Head north on Av. Vimara Peres, 17 m, slight left toward Calçada Vandoma (leading to the Cathedral), 23 m. Turn back and take photo of the Porto Se':
Turn right onto Calçada Vandoma, turn left onto Av. Dom Afonso Henriques, 28 m. Turn right onto R. Chã, 110 m and continue onto R. Cimo de Vila. In selecting this route - we opted for the more shady options... Continuing along Rua Cimo de Vila we arrive to an intersection
and coontinue climbing up along Rua de Santo Ildefonso. Opposite us stands Church of Saint Ildefonso. The Igreja de Santo Ildefonso is an eighteenth-century church situated near Batalha Square. Completed in 1739, the church was built in a Baroque style and features a retable by the Italian artist Nicolau Nasoni and a façade of Azulejo tilework. The church is named in honour of the Visigoth, Ildephonsus of Toledo, bishop of Toledo from 657 until his death in 667. Two notable features of the church are the Retable and the blue-and-white tiling. The artist and architect Nicolau Nasoni designed the retable, which was created and installed by architect Miguel Francisco da Silva in 1745. Approximately 11,000 Azulejo tiles cover the façade of the church, which were created by artist Jorge Colaço and placed in November 1932. The tiles depict scenes from the life of Saint Ildefonso and figurative imagery from the Gospels:
With your face to the church, continue with the road on your LEFT (west to the church) - Rua de Santa Catarina. The Rua de Santa Catarina is the most commercial artery of downtown Porto, with much of it now forbidden to traffic and reserved only for pedestrians. The planning was due to the visionary spirit of Almadas whose works of redevelopment in the second half of the eighteenth century, brought to Porto a new life. The street was extended to the Alameda Brandy today Marquês de Pombal. In this extension was named Bela Princess street. Much of the land to the west of the street, especially where later was erected the Grande Hotel do Porto in the first half of the nineteenth century were lands belonging to Dona Antonia Adelaide Ferreira, the Ferreirinha Port wine. The Rua de Santa Catarina features clothing stores, shoe stores, stands selling handicrafts and jewelery - remnants of the permanent fair located at the Battle Square (Praca da Batalha) before the works of redevelopment of the city's downtown. Here are Azulejos opposite the Bolhao Metro station and belong to the pretty Capela das Almas. The facade is really nice and well preserved. The tiles feature the life of St. Catherine:
Capela das Almas interior:
We climb north along Rua Rua de Santa Catarina. In the 4th or 5th turn to the left to Rua de Gonçalo Cristóvão. Walk along this street west and on the 3rd turn, if you turn LEFT (we continue westward) to Rua Bon Jardim to face the Trinidad Metro station - the most central and busy station in Porto. It is the only station where lines A, B, C, E and F (which run as one line within the metropolitan area) intersect with line D. It is in the centre of Porto and is the busiest station in the system by passenger numbers:
We continue west along Rua de Gonçalo Cristóvão and cross rua de Camoes and arrive to Praça República. With the establishment of the Republic in Portugal in 1910, the square's name was changed to the Republic Square.
Along the EASTERN side of the Republic Square walk north along Rua Regeneração. Turn left to Largo de Lapa to face the Igreja de Lapa. Father Angelo Sequeira Oporto received on year 1755 the papal permission of Pope Benedict XIV, with generous donations of the faithful community, to build up the Chapel of Our Lady of Lapa's Confessions. The construction of the church dragged on for over 100 years due to scarcity of resources and the Napoleonic invasions. Since 1835, the interior of the church houses the heart of King Pedro IV. From 1837, it is accommodated in a monument built by Costa Lima and located in the Main Chapel, on the Gospel side:
Monument of King Pedro V:
The huge organ of Lapa Church:
We return south to the Praca Republica. We stick to its west side with our face to the south. Continue south along the narrow Rua dos Mártires da Liberdade road (I suspect the road does not bear a signage in its beginning). BTW, on the south-east corner of the squre - Pingo Doce supermarket. Cross Rua dos Bragas on your right. Take the left, shady side of the road. On your left you pass through Rua Pinheiro. Step a few steps onto this alley to admire the inhabitants passion for football:
Continue south along Rua dos Mártires da Liberdade to arrive to Fonte das Oliveiras in Largo de Alberto Pimentel:
Continue south along Rua das Oliveiras. On your right Teatro Carlos Alberto with restaurant / bar (under reconstruction). I took my lunch, here, in Restaurante a Lareira, Rua Oliveiras 10, Porto, T: 4050-448. See Tip below. In the end of Rua Oliveiras we arrive to Praca / Jardim Carlos Alberto, which we are familiar with from our itinerary "Historic Centre of Porto". Immediately on your right is the Banca de Materiais (Bank of Materials). Here, in the Palace of the Viscounts Balsemão, Plaza Carlos Alberto, 71, 4050-157 Porto, Tel (+351) 223 393 480. http://balcaovirtual.cm-porto.pt/PT/cultura/patrimoniocultural/bancodemateriais/catalogosemateriais/Paginas/catalogosemateriais.aspx
You can find a marvelous collection of Azulejos. This is a project initiated by the Municipality of Porto in order to safeguard, enhance and raise awareness of the numerous different specimens such as Portuguese ceramic tiles. No photos allowed. Walk south along Praca Carlos Alberto and turn right to the Igreja do Carmo and Igreja Das Carmelitas (already covered in "Historic Centre of Porto" itinerary:
With our back to the couple of churches - we turn LEFT (EAST) to Praça de Gomes Teixeira and its Fonte dos Leões (Lions Fountain) (visited in the "Historic Centre of Porto" itinerary:
Leave this square from its south-east side and continue down to the Rua das Carmelitas. On your right you see the the Jardim da Cordoaria / das Oliveiras and the Torre dos Clerigos ("Historic Centre of Porto" itinerary). On your left at Rua das Carmelitas No. 144 - the world-renowned bookstore - Livraria Lello & Irmão. Along with Bertrand in Lisbon, it is one of the oldest bookstores in Portugal. In 2011, the travel publishing company Lonely Planet classified Livraria Lello as the third best bookstore in the world. Also known as Livraria Chardron or simply Livraria Lello (Lello Bookstore). In 1881, José Pinto de Sousa Lello established a bookstore in the nearby Almada street. In 1894, Mathieux Logan sold the old Chardron Library to José Lello which, holding a partnership with his brother Antonio Lello, kept Chardron with the registered name of "Sociedade José Pinto Sousa Lello & Irmão", which then would be referred to as "Livraria Lello e Irmão". The bookstore is located in a house decorated in Art Nouveau, with some features of the Gothic revival. You must go to see the inside of the building as it is spectacular. It has a beautiful stain glass ceiling that gives the store a beautiful glow. The staircase is worth a look. Note that it is very popular so gets quite crowded. Don't let the crowds keep you away.Photos strictly NOT permitted inside the store: If you come early, at 9, before the store opens, they do allow you to take pictures then:
All the houses in the left (north-east) side of rua das Carmelitas - are exceptionally beautiful:
With your face in R. das Carmelitas down (south-east) turn LEFT (north-east) onto Galeria de Paris, 140 m. Turn left onto R. Santa Teresa
37 m and turn right onto Rua de José Falcão. Climb up whole Rua Falcao and note houses nos. 86 - 150 with their ceramic tiles. In the end of Rua Falcao - turn RIGHT to Rua da Conceição and walk until Largo de Mompilher and Café Candelabro (MON - SAT 10.00 - midnight). The Chandelier is an open café-bookstore opened in December 2009. The shelves are being filled with books, mostly about film and photography. The cafe' buys used books, especially about photography, cinema, theater, plastic arts. They also seek photographs and postcards, old and new:
If the Café Candelabro is on your right - there is a dmolished red pagoda on your left. We continue in the same direction we've arrived to the square and Café Candelabro - EAST to Rua Doutor Ricardo Jorge. WE walk until the end of Rua Dr. Ricardo Jorge until we arrive to Praça Trindade.
On your left is the Igreja de Trinidade and on your right the City Hall of Porto. The Trinity Church was built during the nineteenth century, according to project architect Carlos Amarante (who is buried in this church). The church was opened for worship on June 5, 1841. In the chancel stands out the large panel of the painter José de Brito, representing the Baptism of Christ:
Porto Town Hall is, formally, in Avenida dos Aliados. Built from 1920 to 1957 in Neo-Baroque style. It is a very impressive building with Doric and Corinthian marble pillars. Its south facade is especially magnificent in the afternoon sun. It is one of Porto’s landmarks, along with Clérigos Tower, this is one of the most famous monuments among tourists. Porto City Hall is an imposing building that dates back to the beginning of the 20th century. Also note worthy is the solid 70m high tower with a carillon clock.
Salvador Barata Feyo monument in Avenida dos Aliados:
With the Camara Municipal (CM) (City Hall) on your back - walk south along Rua Clube dos Fenianos which changes to Avenida dos Aliados. The Allies Avenue honors the Allies of World War countries. The magnificence of this avenue and its architectural complexes make it the "living room" of the city, the place par-excellence where Portuenses prefer to celebrate their special days. All the buildings are of quality granite, many of them crowned with skylights, domes and spires. Midway through the avenue on either side are the two entrances of the Aliados Metro Station of Line D. It was the construction of the station that triggered the complete overhaul of the avenue, one work that was given to architects Álvaro Siza Vieira and Eduardo Souto Moura. On the afternoon of May 15, 1982, Pope John Paul II presided over a Mass celebrated next to City Hall, in the Avenida dos Aliados, in his first apostolic visit to Portugal. At the top, where stands the Town Hall of Porto, the avenue gives way to Praca General Humberto Delgado:
The Avenida dos Aliados is lined with many sculptures. Here is a statue of Garreto (1799-1854) in the Avenida dos Aliados:
The Avenida dos Aliados ends, in the south, in Praça da Liberdade:
Head east on Praça da Liberdade toward Praça Almeida Garrett, 65 m. Turn right onto Praça Almeida Garrett, 31 m. Sharp left onto R. 31 de Janeiro, 19 m. Turn right onto R. da Madeira, take the stairs, 290 m. Turn left onto R. Cimo de Vila, 5 m, continue onto R. de Santo Ildefonso and Praca da Batalha will be on the right. From here it is 2-3 minutes walk to Sao Beneto Metro station.
Ribeira (Porto Riverfront): from Rua da Bainharia to Praca da Ribeira:
Start: Tourist Information Office in the Se' - Cathedral square.
End: Praca da Ribeira.
Orientation: The city is quite varied architecturally, with medieval as well as modern living side by side. Porto's geography is hard on the feet, but pleasant to the eye. The city is extremely hilly, with many buildings built into a cliff face that overlooks the river. Stairs cut into the stone run up and down the cliff face and offer a laborious but rewarding walking tour. With photogenic traditional boats floating at the quayside overlooked by colorful ancient houses, this is the most picturesque area in the city and the place everyone loves -- UNESCO did too, and declared it a World Heritage Site. While the main streets are busy with tourists, the backstreets are quiet and often completely empty. Yet, it's here where you can discover the most picturesque everyday scenes. I particularly liked the backstreets behind the overcrowded Praca da Ribeira and Cais da Ribeira. There are lots of nice places - hidden plazas, colorful houses in narrow alleys, stairs leading up to other squares. One of the reasons why Porto is such a pretty town is very much because it has Cais da Ribeira facing the river.
Distance: 6-7 km.
With your face to the Tourist Information Office in the Se' - Cathedral square, turn RIGHT and descend the stairs (Escadas da Sé) northward to Rua Escura. Turn your head backward to catch one more glimpse of Porto Se' Cathedral:
In the end of Rua Escura turn LEFT to Rua da Bainharia. The designation of the street Bainharia has medieval origin and owes its name to the high concentration of this concourse Bainheiros, craftsmen who dedicated themselves to the manufacture of sheaths for melee weapons, including swords. Walk along Rua da Bainharia and find your way into the small streets. Just look for narrow roads, colorful walls and lots of houses !
On the first turn, turn LEFT to Rua de Santana and you arrive to Largo da Colegio. Small square with exceptional view of houses steeply hung over the square. Here you see the rear of the buildings of the street Aldas:
In the square you find unusual, poorly visited gem: Igreja dos Grilos. Built by the Jesuits in 1577. It is a Mannerist-Baroque-style, funded by donations from the faithful, as well as Frei Luís Álvaro de Távora, who is buried here. The Church and Convent of São Lourenço were built enduring strong opposition from both the Municipal Chamber and the population. However, the followers of St. Ignatius of Loyola finally got the much coveted school which provided free classes - this quickly resulted in a remarkable success. With the expulsion of the Jesuits in 1759, by order of the Marquis of Pombal, the church was donated to the University of Coimbra until its purchase by the Discalced Friars of the Order of Saint Augustine that were there from 1780 to 1832. These friars came from Spain in 1663, settling initially in Lisbon, at the "site of Cricket" (lugar do Grilo), where they quickly gained the sympathy of the village, earning the name "brothers-crickets" (irmãos-grilos) and thus the name of the church where they fixed residence in Porto. During the Siege of Porto, the brothers were forced to leave the convent, which later was occupied by the liberal troops of Dom Pedro. The Academic Battalion, integrating Almeida Garrett, settled there. Today the premises belong to the Seminário Maior do Porto, to which they have belonged since 1834. Its interior is unique, with a magnificent light...and so peaceful ! The interior is monumental, magnificent and monochrome. You can appreciate the weight of history and the building tradition, enhanced by magnificent altars and colorful ornaments. A MUST in Porto !!!
Crucified Christ, polychromatic wood, 18th Century:
Ceramic tile (Azulejo) in the church:
South to the Largo de Colegio and Igreja dos Grilos - there is viewpoint terrace over the Douro river and downtown Porto houses:
Return, via Rua de Santana, to Rua da Bainharia. Walk west to its end.
There, turn left to the bustling Rua São João. Walk down south along Rua São João and turn (in the 1st intersection) RIGHT to Rua do Infante Dom Henrique. On your right Feitoria Inglesa - a historic building built by a British consulate in 1785. An excellent testimony to the Portuguese-British alliance and the weight of the British community in the city of Porto, largely engaged in trade of Port wine. The earliest English factory in the North of the country, dating from the sixteenth century, was located in Viana do Castelo. The first regulation of the Factory House of Oporto came in 1727. The house was built between 1785 and 1790, according to a draft of the English consul John Whitehead. The factory house is inspired by the English Palladian style:
After passing Rua Mouzinho da Silveira, on your right, you arrive to Praca do Infante Dom Henrique and the old, historical houses around it. This square, right in the historic center of Porto, honors the Infante D. Henrique - the most important figure of the early Portuguese discoveries - who, according to tradition, to had been born nearby at the so-called House of Prince, in 1394. This square gets its name from the monument that is in the same center, dedicated to Prince Henry, called "Explorer Prince" or "THe navigator Prince". Made by Tomás Costa, the statue was erected in 1894. The statue comprises several sculptured sets. At the top, there is the prince's statue, standing next to a globe of the Earth. The top part is joined to the pedestal by a neo-gothic phytomorphic stylisation. At the base, there are two allegorical sets: one Victory leading two steeds and two tritons, representing the triumph of the Portuguese sea voyages; a feminine shape symbolising the Faith in the Discoveries. The statue also has low reliefs by the pedestal, representing the conquest of Ceuta and the Prince in the Sagres promontory:
Mercado Ferreira Borges in Praça and Statue de Infante Dom Henrique: The name honors Jose Ferreira Borges market, a jurisconsult and Porto politician who was at the genesis of the implementation of the liberal regime in Portugal. Built in 1885 to replace the now old Ribeira Market, despite never having fulfilled the functions for which it was originally intended, due to the reluctance of dealers to leave the previous market, the Mercado Ferreira Borges is now used for exhibitions and fairs cultural context:
Palacio da Bolsa: Palacio de Bolsa, or Palace of the Commercial Association of Porto was constructed in October 1842, due to the end of the House of the Stock Exchange, which temporarily forced the traders to relocate fully outdoors. With a mixture of architectural styles in the building - it presents all its splendor with traces of neoclassical nineteenth century, Tuscan architecture, as well as English neo-Paladian. As headquarters of the Commercial Association of Porto, it,now, serves for the most diverse cultural, social and political events of Porto city. The Arab Hall holds the biggest highlight of all the rooms of the palace because, as the name implies, the nineteenth century stucco captioned Gold with Arabic characters that fill the walls and ceiling of the room. It is in this hall that takes place tributes to the heads of state who visit the city. In the Portrait Room there is one of the famous engraver José Zeferino Pinto tables. The Palácio da Bolsa is open for tourist visits, being one of the most popular heritage buildings in the city of Porto. Opening hours: April - Octobre: 09.00 – 18.30 (everyday). Novembre - March: 09.00 – 12.30, 14.00 – 17.30 (everyday). Individual ticket: €7,00, student/senior: €4,00. Children < 12 years - free.
Pátio das Nações:
There is Mercado - a restaurant/ Cervejaria in the red market building:
Igreja de S. Nicolau: This church is located almost opposite the Church of San Francisco, and practically opposite to the emblematic Palacio da Bolsa, in the Praça Infante D. Henrique. It is an old medieval church, which had to be rebuilt after a fire in 1758, and therefore presents a mix of classic and Baroque styles. It was named by the bishop of Porto, Nicholas Miller, who had built it. It's small, but what stands out most is the main façade, decorated with tiles and large windows, with a monumental entrance, flanked by pillars on which is the coat of arms of the bishop:
We continue down (south-west) along Rua do Infante Dom Henrique. Before this street changes its name to Rua Nova Alfândega, on your left - you see a red house with CESAP.PT sign. I have no idea what is this building and I suspect it belongs to the School of Arts of the University of Porto:
adjacent to the red house is a new hotel: 1872 River House with colored-glass windows (opposite: chemical WC). The 1872 hotel (opened at April 2014) is located at the Ribeira, right where the Muro dos Bacalhoeiros is, and right in front of the Douro. It has eight rooms, some facing the city, some facing the river:
From here look back to see, again, the Se' Cathedral of Porto. This is the view seen by the hotel's rear rooms visitors:
The more expensive rooms are overlooking magnificent views of the Douro river:
Opposite the hotel, on your right, up on a low hill - Igreja (church) de San Francisco. This famous church and other, nearby, religious and cultural sites (Museu da Venerável Ordem Terceira de São Francisco do Porto, Casa da Horta - Associação Cultural) - are reported in another blog/itinerary devoted, more in-depth to the Centro Storico of Porto city.
Turn left to Rua da Reboleira and zig-zag down to the Douro river. I recommend walking, first, to the EAST (right) arriving to Muro dos Bacalhoeiros densely packed with restaurants, outdoor tables and cafe's. In this area of Porto lived one of the most charismatic figures of the city, called the Duke of Ribeira, known for saving several people drown:
Here is also the famous restaurant Vinhas d'Alho: Not cheap, but, good food and fantastic scenery around. A lot of passers-by. Limited space for outdoor tables:
from Muro dos Bacalhoeiros you get a wonderful view over: Ponte (bridge) Luis I, Cais (pier) Estiva, cais Ribeira and Cais Guindais:
Keep walking along the river eastward and arrive to Largo do Terreiro. Here, you hit the ODE Porto Wine House. The ODE Porto Wine House is very nice restaurant, small, cosy and romantic. Their dishes are based on high quality organic food from local products.
Largo do Terreiro - grandiose views to : Ponte Luis I, Villa Nova de Gaia and Praca de Ribeira;
2-3 minutes later, eastward - and you arrive to Praca da Ribeira, Ribeira Square. The square is located in the historical district of Ribeira (riverside in Portuguese). The Ribeira district spreads alongside the Douro river and used to be a centre of intense commercial and manufacturing activity since the Middle Ages. Also since that time the Ribeira Square was the site of many shops that sold fish, bread, meat and other goods. In 1491 the buildings around the square were destroyed in a fire, and the houses were rebuilt with arcades in their groundfloors. During this rebuilding campaign the square also gained a pavement made of stone slabs. In the mid-18th century the city needed new urban improvements to provide for the swift flow of goods and people between the Ribeira neighbourhood and other areas of Porto. In this context, governor João de Almada e Melo opened a new street, the São João Street, that connected the Ribeira Square and the upper town, and promoted the reurbanisation of the square itself. The project, executed between 1776 and 1782, is credited to John Whitehead, English consul in Porto. The square was to become enclosed on its north, west and east sides by buildings with arcades, while the south side of the square, facing the Douro, was enclosed by the mediaeval walls (Muralhas Fernandinas) of Porto. These walls were torned down in 1821, opening the square to the river. The northern part of the square has a monumental fountain, three storeys high, built in the 1780s and decorated with the coat-of-arms of Portugal. The niche of the fountain is occupied by a modern statue of St John the Baptist by sculptor João Cutileiro. The square also has a modern cubic sculpture by José Rodrigues (nicknamed the Cubo da Ribeira) over the remains of a 17th-century fountain. Nowadays the Ribeira Square is a favourite spot for tourists. The small cafes encircle the square, with tables and chairs crammed into the cave like premises. Tables and chairs spill over into the square, with the chance to enjoy a drink or meal, overlooking the river. The Ribeira quarter , lines the banks of the River Douro, from the foot of the Ponte D. Luis, along towards the Praca da Ribeira. This historical (UNESCO protected) area of Porto is well worth a visit, whether just to stroll along the riverside, enjoying the atmosphere, or to linger for a cool drink or meal at one of the many cafes and restaurants. On a blue skied and sunny warm day afternoon, it is very pleasant to choose a table at one of the pavement cafes and enjoy a leisurely drink, and watch the boats gliding up and down the Douro, be entertained by the musicians and singers, and people watch. At the height of summer it's quite crowded and probably not so relaxing. At night time the area changes its character completely, with the thick sea mist swirling around, and the streets leading off Ribeira, being quite dimly lit and narrow:
São João Batista de Cutileiro:
From Pushkinskaya Square to Red Square
Tip 1: Tverskaya. From Pushkin square to the Manege Square.
Tip 3: From the Red Square to the Revolution Square Metro Station.
Main attractions: Pushkinskaya Metro station, Tverskaya Metro station, Pushkinskaya Square, statue of Pushkin, Izvestia building, Tverskaya Street, Moscow Townhall, Central Telegraph Building, Kamergerskiy pereulok (Moscow Art Theatre), Theatre Square, Bolshoy Theatre, Operetta Theatre, State Duma, Yermolova Theatre, Ritz-Carlton Hotel, Hotel National, Four Seasons Hotel, Manezhnaya ploshchad or Manege Square, statue of Marshall Gregory Zhukov, Tomb of the Unknown Soldier, Red Square, Resurrection Gate and the Iveron chapel, The State Historical Museum, former City Hall, Kazan Cathedral, GUM shopping centre, St. Basil's Cathedral, Lenin's Mausoleum, Kremlin Wall Necropolis, Lobnoye Mesto.
Start: Pushkinskaya. Nearest metro stations: Tverskaya, Pushkinskaya,
End: Ploshchad' Revolyutsii (Revolution Square) Metro station (Line 3, the Dark Blue line).
Duration: 3/4 day - 1 day.
Distance: 6 km.
By saying "Pushkinskaya" - we mean, primarily, the Pushkinskaya Square or Pushkin Square (Пу́шкинская пло́щадь) in the Tverskoy District of central Moscow. You can reach this square ONLY from the underground pass. If you're looking for something to do, people to watch, and a general buzzing atmosphere, this is the place to take it all in. After all, this is one of the busiest squares in the world. Moscow's Time Square. We were there, in a gloomy, summer-time Sunday - and it was EMPTY. It was historically known as Strastnaya Square, after Strastnoy Monastery, which was demolished after the revolution, like all other churches. It was renamed for Alexander Pushkin in 1937. It is part of the Boulevard Ring: Tverskoy Boulevard to the southwest and Strastnoy Boulevard to the northeast (followed by Petrovsky Blvd. further to the east). Tverskaya Street, 2 kilometres is leading us from Pushkinskaya Square southeast to the Kremlin (2 km. northwest of the Kremlin). It is commonly known to locals as "Pushka" (cannon).
In 2011, city authorities halted the construction of an underground retail and leisure centre at Pushkinskaya Square. The decision to build the centre had sparked protests from cultural heritage groups, members of the scientific and artistic communities and the public. The project, had been canceled, formally, at 2013. In 2011 Moscow has lost more than 10 historic buildings. So, on 1 OCT 2011, Archnadzor, a Moscow preservation society, organized a rally opposing the destruction of Moscow architectural landmarks. Around 700 people attended. The participants were Archnadzor activists, public figures, experts. They, mainly, protested against the Pushkinskaya Square reconstruction plans.
Do not miss the square during the Christmas period or during local holidays and festivals. In summer, the Moscow Film Festival is held here. The square itself is a bustling collection of restaurants, bars, cafes and entertainment venues. The huge building of Pushkinsky cinema never leaves cinema-lovers in peace: it possesses the biggest screen in Western Europe, and almost every show here is a national premiere. Pushkinskaya Square is home to Russia's very first - and biggest - McDonalds restaurant. With stories of queues around the block upon its initial opening in 1990, and images of McDonalds' staff being given lessons in smiling to patrons, this is worth a stop if only just to contemplate the capitalist journey of this heavenly consumerist city over recent years. Notably, this McDonald has been the largest one in the world for over 20 years, but will be beaten into 2nd place by a new establishment on the London's Olympic site. The restaurant had been closed in AUG 2014 by the Russian authorities. McDonald's has become a casualty of heightened tensions between Russia and the US over the Ukraine crisis, as some of Moscow’s more patriotic officials take aim at the US fast food giant, presumably as a proxy for the White House.
There is a bunch of Metro stations around. Pushkinskaya Metro station is 60 m. east to the Tverskaya Metro station and 180m. west to the Chekhovskaya Metro station. Practically, all the three are interconnected underground. Arguably the most beautiful station on the 7 Tagansko-Krasnopresnenskaya (violet) line - the architects Vdovin and Bazhenov took every effort to make it appear to have a 'classical' 19th century setting. The central hall lighting is created with stylised 19th century chandeliers with two rows of plafonds appearing like candles, while the side platforms have candlesticks with similar plafonds. The columns, covered with 'Koelga' white marble are decorated with palm leaf reliefs and the grey marble walls are decorated with brass measured insertions based on the works of the great Russian poet Alexander Pushkin. The grey granite floor completes the appearance of the masterpiece. Architecturally the station put the final stop to the functionality economy design of the 1960s and went against Nikita Khrushchev's policy of struggle to avoid decorative 'extras', which left the stations of 1958–59 greatly altered in their design. “Pushkinskaya” (Пушкинская) metro station is located on “Tagansko-Krasnopresnenskaya” line (violet line) of Moscow metro, between stations “Barrikadnaya” and “Kuznetski most”. It is possible to get to “Zamoskvoretskaya” subway line ("Tverskaya" station) and “Serpukhovsko-Timiryazevskaya” line ("Chekhovskaya" station) from station “Pushkinskaya”. The station was opened on December 17, 1975. Depth of the station is 51 meters. Width of the middle hall of the station is 8.2 meters, height - 6.25 meters. Pushkinskaya metro station has two underground lobbies: West underground lobby is shared by stations “Pushkinskaya” and “Tverskaya”. The lobby has two underground halls, connected by two passages (here are located ticket-offices). The lobby has entrance on “Tverskaya” street and in the underpass. East underground lobby is shared by stations “Pushkinskaya” and “Chekhovskaya”. The lobby has an exit to the underpass under “Strastnoj Boulevard” street (further north to the start of our daily route).
Tverskaya (Тверская) Metro station is located on the “Zamoskvoretskaya” metro line (green line No. 2), between stations “Mayakovskaya” and “Teatralnaya”. The station was opened on July 20, 1979. Until 05.11.1990 the station had the name “Gorkovskaya”. The station has connections to the station “Pushkinskaya” (Tagansko-Krasnopresnenskaya line) and “Chekhovskaya” (Serpukhovsko-Timiryazevskaya line). Entrance to the station is via a shared with “Pushkinskaya” station underground vestibule, which is located under Pushkinskaya Square. Exit to the city from the lobby through the underground passages, through of the “Izvestia” publishing building, on Tverskaya Street. Passage to the station “Pushkinskaya” is located in the center of the station underground hall. Passage to the station “Chekhovskay’ is located in the south end of the station hall.
Metro station “Chekhovskaya” (Чеховская) is located on “Serpukhovsko-Timiryazevskaya” line (gray line, No. 9) of the Moscow Metro, between stations “Tsvetnoy boulevard” and “Borovitskaya”. The station was opened on December 31, 1987. Depth of the station is 62 meters. The metro station is located at the intersection of streets “Strastnoy Boulevard”, “Malaya Dmitrovka”, “Bolshaya Dmitrovka”, next to the “Pushkinskaya” square. Passage to the station “Pushkinskaya” of Tagansko-Krasnopresnenskaya line is located in the middle of the hall. Transfer to the station “Tverskaya” of Zamoskvoretskaya metro line located in the western end of the central hall of the station. Exit to the city through the underpass and ground lobby, located in a building on Pushkin Square.
At the center of the square is the famous statue of Pushkin, funded by public donations and opened by Ivan Turgenev and Fyodor Dostoyevsky in 1880. The square worth a quick visit if only to admire the dominating statue of Pushkin. Originally installed on the opposite side of the Pushkin Square, In 1950 the monument was moved to the place where he stands today. Hard to believe that this wonderful creation exists for more than a hundred and thirty years, and the monument is still maintained in excellent condition. The most popular meeting-place in Moscow. It's hard to find a Muscovite, who at least once did not appoint a meeting at the monument. This poetic genius is seen as the father of Russian poetry and culture, and is immortalized throughout Russia and other post-Soviet countries almost obsessively. This particular Pushkin monument stands near the Moscow center in Pushkinskaya square, where number of poetic performances take place. Alexander Pushkin is depicted (by Russian artist Alexander Opekushin) deeply thoughtful, lays a hand behind his coat, extended leg forward, hands behind his waistcoat - appearing just as philosophical as the father of Russian poetry should be. He looks thoughtful, humble and majestic:
The Izvestia building is on the North side of Pushkin Square (cross Putinkovskiy, Большой Путинковский пер.), just off Tverskaya Ulitsa. The building is not open to the public. Izvestia, still a Russian daily newspaper. It was the official newspaper of the Soviet government (in contrast to Pravda which was the Party newspaper). The Izvestia building in Pushkin Square was built ten years after the Revolution (designed by Gregory Barkhin, 1927) to house both the offices and printing presses of Izvestia newspaper.
Tverskaya Street (Тверская улица) flows between Pushkinskaya and Tverskaya Metro stations. With Tverskaya on your right and Pushkinskaya on your left - head DOWN HILL, south-east along Tverskaya Street. We'll walk 1.1 km along this street. It is hard to find pedestrian crossing on the busy road. To cross you have to go underneath the street. You'll find the street interesting - as on both sides of the streets there are old buildings with beautiful architecture, fashionable boutiques, disco bars, restaurants, hotels, cafés, and arcades. Tverskaya Street is the most expensive shopping street in Moscow and Russia. In the 17th and 18th centuries, Tverskaya Street was renowned as the centre of Moscow's social life. The nobility considered it fashionable to settle in this district. Between the Russian Revolution of 1917 and the rise of Stalinist architecture in mid-1930s, the street acquired three modernist buildings (Izvestia Building, Central Telegraph Building and the Lenin Institute in Tverskaya Square (1926) by Stepan Chernyshyov). During the imperial period, the importance of the thoroughfare was highlighted by the fact that it was through this street that the Tsars arrived from the Northern capital to stay at their Kremlin residence. Several triumphal arches were constructed to commemorate coronation ceremonies. In 1792, the Tverskaya Square was laid out before the residence of the governor of Moscow as a staging ground for mass processions and parades. In 1947, the square was decorated with the equestrian statue of Prince Yury Dolgoruky, founder of Moscow.
You start this street where the 6 storeys Alfa-Bank building is on your left.Note the marvelous (still, decaying) Art-Nouveau building at #12:
A bit further, on your right, at # 13 is Residence of the Mayor of Moscow or Moscow Townhall (Tverskaya Street, 13) - former Moscow Governor General House. Built in 1782, it's decorated with beautiful pillars. It was a residency of Moscow rulers even during the times of Tsars:
Golden St. George the Victorious on the Moscow townhall:
Note, also, this huge picture along this bustling street - at Tverskaya #15:
At Tverskaya square stands a statue of the legendary founder of Moscow, Yuri Dolgoruky, erected for the city's 800th anniversary (year 1947). During the times of Yuri Dolgoruky Moscow is first mentioned in historic documents in 1147 as the place of meeting between Yuri and his ally, some other prince. Yuri Dolgoruky sits on a horse with helmet and armor, pointing to a place where the future Kremlin must be built. The shield in his other hand depicts St. George the Victorious - the ancient heraldic symbol of Moscow:
Fountains behind Tverskaya Square:
The huge building at #11 is a complex built for the past-Communist party VIPs:
Note at #7, down after Tverskaya Square, the Central Telegraph Building (see photo below). It was completed at 1926-7 and designed by Ivan I. Rerberg. it was one of the first major Soviet building projects commissioned in the bland neo-classical style that came to dominate the 1930s, and as such marked the beginning of the end for avant-garde architecture in Moscow. In the post-war years, the surrounding area gained notoriety as Moscow's most prominent red light district, purportedly 'staffed' by the low-wage workers of the Telegraph Office. It wasn't until the beginning of the new millennium that a concerted effort was made to clean up Tverskaya:
At this point - you can divert from Tverskaya street and turn left (north-east) to Kamergerskiy pereulok (Камергерский пер.). Immediately, as we enter this alley, small road we see the statue of K. S. Stanislavsky and V. I. Nemirovich-Danchenko - founders of Moscow Art Theatre:
Moscow Art Theatre, Kamergersky Sidestreet, 3, was established by K. S. Stanislavsky and V. I. Nemirovich-Danchenko in 1898 under the name Moscow Art Theatre (MXT). The Theatre received the status of “Academic Theater” in 1919 (MXAT). It was opened on October 14,1898 with the play “Tsar Fedor Ioanovich” in the “Hermitage” theatre building (Karetny ryad, 3). Since 1902 it is has been located on Kamergersky pereulok in the building of the former Lionozov theatre, reconstructed the same year by architect F. O. Shekhtel. The Art Theatre’s existence began from a meeting of Stanislavsky and Nemirovich-Danchenko at the “Slaviansky bazaar” restaurant on June 19th, 1897. The Theatre carried the name of “Art-Public” not for a long time: in 1901 the word “Public’ was removed, but the orientation to the democratic spectator remained one of MXT’s principles. The birth of MXT is bound up with Anton Chekhov’s famous palys (“The Seagull”, 1898; “Uncle Vanya”, 1899; “Three Sisters”, 1901; “The Cherry Orchard”, 1904) and with Maxim Gorky (“The Petty Bourgeoisie” and “Lower Depths”, 1902):
Continue along Kamergerskiy pereulok. It is lined with splendid cafe's and restaurants. Nowadays, it is an up-scale quarter in Moscow. We found this road to be one of the most pleasant and atmospheric ones in Moscow. We recommend coming here, especially, in Sundays mid-day and spending one hour in one of the cafe's or eateries around:
Continue along Kamergerskiy pereulok and cross Bolshaya Dmitrovka. Kamergerskiy pereulok changes its name to ul. Kuznetskiy Most (ул. Кузнецкий Мост) another attractive road. Kuznetsky Most runs from Bolshaya Dmitrovka Street to Lubyanka Street. The name, literally Blacksmith's Bridge, refers to the 18th-century bridge over Neglinnaya River, now running in an underground tunnel, and a nearby foundry and the settlement of its workers. Since the middle of 18th century, Kuznetsky Most was the street of fashion and expensive shopping. On your left an impressive square with modern-looking buildings, side-by-side with historical mansions. Since the 1980s, the street reacquired its status as an upper-class shopping lane, notably with rebuilding of Roman Klein's historical TsUM store. Among cultural institutions located on the street are the Moscow Operetta Theater, Kuznetsky Most Exhibition Hall, as well as two major state libraries:
Turn right (south-east) to Petrovka and the second block on your right is the Bolshoy Theatre in the Theatre Square (Teatralnaya Square) (Театральная площадь), (Teatralnaya ploshchad). The square is named after the three theatres located on it — the Bolshoi Theatre, Maly Theatre (under reconstruction in summer 2015), and Russian Youth Theatre. The square is served by the Moscow metro at: the Teatralnaya station on the Zamoskvoretskaya Line; Okhotny Ryad station on the Sokolnicheskaya Line; and Ploshchad Revolyutsii station on the Arbatsko-Pokrovskaya Line:
On the north side of the square: Bolshoy Theatre and on the opposite side (south side) the Karl Marx statue (actually, in the Revolution square):
For a certain period in the beginning of the 19th century, the square held the name Petrovskaya, thanks to the adjacent Petrovka Street. Yet after the theatres were constructed, the square received its current name. A monument to revolutionist Yakov Sverdlov was installed in the square in 1919, and the square even bore Sverdlov’s name up until 1991, when the monument was taken down. The square also used to offer public transportation, which was later replaced with beautiful fountains and greenery. The area to the right of the Bolshoi Theatre (with your face to the theatre) was purchased by prominent Moscow merchant Vasily Vargin. This area soon became home to the Maly Theatre, which was leased to the Imperial Board of Theatres. During summer 2015 - Maly Theatre was covered with heavy scaffolding. To the left of the theatre was the house of General Konstantin Poltoratsky. The house hosted Mikhail Lentovsky’s theatre, the Nezlobin New Opera and Drama Theatre, and during the Soviet era, the Central Children’s Theatre, which was later renamed the Academic Youth Theatre. In 1835, the square saw the installation of a beautiful fountain with allegorical figurines portraying Tragedy, Comedy and Music (designed by Ivan Vitali). The fountain, which was supplied from the Mytishchi sources, drew numerous water carriers. Moreover, horses were brought here to drink. Two Scottish entrepreneurs: Archibald Mirrielees and Andrew Muir opened a department store in Theatre Square in 1892, and it bore their names - called Muir & Mirrielees, up until 1922. Now it is known as one of Moscow’s largest shopping centres — TSUM (central universal store - right side of the photo below and photos above):
The history of the Bolshoi Theatre (Большо́й теа́тр), which was originally called the Petrovsky Theatre, began when Empress Ekaterina II granted a privilege to Prince Pyotr Urusov to produce theatre performances in Moscow. Unfortunately, Urusov went bankrupt and reassigned his privilege to entrepreneur Michael Maddox. The businessman purchased a plot of land at the beginning of Petrovka Street. The three-storey stone building was completed in just five months by architect Christian Rosenberg. The theatre was opened to the public on December 30, 1780, but it burned down in 1805. The new building was constructed after the Patriotic War of 1812, when Moscow was being rebuilt after the great fire. The design of Theatre Square is invariably connected with the name of the famous Russian architect Joseph Bove, who was in charge of restoring Moscow’s historical centre. Bove designed the architectural ensemble with the Petrovsky Theatre as its focal point. As time passed, the theatre was more and more often called the Bolshoi Theatre. Meanwhile, the site of the future square was located on the swampy bank of the Neglinnaya river, which ran across it, and bastions cover the area of the present-day Metropol hotel. In 1819, the river was encased and the bastions were leveled off, providing wide space for construction. The northern part of the square was allocated for military exercises, parades and troop reviews. In general, Joseph Bove’s ensemble in the late classicism style fit in perfectly with all the older buildings in the centre of Moscow. The theatre’s construction was completed in late 1824. People at that time were greatly impressed with the new Empire style building, noting that the theatre "rose from the ashes with the astounding beauty and magnificence of a Phoenix". Another fire hit the Bolshoi Theatre in 1853, destroying everything but the portico columns and outside walls. The renovation work was supervised by Albert Kavos — the chief architect of Imperial theatres. The third building was constructed in the neoclassical style and was opened on August 20, 1856. It was known as the Imperial Bolshoi Theatre. Muscovites were quite critical of the new building, always comparing it to the old one. Kavos added new details, while at the same time maintaining the general look. The building became bigger, a new pediment was added, and the façade changed. The theatre’s portico is adorned with Pyotr Klodt’s sculpture of Apollo riding a four-horsed chariot. The historic Bolshoy Theatre was designed by architect Joseph Bové, and holds performances of ballet and opera. The theatre's original name was the Imperial Bolshoi Theatre of Moscow, while the St. Petersburg Bolshoi Theatre (demolished in 1886), was called the Imperial Bolshoi Kamenny Theatre. At that time, all Russian theatres were imperial property. Moscow and St. Petersburg each had only two theatres, one intended for opera and ballet (these were known as the Bolshoi Theatres), and one for plays (tragedies and comedies). Because opera and ballet were considered nobler than drama, the opera houses were named "Grand Theatres" ("Bolshoi" is Russian for "large" or "grand") and the drama theatres were called the "Smaller Theatre" ("Maly" is Russian for "small", "lesser", or "little"). The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world. It is by far the world's biggest ballet company, having more than 200 dancers. The main building of the theatre, rebuilt and renovated several times during its history. Its iconic neoclassical facade is depicted on the Russian 100-ruble banknote. On 28 October 2011, the Bolshoi was re-opened after an extensive six-year renovation. The renovation included restoring acoustics to the original quality (which had been lost during the Soviet Era), as well as restoring the original Imperial decor of the Bolshoi - and, mainly, strengthening its foundations:
Inside ? It is a dream place to be in. Really awesome theatre. Nothing like it anywhere else. Just go there for the building itself, no matter who or what is playing there. A royal experience to watch the crowd, the grandeur, the decorations (and the opera or the ballet, of course). The best way to get your tickets its through the internet a couple of days before (at least 3 days) or rely in your hotel to find you an overpriced resale ticket. Be sure to book well in advance, as cheap tickets run out quick. There is no photography allowed during performances. You can only take a photo of the curtained stage.
Just to remind you: in the south edge of Teatralnaya Square stands (behind Teatralnyy Pr. road: be careful and find a way to cross it !!) - the Karl Marx statue (in the Revolution Square). We explore this square in another blog of Moscow:
With our face to the Bolshoy Theatre and our back to Karl Marx (...) - we continue left (west) along Teatralnyy pr. and, later, Okhotnyy Ryad busy street. As you start to walk in Okhotnyy Ryad street - you see an old stone on your right:
Immediately, turn right (north-west) to Bolshaya Dmitrovka, climb up 200 m. along this street to see the Operetta theatre:
Continue to walk along Okhotny Ryad until it meets Tverskaya street. Before we hit the intersection - we see, on our right, the state Duma (see below). In the intersection itself, and 170 m. further, deep in Tverskaya street , still on your right is the Yermolova Theatre, Teatr im. M. N. Ermolovoy (ул. Тверская) - the first of a number of buildings in the area linked to the flourishing of Moscow drama at the beginning of the last century. One of the largest mansions at Tverskaya street was built in 1830. It was originally part of a nobleman's estate. The two-storied house with an attic in the center existed until 1897 when merchant Postnikov reconstructed it into trade passage with the hotel on the top floors. It was transformed into a theatre after the Revolution. Named in honour of the grande dame of the Maly Theatre, Maria Yermolova, the first person to be named a People's Artist of the Soviet Union, the theatre developed from a studio attached to the Maly, and moved here in 1938. It was the last home of the theatre of Vsevolod Meyerhold, during the years 1931-1938, the brilliant avant-garde director who was executed in 1939. Within the walls of this building, the famous production of Alexandre Dumas' The Lady of the Camellias was created. This stage saw young actors who would later become famous, such as Igor Ilyinsky, Erast Garin, Zinaida Reich, Maria Babanova, Lev Sverdlin, Maksim Strauch and others. There, on 7 and 8 January 1938, the last two performances of the State Meyerhold Theatre, The Lady of the Camellias and Nikolay Gogol's The Government Inspector, took place:
130 m. further down (south-east) along Tverskaya Street (on your right) - you find the Ritz-Carlton Hotel:
and, immediately behind it, the Hotel National, 15/1 Mokhovaya Street, (intersection of Tverskaya and Mokhovaya). Designed and built in 1903 by A. Ivanov, in a style that mixes Art Nouveau with Neoclassicism, and cost close to 1 million rubles, a fortune at the time. it is one of the oldest and most famous hotels in Russia. It was the most prestigious in Moscow before the Revolution, whose famous guests included Anatole France and H. G. Wells. In 1918 the hotel was for some years turned into "Prime House of Soviets" and permanently hosted the members of the Bolshevik Government, including Lenin who lived in room number 107:
Detail of the facade of the Hotel National:
State Duma (Parliament) (Gosudarstvennaya Duma) (Госуда́рственная ду́ма) stays right opposite "National", at the corner of Tverskaya and Okhotny Ryad, north of Manege Square. Former building of the Soviet Ministry of Labour and Defense, it provides a brilliant example of transfer from Constructivism to the Soviet neoclassic style. Its characteristic feature is abandonment of any decoration, because the edifice should be beautiful of its own accord. Closed to the public. It is the lower house of the Federal Assembly of Russia (legislature), the upper house being the Federation Council of Russia. Its members are referred to as deputies. The State Duma replaced the Supreme Soviet as a result of the new constitution introduced by Boris Yeltsin in the aftermath of the Russian constitutional crisis of 1993, and approved by the Russian public in a referendum.
View of the state Duma from Okhotny Ryad:
Hotel National on the left and State Duma on the right:
The National Hotel facade at Mokhovaya Street is opposite Four Seasons Hotel's main facade on Manezhnaya Square (see below). The Four Seasons Hotel Moscow is a modern luxury hotel, opened on October 30, 2014, with a facade that replicates the historic Hotel Moskva, which previously stood on the same location on Manezhnaya Square. The former, old Hotel Moskva was constructed from 1932 until 1938, opening as a hotel in December 1935. Designed by Alexey Shchusev. The Hotel Moskva was demolished in 2004 and replaced with a modern reproduction, with underground parking and other features which were not available in the 1930s. The northeastern portion of the complex, facing Revolution Square, was built on the site of the demolished 1977 wing:
Cross the street (Okhtny Ryad/Mokhovaya) with your face to the south and you face the Manezhnaya ploshchad or Manege Square (Манежная площадь, ) is a large pedestrian open space, served by three Moscow Metro stations: Okhotny Ryad, Ploshchad Revolyutsii, and Teatralnaya. f you time it right, prior to the big parades, the military units form up in the Manege Square prior to going into Red Square. Memorable spectacle ! It is very spacious and well-organized area:
It is dominated by the Hotel Four Seasons (former Moskva) to the east.
It is bound by: the Kremlin, the State Historical Museum and the Alexander Garden to the south,
the Moscow Manege (Exhibition hall for arts and commerce) to the west,
and the 18th-century headquarters of the Moscow State University and the State Duma to the north. It connects the Tverskaya Street (its southernmost end) and Red Square. The Moiseyevskaya Square resided here from the end of the 18th century. In August 1991, Manezhnaya Square became a venue for great demonstrations celebrating the fall of Communism after the Soviet coup attempt of 1991. It was a centre of riots and violence in years 2002 and 2010. During the 1990s the square was closed to traffic and substantially renovated.
The centre of the refurbished square rides above the four-stories "Okhotny Ryad" underground shopping mall and parking lot (open: 10.00 - 22.00) (high prices !),
surmounted by a rotating glass cupola (Saint George and the Dragon, patron of Moscow) which forms a world clock of the Northern hemisphere with major cities marked and a scheme of lights below each panel to show the progression of the hour:
Another innovation is the former river-bed of the Neglinnaya River, which has become a popular attraction with sculptured statues for Moscovites and tourists alike, especially on summer days. The course of the river (which now really flows underground) is imitated by a rivulet dotted with fountains and statues of Russian fairy-tale characters, as sculpted by Zurab Tsereteli. The Neglinnaya River, flows between the walkway, leading to the Manege Exhibitions Hall (see below) and the Alexander Garden (see our blog on the Moscow Kremlin and Alexander Gardens):
The Central Exhibition Hall Manege at the western side of the square: Open: TUE – SUN 12.00 – 22.00. MON - closed. The building of ‘Big Manege’ was constructed in 1817 under the order of Alexander I to celebrate the fifth anniversary of victory in 1812 war. It took eight months to complete this construction designed by a Spanish architect, Agustin Betancourt. It was designed with a unique roof without internal support for 45 m (the building's width), it was erected from 1817 to 1825 by the Russian architect Joseph Bové, who clothed it with a Neoclassical exterior: Doric columns enclosing bays of arch-headed windows in a blind arcade, painted white and cream yellow. The roof, with its internal rafters and beams exposed, rests on external columns of the Manege. The building was as an house of military exercises. The known Moscovian architect Joseph Bové, finished the Manege with stucco and plaster moldings in 1825. Since 1831 the Manege had hosted regular concerts and entertainments. After the revolution, it became a government garage. At the time of Nikita Khrushchev (since 1957) it as used as a Central Exhibition Hall. In order to preserve wooden constructions at Bové’s times the building's attic was covered with tobacco. All possible pests and insects hated its smell. Although the tobacco was completely consumed during the WW2 years - the building wooden constructions stayed brand new during the the 20th century. But even then the attic suffered from a severe tobacco smell. BUT, on 14 March 2004 the building caught fire and burnt out, killing two firefighters. The wooden beams and rafters collapsed, leaving the walls remaining on site. On 18 February 2005 the restored Manege resumed its operation as an exhibition hall by mounting the same exposition that had been scheduled on the day of the fire. A wide elevated walkway dotted with fountains leads to the Moscow Manege:
From here - we continue to the Red Square. Skip to Tip 3 in this blog.
From the Cathedral of Christ the Savior - around the Kremlin walls.
Main attractions: Cathedral of Christ the Savior, Patriarshy (Patriarch’ s) Bridge, Church of St. Nikolas in Bersenevka, Chambers (Palaty) of Averky Kirillov, Krasny Oktyabr (Red October) past factory, Strelka cafe', Lumiere Brothers Center for Photography, House on the Embankment, Pashkov House, Mokhovaya street, National State Library with the sculpture of Dostoevsky, Moscow State University Institute of Asia and Africa, Manege Square, Red Square, St. Basil Cathedral, Vasilievsky Spusk (St. Basil's Descent), Bolshoy Moskvoretsky Bridge, St. Sophia promenade or Kremlevskaya naberezhnaya, Kremlin southern wall and towers.
See our blog "Moscow - Zamoskvorechye 1 - The State Tretyakov Gallery, Cathedral of Christ the Saviour, Sculptures Park, Gorky Central Park" (Tips 2 and 3) for the first section of this blog.
See our blog "Moscow - from Pushkinskaya Square to Red Square" (Tip 2) for the Manege Square section and (Tip 5) for the Red Square section.
Start: Kropotkinskaya (Кропо́ткинская) Metro Station, Red line, Line # 1.
End: Borovitskaya Metro station, Gray line No. 9 / Biblioteka Imeni Lenina Metro station, Red line, Line # 1 / Aleksandrovsky Sad station, light blue line No. 4, Arbatskaya Metro station, Dark Blue line No. 3 - which are all part of the same interchange Metro complex.
Note: this route can be combined with the Tipter "Old Arbat" itinerary.
The Kropotkinskaya station has two exits. Yours is towards the Cathedral of Christ the Savior. Leaving the station you find yourselves in Volkhonka Street. Several museums are to be found here. The best-known is the Pushkin Museum of Fine Arts (to your left) founded one hundred years ago by I. Tzvetayev, the father of a prominent Russian poet Marina Tzvetayeva. The museum’ s collection boasts of 670 thousand pieces of West-European art. The collection of the works of French impressionists and post-impressionists displayed in the museum is considered to be one of the world’ s most notable.
As for us, let’ s proceed to the Cathedral of Christ the Savior. See the blog "Moscow - Zamoskvorechye 1 - The State Tretyakov Gallery, Cathedral of Christ the Saviour, Sculptures Park, Gorky Central Park" (Tip 2). The entrance is free BUT you have to pass security detection. Most of the photos of the Cathedral exterior and interior are in the blog designated above. In the old times, the Moscow’ s oldest convent named Alexeyevsky was located here. In its memory the Catherdal’ s lower Church of Transfiguration was consecrated. It was already in December 1812 that the emperor Alexander I issued a decree by which he took oath to erect “ a church in the name of Christ the Savior” in Moscow as a tribute to the memory of the Napoleonic war heroes. The place for the construction was chosen up on Sparrow Hills. By force of circumstances, the erection of the cathedral started only in 1839 under the reign of a new monarch, Nicolas I, in a new location at Volkhonka Street. The construction works spread over fifty years, during which services were still ministered here. In December 1931, the Cathedral was leveled to the ground by an explosion leaving the space vacant for the construction of a monstrous 420-meter Palace of Soviets with a gigantic figure of Lenin on top. This project was never implemented, and in 1960 an open-air Moskva swimming pool was opened in the place of the demolished cathedral. Incidentally, the pool was a great attraction for Muscovites. The cathedral was re-erected in the 1990s. The first solemn liturgy was ministered here in 2000 on the Christmas night of January, 6 – 7. The cathedral can accommodate the congregation of up to 10,000 people. The cathedral complex incorporates the museum of the history of the cathedral. An elevated observation platform was installed under the cathedral’ s dome.
The southern facade:
The Eastern facade:
The Cathedral interiors:
Note: at Soymonovsky street, below the Cathedral of Christ the Savior complex - you'll find a restroom.
As you walk around the cathedral, you’ d find yourselves entering a pedestrian bridge across the Moskva River. It was officially called Patriarshy (Patriarch’ s) Bridge soon after Most Holy Patriarch Alexius II passed away.
The view of the Cathedral of Christ the Savior from the bridge is stunning:
The view of the city center and the Kremlin walls from the bridge is splendid:
The view, to your right, of the Fallen Monument Park (Sculptures Park), Peter the Great Statue and Strelka cafe'-bar - from the bridge is also splendid:
Looking, from the bridge, to the right/back (on the western bank of Moskva river) across Simonovsky Street (where it meets Prechistenskaya street - Пречистенская наб) you can notice a “ fairy-tale” house with a saddle-back roof, “ terem”-like (V-roofed) balconies and tiled faзade panels depicting the magic Sirin Bird, peacocks and Jarilo the Sun (a Proto-Slavic deity of fertility and vegetation) (1, Simonovsky). The house was built in 1907 for a Russian engineer P. Pertzov in accordance with the drafts of the artist S. Maliutin – the creator of the Russian matryoshka doll. From 1908 till 1912 the basement of the house was used as premises of the “ Bat” artistic cabaret, whose stage witnessed performances of the Moscow Art Theatre actors:
The Patriarshy (Patriarch’ s) Bridge - from the south - in the Moskva river:
Opposite, on the eastern bank of Moskva river (north to Strelka cafe'-bar) - you can see the golden towers and dark green roofs of Church of St. Nikolas in Bersenevka in the foreground glittering behind the trees:
The Chambers (Palaty) of Averky Kirillov are nearby. The chambers of Duma’s Clerk Averky Kirillov built in 1656-1657 make one of the most well-known dwellings of the 17th century. The rooms’ layout, an entrance system with a magnificent porch, and brick decoration with glazed tiles remind the main motive of the Teremnoy Palace. Framed windows and doors made the main decorative element of the dwelling architecture of the 17th century. They used to be the main accents of the décor of such buildings. The chambers have different projections and depressions that follow the room’s layout. Picturesque dynamics of asymmetrical composition was especially appreciated in that time period - In the 18th century:
To the right is Krasny Oktyabr (Red October) past factory, Bersenevsky Lane, 2, the former chocolate and confectionary factory that has extended its workshops along the embankment. After more than a century of producing chocolates and other sweets, the famed Krasny Oktyabr factory, opposite the Church of Christ the Saviour, was finally forced to close. The odour of chocolate has always been here in the air. The “ sweet” production was recently shifted to a new location, and the factory shops were rebuilt. The closure happened as part of an effort to remove industry from the historic centre of the capital. Its area, which boasts the best views of the Kremlin, is being converted into high-rent real estate. Nowadays, the whole area is fenced and is an entry-prohibited space. By the way, the past factory garages and other outbuildings have already been taken over by artists for gallery and studio space of the Strelka cafe'-bar. A small museum will remain open to document the history of the complex and the company. Today, the factory comprises a whole range of galleries, hostels, restaurants, bars and night clubs frequented by young people. The whole of the area is being referred to as the “ Art-spit”:
The most prominent arts & education establishment on Red October is the Strelka cafe', bar (pricey !), museum, amphi-theatre - already detailed in another blog Moscow - Zamoskvorechye 1 - The State Tretyakov Gallery, Cathedral of Christ the Saviour, Sculptures Park, Gorky Central Park" - tip 3:
Head on over to the Lumiere Brothers Center for Photography (www.russianmuseums.info/M3061) to see the most interesting retrospectives of international and Russian from the modern days all the way back to the early 20th centuries. The Lumiere Brothers Center for Photography is a platform, which is designed for working with professional photographers, photographic collections, photo exhibitions and photo galleries. The Center plans to hold exhibitions, prepared by its own curators, as well as to provide facilities to other interesting projects in this area. In recent years The Lumiere Brothers Center has greatly widened its repertoire and now also hosts regular master classes from leading Russian photographers, workshops and other educational evenings, stages concerts of some great indie bands from Russia and the West, has indie movie and documentary screenings and boasts a very well-stocked store, where photography connoisseurs can find virtually anything to suit their needs:
Further north, on the EASTERN bank of Moskva river (the Strelka side) is the colossal House on the Embankment. It was designed by Boris Iofan. It took four years to build it. It was erected in the place of a former salt and liquor warehouse where from the so called “ monopoly vodka” was delivered to Moscow saloons. For a long time the house had been the biggest block of flats in Europe. The House on the Embankment is a block-wide apartment house in downtown Moscow. It faces Bersenevskaya Embankment on one side and Serafimovicha Street on the other side. It was completed in 1931 as the Government Building, a residence for the Soviet elite. In different periods of time its tenants had been six Politbureau members, sixteen Marshalls and Admirals, more than sixty Peoples’ Commissars (ministers) and their deputies as well as prominent workers of art. The flats were mainly inhabited by the Communist Party leaders. They offered spacious rooms with a height of five metres; all flats featured telephone lines, gas ovens and central heating. The building also housed various communal facilities like a gymnasium, tennis court, nursery, library and laundry. During the Stalinist horror era, many tenants were arrested and disappeared. This era was famously described by Russian author Yury Trifonov, who lived in the House during his childhood, in his novel ‘House on the Embankment’ (1976). The building currently has 505 apartments (some used as offices), a theater, a movie theater, restaurants, and retail stores. The faзade of the house is faced with numerous memorial plaques. Before the war, the courtyards of the House used to accommodate fountains, a kindergarten, a preschool institution, a laundry and a club (the present-day Variety Theatre) – everything for private use of tenants. There is a museum of the House on the Embankment housed in the premises of the former commandants office (in the court next to the Variety Theatre). Take a walk through the courtyards of the house towards Serafimovicha Street named after the Soviet writer Serafimovich in 1933, who once lived here. Cross the street by a pedestrian underpass towards a five-storey apartment house (5/16 Serafimovicha Street). This house was mentioned in a poem by a popular children’ s author Agnia Barto: “ There was a house in this place, but it disappeared with all of its tenants overnight…” In fact the house did not disappear at all, however, in 1937 it was moved 74 meters aside to vacate the construction area of new big stone bridge (that we'll soon use):
The Udarnik cinema, which was also a part of the complex, was originally meant to have a sliding roof that could be opened. This plan was never materialized. It was the largest in Europe for the time as well as the apartment house:
In case you arrived to the eastern bank of the Moskava river - you have to walk 800 m. to arrive to our next destination (Pashkov House). It is quite a difficult task to cross the very wide, bustling Borovitskaya pl. street and to arrive to the western bank of the river:
Head north along Bersenevskaya nab., 70 m (along the river in the eastern bank). Turn right (down) onto ul. Serafimovicha, 30 m. You have to find the ascent-point (steps) to the Bolshoy Kamennyy bridge (most) over the river. Turn left toward Borovitskaya pl., 75 m. Turn left onto Borovitskaya pl., 500 m. Turn right at ulitsa Volkhonka, 50 m and you face, on your left (up on the Vagankovsky hill) - the Pashkov House (Пашков дом), 1 Vozdvizhenka Street, 3/5.
In case you are, still, on the western bank - head north along Prechistenskaya street (Пречистенская наб). The minute you see the Kremlin walls in front of you - try to find a way (IT IS VERY BUSY, COMPLEX and DANGEROUS INTERSECTION. USE ONLY SUBWAY, CROSS-LIGHTS OR BRIDGE - to pave your way to Pashkov House over the hill) to turn left to Borovitskaya pl (no mercy for pedestrians in this "transport hell"...).
Pashkov House is a famous Neoclassical mansion that stands on a hill overlooking the western wall of the Moscow Kremlin and the mighty, busy intersection of thoroughfares below. Its design has been attributed to Vasily Bazhenov. Throughout the 20th century Bazhenov’s authorship was disputed, since no written evidence has survived the ages, and the only thing that serves as a proof is oral tradition and similarities to Bazhenov’s other buildings. It used to be home to the Rumyantsev Museum (Moscow’s first public museum) in the 19th century. The palace’s current owner is the Russian State Library. The Pashkov House was erected in 1784-1786 by a Muscovite nobleman, Pyotr Pashkov. He was a retired Captain Lieutenant of the Guards Semenovsky Regiment and the son of Peter the Great’s batman. As soon as it was completed, the Pashkov House became a landmark of Moscow. For many years a splendid palace of white stone standing on the Vagankovsky Hill has amazed people and is considered to be one of the most beautiful buildings in the Russian capital. It is one of the key locations described by Mikhail Bulgakov in his novel The Master and Margarita. The impressive view of the building is partly due to the site where it is built. The Pashkov House stands on a high Vagankovo hill, as though continuing the line of its ascent, on an open corner of two descending streets. The front facade faces the sunny side. The mansion was erected a bit skewed and not along the straight line of the street relative to the street and to the entrance from the Starovagankovsky Lane. Because of this, the Pashkov House is better perceived from sideways, allowing further angle viewpoints. Location of the building also has a symbolical importance: the Pashkov House towers a hill opposite the Borovitsky hill topped by the Kremlin. It was the first secular building in Moscow, from the windows of which one could see the towers and building of the Kremlin not bottom upwards, and could observe Ivanovskaya Square and the famous Cathedral Square into the Kremlin premises. The building has a varied and interesting silhouette, being formed by three compact cubages: main building and two flanking service wings. The mansion, being at the same time a town manor, has a flat-topped lay-out with a court of honor opened towards the entrance. The solution is unorthodox, since the entrance is from the side street and not from the main facade, and the traditional lay-out is inverted. There was a garden in front of the mansion before the 1930s. The facade looking on to the Mokhovaya Street is characterized by linear expansion. Two one-storey tunnels run to the right and to the left of the central cube ending in two-storied Service wings. The main building has colonnaded porticos on both sides. The building is topped with a cylindrical belvedere. These devices are common for Palladianism. In contrast to rusticated ground floor, the porticoes use great order linking two floors. Thanks to a not-too-high but full-width base, such linking of the two floors by a colonnade increases immensity of the building:
In case you prefer to walk along the Alexander Gardens under the Kremlin walls - see our "Moscow - The Kremlin Route" blog). In this route we take the less scenic itinerary along the western section of Kremlin walls. We shall try to walk around the Kremlin walls from three sides:
We turn right to Mokhovaya street. On our back/right side are the Borovitskaya and Armoury towers of the Kremlin (see our "The Kremlin Route" blog):
Finalizing climb-up the Mokhovaya street -
you see, on your left, the the National State Library with the sculpture of Dostoevsky: (see Tipter "Old Arbat" route).
Behind the Russian National State Library - if you turn LEFT (WEST) to Vozdvizhenka Street - you start our Itinerary of Old Arbat street (see our "Moscow - Old Arbat (Stary Arbat) - worth stopping in for a stroll on a nice evening" blog). We continue northward along Mokhovaya street. On our right is the Manege Exhibition center:
Behind it is the wonderful Manege Square with its flowers beds, fountains, Four Seasons Hotel, Okhotny Ryad shopping mall's roof, souvenirs sellers and benches:
A bit further north, on your left is the Moscow State University Institute of Asia and Africa:
You continue along Mokhovaya street until it changes to Okhotnyy Ryad street and the Four Seasons Hotel is on your right. You turn right. Cross the Manege Square from west to east (the Four Seasons Hotel is on your left, now and most of the elliptic Manege Square on your right).
You arrive to the Marshal Georgy Zhukov Monument and the Historical State Museum in front of you. They are, both, formally, still in the Manezhnaya Ploshchad (Manege Square):
Enter the Red Square through the Red Square's Resurrection Gate and Iberian Chapel:
Cross the Red Square from north-west to south-east along the Kremlin walls and end your walk (see Tipter route "Moscow - from Pushkinskaya Square to Red Square" (Tip 5) in the St. Basil Cathedral.
The Spaskaya (Savior's) Tower in the north-east corner of the Kremlin walls - as seen from the Red Square:
From the wonderful St. Basil Cathedral we head southward onto pl. Vasilyevskiy Spusk:
View from the Vasilievsky Spusk (St. Basil's Descent) to the Bolshoy Moskvoretsky Bridge:
WE DON'T CROSS THE MOSKVA RIVER. THERE ARE WONDERFUL SIGHTS OF THE KREMLIN AND ITS WALLS FROM THE Bolshoy Moskvoretsky BRIDGE:
We turn right (quite complex to find the walking route !!!) to Quai Sainte-Sophie/Sofiyskaya nab., 350 m. On your right is the Moskvoretskaya Tower. The Beklemishevskaya Tower is one of the few towers in the Kremlin whose appearance has remained unchanged throughout the ages, and which has not undergone any serious reconstruction. Sometimes referred to as the Moskvoretskaya (Moskva River) Tower due to its proximity to the Moskvoretsky Bridge, it supposedly took its name from the Boyar Beklemishev, whose manor lay nearby. The tower was always the first to come under enemy attack, as it was situated at the junction of the Moskva River and the moat:
Moskvoretskaya Tower or Beklemishevskaya Tower from Moskvoretsky Bridge:
Vasilievsky Spusk (St. Basil's Descent), Moskvoretskaya Tower or Beklemishevskaya Tower, Nameless1 Tower from Moskvoretsky Bridge:
We stick to the St. Sophia promenade or Kremlevskaya naberezhnaya (Кремлевская наб.) (APPROX. 1 km.) under the Kremlin southern walls. The promenade starts at Bolshoy Moskvoretskiy most/bridge in the east and ends at Bolshoy Kamennyy most/bridge in the west - along the Moskva river. Most of the development works of this promenade had been carried out during the 19th century (starting at 1836). Due to these works and its height - the promenade provides magnificent views of the Kremlin and the city of Moscow. Try do the walk along the wall, if only at river-height. A nice walk with the sun starting to come or in a bright day:
The Peter Tower (right, east), Second Nameless Tower and the First Nameless Tower (left, west):
The Peter Tower (right, east), Second Nameless Tower (second right, east), the First Nameless Tower (second left), the Secret Tower (left, west):
Nameless 2 Tower at the southern walls of the Kremlin:
The Secret (Tainitskaya) Tower:
The section between the Secret (Tainiitskaya) Tower (unseen in the photo, right, east) and the Annunciation Tower (left, west). The white building in the centre - is the the Grand Kremlin Palace:
The "almost last" section of the wall between the water-supplying Tower (right) and the Annunciation Tower (left). The tower in the background is the Borovitskaya Tower - above the southern part of Alexander Gardens:
In its west end Kremlevskaya nab. turn right toward Borovitskaya pl.,
230 m. You take the ramp to Mokhovaya (МОХОВАЯ улица/ТВЕРСКАЯ улица), 36 m. It merges onto Borovitskaya pl., 65 m and you continue onto Mokhovaya St. 95 m - finalizing your extended circuit around the Kremlin.
Tip 2: From Mikhailovsky Garden to the Arts Square:
We leave the Church of Our Savior on the Spilled Blood - heading northward as close as possible to the northern facade of the church. If we look northward, along the Griboyedov Canal - we see the Russian Museum (as seen from the Griboyedov Canal near the Spilled Blood Cathdedral):
Mikhailovsky Garden resides east to the Church of Our Savior on the Spilled Blood. With your face to the cathedral - the garden is on your right. The Garden is located behind the NORTHERN facade of the Mikhailovsky Palace (nowadays, the Russian Museum) (the museum is south to the church and the garden), and separated from the Mikhailovsky Castle with Sadovaya Street's carriageway in the east. Most people arrive to the garden along Griboyedov Canal from Nevsky Prospekt through bustling flow of people and cars. THe garden resides exactly between two historical spots: the place where Tsar Paul I was strangled is on one side and the spot, where a blast killed Alexander II is on the other. But Mikhailovsky Garden is an oasis of calmness and relaxation. The garden is very well maintained and very pleasant to stroll among its paths and allies. Free entrance.
The Mikhailovsky (Michael) Garden derives its name from the Mikhailovsky (Michael) Palace (the main building of the Russian Museum) which it adjoins. In 1716-1717, the architect J.B. Leblond, commissioned by Peter the Great, made a general plan of the three Summer Gardens. The first and the second were situated on the territory of the modern Summer Garden. The third was the one that housed the palace of Catherine I. The territory of the modern Mikhailovsky Garden belonged earlier to that third Summer Garden and was called "the Swedish garden". It has been a formal French garden, a hunting reserve and nursery. In 1741 the Empress Elizabeth Petrovna suggested that Rastrelli makes a project of a new Summer Garden that would include the former Palace of Catherine I and the surrounding garden. During the reign of the Tsarina Elizabeth (1741-1762) it housed labyrinths and fountains. Under the Tsar Paul I (1796-1801) the garden was used for horseback riding. The construction of the Mikhailovsky Castle and after that the Mikhailovsky Palace, during the 19th century, both of which border the garden, fixed the Mikhailovsky Garden in its present boundaries. In 1823, the Emperor Alexander I approved the re-design of this garden by Carl Rossi. Carl Rossi created an exemplary English garden in the middle parts. After the revolution of 1917 the garden was turned into a park for the city-dwellers. In 1822-1825 decoration of the park was made by such masters as architect Menelas, artist Ivanov and the gardener Schumann. In 1898 the Mikhailovsky Palace went to the supervision of Museum of Emperor Alexander III (the Russian museum) and the Garden became public. In 1999 the Mikhailovsky Garden was handed over to the Russian Museum. From 2002 the garden has been reconstructed by the museum; the purpose is to recreate the integrity of the garden’s composition, to the utmost retaining the original outlines by Carl Rossi.
Before we enter the garden, do not miss the view of Mikhailovsky Garden's wrought iron fence - already seen when we are standing facing the eastern facade of the Church of Our Savior on the Spilled Blood:
The Mikhailovsky Garden was closed after the summer season in 2002 for restoration, and opened again for St. Petersburg's 300th anniversary in 2003. Today it is once again a favorite place for PSB citizens to walk, or simply to relax. The garden combines two landscape styles: French-style garden around the periphery, and English-style landscape in the center. Classical music concerts are often held here in late spring and summer:
The Spilled Blood Cathdedral, as seen from the entrance to the Mikhailovsky Garden:
Russian Museum, as seen from Mikhailovsky Garden:
In the north-east corner of the Garden, on the banks of the Moika River, is a small pavilion built in Empire Style by Carlo Rossi in 1825; a century earlier, this site had been occupied by a wooden palace belonging to Peter the Great's wife, Catherine. Next to the pavilion is a symbolic composition called the Tree of Freedom, made out of old oak by the sculptor Anatoly Solovyov.
There are two exits from the Mikhailovsky Garden. One is in the eastern side (quite frequently - closed) and the second, and better one, is through the entrance - in the west side. So, we return to the Griboyedov Canal Embankment, continue walking northward along the canal and turn right, EAST (crossing the Moyka river on a small bridge) onto a path along the Moyka river, along the northern benches of Mikhailovsky Garden, 150 m. parallel to nab. Reki Moyki (реки Мойки). The bridge we crosssed, over the Moyka river (where it meets the Fontanka river) is the First Engineer Bridge. Designed by P. Bazen, the engineer responsible for many of St. Petersburg's most famous wrought iron bridges, the First Engineer Bridge was opened in 1826. Fully restored in 1999, the bridge is famous for its intricate railings featuring a repeated head of Medusa, the design of which was copied for the railings of the Summer Garden. The sights from this small road along the Moyka towards Mikhailovsky Garden and the Spilled Blood church - are gorgeous. The extensive green area, on your left, beyond Reki Moyki road is part of the Summer Garden.
Before arriving to the meeting-point of the Moyka and Fontanka rivers - we, already, see the Mikhailovsky Castle (part of the Russian Museum) on our right. After 150-200 m. walk along the Moyka - we arrive to the rivers' meeting-point and to the Panteleymonovsky Bridge (Пантелеймо́новский мост). The bridge was erected in 1823 and was named after Panteleymonovskaya Street (now Pestelya Street, further east, continuing the bridge), which in turn was named after the nearby Church of St. Panteleimon. From 1915 until 1923 it was known as "Gangutskiy Bridge". In 1923 it was renamed as "Pestel Bridge" after Decembrist Pavel Pestel. In 1991 the original name was reinstated. It is 43 meters long and 23.7 meters wide. A wooden bridge stood in this location as early as 1725. In 1748 a Baroque-style bridge was built in its place designed by Bartolomeo Rastrelli. This last structure was damaged in the flood of 1777 and was demolished. In 1823 a narrow suspension bridge ("chain bridge") was built by von Tretter and Khristianovich. In the beginning of the 20th century, it was widened and converted into an arch bridge by Lev Ilyin. Today, the bridge still preserves Ilyin's design:
Step on the bridge to catch nice views (especially, in the morning hours) of the Summer Garden and Mars Field:
In the picture below we see the First Engineer Bridge (left) and Pantelmon Bridge (right):
We shall continue along the western bank of the Fontanka (nab. Reki Fontanki) (NOT crossing Pantelmon Bridge):
On the other, eastern bank of the Fontanka river, several steps from Pamtelmon Bridge - resides the famous Demidov (Demidoff) restaurant with authentic Russian food (There is live music and Gypsy music and dancers from 20.00). More than average prices but luxury service and romantic atmosphere. Further south, along nab. Reki Fontanki (before passing Zamokovaya rd. on your right), still on your right - stands Mikhailovsky (Michael) Castle (zamok) (Миха́йловский за́мок), 2, Sadovaya Ulitsa. St. Michael's Castle was built as a residence for Emperor Paul I by architects Vincenzo Brenna and Vasili Bazhenov in 1797-1801. Catherine The Great made a coup d'etat against her husband Peter III to gain access to the Russian Imperial throne and then ruled the country until her death in 1796. Her son, Paul I succeeded her, but, neither the nobility nor the royal guards liked or respected Paul and he lived his life in constant fear of assassination. In order to relieve his fears he ordered a fortified castle (a palace surrounded by deep ditches) to be built for him. Tsar Paul I disliked the Winter Palace where he never felt safe. The new royal residence was built like a castle around a small octagonal courtyard. The building with rounded corners was surrounded by the waters of the Moika River, the Fontanka River and two specially dug canals (the Church Canal and the Sunday Canal), transforming the castle area into an artificial island which could only be reached by bridges. Ironically, Paul I was assassinated only 40 nights after he moved into his newly built Mikhailovsky Castle. He was murdered on 12 March 1801, in his own bedroom, by a group of officers headed by his son, Alexander I. After Paul's death, the Tsar family returned to the Winter Palace. St. Michael's Castle was abandoned and in 1823 was given to the army's Main Engineering School. From then on, the building was known as the Engineers' Castle. In the early 1990s, St. Michael's Castle became a branch of the Russian Museum and now houses its Portrait Gallery, featuring official portraits of the Russian Emperors and Empresses and various dignitaries and celebrities from the late 17th to the early 20th century. Today the building hosts a branch of the Russian Museum. Opening hours: MON, WED, FRI - SUN - 10.00 - 18.00. THU - 13.00 - 21.00. Ticket offices close 30 minutes earlier. The Museum is closed on Tuesdays. Price for general ticket for visiting the Mikhailovsky Palace, Marble Palace, Stroganov Palace and St Michael's Castle - For adult visitors: 300 rubles, for students 150 rubles. Photography allowed - but, at the temporary exhibition photography and video shooting are forbidden.
From nab. Reki Fontanki - you can see part of Mikhailovsky Castle eastern facade:
The castle looks different from each side, as the architects used motifs of various architectural styles such as French Classicism, Italian Renaissance and Gothic. We turn on the first turn to the right - Zamokovaya ul. (Замковая ул.) and, immediately, to the left to the Kenovaya ul. (Кленовая ул.). From this nice avenue we can have a glance of the southern side of the castle and, even of its internal court. The Southern facade is particularly expressive and monumental. Standing at Kenovaya ul. with your face to the castle, to the north - enter its inner courtyard through the stone gate:
The northern facade looks onto the Summer Garden. Flanked by bronze statues of Hercules and Flora, it is reminiscent of an Italian Renaissance villa:
Return from Mikhailovsky Castle to Kenovaya road - now, your back to the castle (north) and face southward. In the middle of the tree-lined Kenovaya avenue stands the bronze Monument to Peter the Great (памятник Петру I). In 1716, emperor Peter the Great commissioned the Italian sculptor Carlo Bartolomeo Rastrelli to design an equestrian statue in commemoration of the Russian victories over Sweden in the Great Northern War. Rastrelli worked for eight years with a model of the monument before it was approved by the emperor in 1724. But as the emperor died the following year, work halted and the sculpture's casting was only completed after the sculptor's death, by 1747. Catherine the Great ALSO had ordered ANOTHER monument in memory of her predecessor Peter the Great - the Bronze Horseman, the most famous statue of Peter the Great in St Petersburg near the Admirality and the Neva river. Only in 1800, during the reign of Tsar Paul I, was the Monument to Peter I finally erected. It was placed on a pedestal faced with green, red and white-shaded Finnish marble that is decorated with bas-reliefs depicting scenes of two Russian victories over Sweden. Peter the Great led his troops to both victories: the Battle of Poltava and the Battle of Hangö. During World War II, the equestrian statue of Peter I was removed from its pedestal and sheltered from the 900-day German siege of the city. In 1945, the statue was restored and returned to its pedestal. It stands, more than 70 years - opposite the Mikhailovsky Castle:
From the middle of Kenovaya ul. turn LEFT (east) to Inzhenernaya ul.
After walking 130 m. you arrive to Ploschad (Square) Belinskogo- and on your left (nortside of the square) resides St. Petersburg Circus or Circus on Fontanka (Bolshoy Sankt-Peterburgskiy gosudarstvennyy tsirk),nab. Reki Fontanki, 3. The circus is under a massive restoration and closed to the public until JAN 2016. This is Russia’s first stone building specifically designed for the circus. It opened its doors in 1877. Several local and tourist were enthusiastic about the circus interiors (Dome) and its past performances. For online tickets and more information on shows in the restored circus - see: http://www.circus.spb.ru/en#_=_
Return to Kenovaya ul. and continue southward (your back to the Mikhailovsky Castle) - until you arrive to the Manezhnaya Ploschad (Manège Square) (Манежная площадь). Manège in French is Riding School. The shape of Manezhnaya Square resembles a right-angled triangle. Its southern side is a continuation of Italyanskaya Street. Its eastern side is Karavannaya street, which ends (in the south) in Nevsky Prospekt.
This is a nice and refreshing square with a big fountain. Around te fountain stand sculptures of four arcitects who took part in te design of this square and SPB, in general, all of them of Italian origin (almost half of the great buildings of central St. Petersburg were designed by Italians) : Francesco Bartholomeo Rastrelii. Carlo Rossi, Antonio Rinaldi and Giacomo Quarenghi:
We change our direction and head, now, to the west. From Manezhnaya Square we continue westward along Italyanskaya Street (which is parallel, north to Nevsky Prospekt). Immediately, on our right (north) is the 3 m. tall Statue of Ivan Turgenev. The statue, full with grandeur, was made by the sculptors Yan Neiman and Valentin Sveshnikov, who used Turgenev's death mask when sculpting the writer's face. Although he died in France, Turgenev was buried in the city, as he had requested.
Continue west along Italyanskaya street and turn LEFT (south) to Malaya Sadovaya Street (Малая Садовая Улица). This is a splendid, short (only 175 m. - the shortest in SPB) pedestrian street of cafes, terraces, and fountains. It runs between Italyanskaya Street and Nevsky Prospect. The pedestrian road is, frequently, decorated with outdoor exhibitions, posters or sculptures:
We do not continue towards Nevsky Prospekt. We return from Malaya Sadovaya Street to Italyanskaya Street (our face to the north). We turn LEFT (WEST) onto Italyanskaya, walk 400 m. westward and turn right onto Mikhaylovskaya ul. (ул. Михайловская) and the Arts Square or Ploshchad Iskusstv. The white, impressive building opposite - is the Russian Museum, Inzhenernaya Street, 4. Arts Square derives its name from the cluster of museums, theaters and concert halls that surround it. The square was only named Arts Square in 1940. From 1918-1940 it bore the name of the German socialist Ferdinand Lassalle. All the buildings lining the square are similar in design and form a harmonious, grandiose architectural ensemble. The square's plan and all its buildings were drawn up by the ... Italian architect Carlo Rossi:
In front, on the north side is the Russian Museum (State Museum of Russian Art). The past Mikhailovsky Palace, now, the Russian Museum, is the greatest single collection of Russian art in the world. The first building to the right (with the face to the Russian Museum), is the Mikhailovsky Theatre of Opera and Ballet. More to the right (east) - is the Ethnographic Museum (part of the Russain Museum, representing all the ethnic cultures of the former USSR). On your left (west side of the square) are the Brodsky Museum, the Mikhaylovsky Theatre (formerely, the Maly Opera and Ballet Theater), with old-fashioned lanterns adorning its doorways - still a well-respected and centrally located theater. On the south-east side of the square, is the Operettas and Musical Comedy Theatre (Санкт-Петербургский государственный театр музыкальной комедии), Italyanskaya ul., 13. Out of the square, on the east side of Mikhaylovskaya ul., leading to the square, is the former Nobles' Club, now the Shostakovich Philharmonia, home to the St. Petersburg Philharmonic or St. Petersburg Philharmonia, Mikhaylovskaya ul., 2 - the city's prime classical music venue. Its white-column hall has superb acoustics.
The Russian Museum, Mikhailovsky Palace: Open daily: 10.00 to 18.00. THU: 13.00 -21.00. Closed: Tuesdays. The museum’s central building is the yellow, white-columned Mikhailovsky Palace, built between 1819 and 1825 for Grand Duke Mikhail, the brother of Alexander I and Nicholas I. The building was bought by the government during the late 19th century and turned into the "Russian Museum of the Emperor Alexander III" in the beginning of the 1890s by the Tsar Alexander III. His son, Nicholas II, decided to open a museum in his father's honour and, in 1895, bought the Mikhailovskiy Palace to house the collection. Originally called the Alexandrovskiy Museum, it was opened to the public in 1898. Coordinated by architect Vasiliy Svinin, considerable changes were made to the interiors of the Mikhailovsky Palace. In place of its eastern wings, Svinin constructed the Ethnographic Museum. A new wing, the Benois Building, was added to the museum at the start of this century to help house the museum’s growing collections:
Today, the Russian Museum hosts several of the most important Russian art collections. The museum's collection includes over 400,000 artworks covering the complete history of Russian art, from 11th century icons to work by contemporary video artists. The Russian Museum in Mikhailovsky Palace excels in it's collection of 19th century works, which are housed on the second floor of the building. It is not until the works of the "Wanderers", a group of 14 students at the Imperial Academy of Art, who in 1863 set out to create a populist art for the whole of Russia. Among them are Ivan Shishkin, whose his realistic forest scenes are some of the most often copied images in Russia, and Nicholas Ge, whose his religious and historic works brought another kind of realism to their subjects.
Ivan Shishkin: Mast-tree grove. 1898:
The Last Supper, 1863, Nikolai Ge (1831-94):
Ilya Repin, one of the second generation of the Wanderers, and widely considered to be Russia's greatest realist painter, is very well represented in the Russian Museum, and his portrait of Leo Tolstoy in peasant dress and the gigantic Ceremonial Meeting of the State Council, 7 May 1901 are particularly impressive.
Barge Haulers on the Volga, Ilya Repin:
The last great painters of the 19th century like Vasily Surikov and Viktor Vasnetsov specialized in colourful, often violent, historical scenes - but, combined elements of mysticism and symbolism in their works:
Vasily Surikov, Taking a Snow Town (1891):
Victor Vasnetsov, Knight at the Crossroads (1882):
The Russian Museum of Ethnography (Российский этнографический музей) occupies the place of the eastern service wing, the stables and the laundry of the Mikhailovsk Palace. It houses a collection of about 500,000 items relating to the ethnography, or cultural anthropology, of peoples of the former Russian Empire and the Soviet Union. The museum was set up in 1902 as the ethnographic department of the Russian Museum. It is housed in a purpose-built Neoclassical building erected between 1902 and 1913 to Vasily Svinyin's design. The museum's first exhibits were the gifts received by the Russian Tsars from peoples of Imperial Russia. These were supplemented by regular expeditions to various parts of the Russian Empire which began in 1901. Further exhibits were purchased by Tsar Nicholas II of Russia and other members of his royal family. The collection was not officially opened to the general public until 1923 and was not detached from the Russian Museum until 1934. When the Museum of the Peoples of the USSR in Moscow was shut down in 1948, its collections were transferred to the Ethnographic Museum in past Leningrad, now, St. Petersburg. Nice collection of costumes ,photographs, hand made accessories, precious metals, weaponry and ornaments. The museum exhibitions - are very interesting and colorful. The Jewish section was very moving and a great addition to the museum. Opening hours: MON - closed. TUE - SUN: 10.00 - 18.00. Prices: For adult visitors - 250 rubles, for students and children of school age under 18 - free of charge. Very reasonable prices for the quality souvenirs at the museum's gift shop:
On the north end of Mikhaylovskaya ul., opposite the southern facade of the Russian Museum stands the Monument to Alexander Pushkin. The monument was created by sculptor Mikhail Anikushin and erected in 1957 to mark the 250th anniversary of the founding of St. Petersburg (the city was, of course, founded in 1703 but the death of Joseph Stalin in 1953 delayed celebrations by a full four years). The statue stands with his back to the Russian Museum and looking over a small green area:
Mikhailovsky Opera and Ballet Theatre resides in the west side of the Arts Square. A beautiful building and wonderful interior. It is beginning to rival even the world-famed Mariinsky Theatre with its repertoire of classic ballet and opera. The majority of its repertoire consisting of classic ballet and opera of the 19th century. Built 1831-1833 by Alexander Brullov, In order not to draw attention away from the palace, Brullov created a plain and simple neoclassical exterior for the building, saving his efforts and imagination for the theatre's richly decorated and ornate interiors: silver, velvet, mirrors, and crystal chandeliers - as well as a unique ceiling mural by the Italian artist Giovanni Busato depicting "The victory of the powers of enlightenment and science over the dark powers of ignorance" which dates from 1859:
From the Mikhailovsky Theater - we walk 550 m. to a nice, budget but busy restaurant in SPB - the Market Place at Nevsky Prospekt 24: head west on Inzhenernaya st. (ул. Инженерная) toward Griboyedov Canal Embankment (наб. канала Грибоедова), 85 m. Turn left onto Griboyedov Canal Embankment (наб. канала Грибоедова), 350 m, turn right onto Nevsky Prospekt (пр. Невский), 150 m and Marketplace (ресторан-маркет) is at
Nevsky Prospect, 24. See Tip 3.
Vasilievsky and Petrogradskaya Storona Islands - including St. Peter and St. Paul Fortress:
Main Attractions: University Embankment, sphinxes of Pharaoh Amenhotep III,the Imperial Academy of Arts, Menshikov Palace, Twelve Collegia, Monument to Mikhail Lomonosov, Kunstkamera, the Zoological Museum, the stock exchange, Rostral Columns, Strelka, the Exchange (Birzhevaya) Bridge, Flying Dutchman (Letuchy Gollandets) ship, St. Peter and St. Paul Fortress (Petropavlovskaya Krepost), The Cathedral of Saints Peter and Paul, Alexander Park, Gorkovskaya (Горьковская) Metro station.
Tip 1: Vasilievsky Island.
Tip 2: Petrogradskaya Island.
Tip 3: Austeria restaurant.
Start: Truda Square (Ploschad Truda) (Площадь Труда). Catch bus line 27 which rides along Nevsky Prospekt (8 stops from ploshchad' Vosstaniya Square) and stops also in Truda Square. Vasilyevsky Island is served by Vasileostrovskaya and Primorskaya stations of St. Petersburg Metro (Line 3 , the Green line). There are also tramway lines.
End: Gorkovskaya (Горьковская) Metro station in Petrogradskaya island.
From Truda Square (see "From Grand Choral Synagogue to the Palace Square" blog) it is 650 m. walk to the Vasilievsky Island via Blagoveshchensky Bridge. Just keep waking northward from the square (to the Neva river direction). Cross the river over the Blagoveshchensky Bridge - having wonderful views of the southern bank of Vasilievsky Island:
Blagoveshchensky Bridge (Благовещенский мост), (formerly, Nikolaev bridge and Lieutenant Schmidt Bridge) was the first bridge across the Neva River. in St. Petersburg. It connects Vasilievsky district (Vasilievsky Island) with the central part of the city. The bridge touches Vasilievsky Island at the Trezini Square slightly beyond the University embankment on the southern bank.
The sight of the bridge during the night hours is marvelous. Blagoveshchensky Bridge as most of Neva river bridges is a bascule bridge and is opened at night during the navigational season for large vessels to pass through. Watching the raising of the bridge, better from SPB mainland side, along one of the the embankments - is one of the great St. Petersburg experiences during the White Nights of June and July:
As we land upon Vasilievsky Island, after crossing the Blagoveshchensky Bridge, we see on our right (east) the University Embankment (Universitetskaya emb) (Университетская набережная). It is 1.2 km. long and it spans between Blagoveshchensky Bridge in the wets to the Palace Bridge in the east. The embankment or promenade (still open for vehicles) is lines with an ensemble of imperial Baroque buildings of the early 18th century, including (from west to east): the Academy of Arts, Menshikov Palace, the Twelve Colleges, the Kunstkamera (Peter the Great Museum of Anthropology and Ethnography), Zoological Museum.
The first building, after crossing the bridge is the Academy of Arts. A pier or quay in front of the Academy of Arts building, adorned with two authentic sphinxes of Pharaoh Amenhotep III brought in 1832 from Thebes, Egypt, was designed by Konstantin Thon and built in 1832-1834. The Sphinxes are about 3500 years old. Their faces are portraits of Amenhotep III and the shape of their crowns indicates that Pharaoh Amenhotep III was the ruler of two kingdoms—the Upper Egypt and Lower Egypt. The sphinxes weigh about 23 tons each:
One of the Sphinxes and St. Issac's Cathedral in the background:
The Imperial Academy of Arts , 17, Universitetskaya Naberezhnaya, was established at 1757, by Ivan Shuvalov, to train Russian artists in the leading styles and techniques of West-Europe countries and sent its promising students to European capitals for further study. The main architect for the project was Jean-Baptiste Vallin de la Mothe, whom Shuvalov invited from France to become the first professor of architecture at the Academy. De la Mothe was helped by Yury Felten and Alexander Kokorinov, who would become the first Russian professor to teach at the Academy. Training at the academy was virtually required for artists to make successful careers. The academy was abolished in 1918 after the Russian Revolution and was renamed several times. It established free tuition and was financed by the government; students from across the country competed fiercely for its few places annually. In 1947 the national institution was moved to Moscow, and much of its art collection was moved to the Hermitage. The building in St. Petersburg (formerly, Leningrad) had been transformed to the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture (Институт имени Репина), named in honor of one of Russia's foremost realist artists. Since 1991 it has been called the St. Petersburg Institute for Painting, Sculpture and Architecture. Open WED - SUN 11.00 - 18.00. Limited entry to the various halls and museums. Much depends on the person in the main entrance:
The Academy main facade (left: figure of Hercules, right: Flora):
Menshikov Palace, 15, Universitetskaya Naberezhnaya (Меншиковский дворец) is the next attraction to the east of the Academy of Arts and along the University Embankment from west to east. It is called also as Palace of Peter II. The building is painted in ocre-yellow and decorated with beautifully-carved pillars. The palace is one of the first stone buildings erected in SPB. It is also the only private city structure to have survived from the beginning of the 18th century. Today, the palace is a public museum, a branch of the Hermitage Museum. The palace was founded in 1710 as a residence of Saint Petersburg Governor General Alexander Menshikov and built by Italian architects Giovanni Maria Fontana, and, later, German architect Gottfried Johann Schädel. Menshikov was the chief advisor of Peter-the Great and gained a significant wealth during Peter's reign period. On the death of Peter, in 1725, Catherine I was raised to the throne. The placing of her on the throne meant security for Menshikov and his ill-gotten fortune. During Catherine's short reign (February 1725 – May 1727), Menshikov was practically the absolute ruler of Russia. He was the De- facto ruler of Russia for two years. Pushkin in one of his poems alluded to Menshikov as "half-Tsar". The old nobility united to overthrow him, and he was deprived of all his dignities and offices and expelled from the capital. In 1727, Menshikov with his family was exiled to Siberia and his property was confiscated. As part of the State Hermitage, the palace is now used to display some of the museum's vast collection of European and Russian applied art from the early 18th century, as well as contemporaneous sculptures and paintings, all of which blend harmoniously with the beautifully restored interiors. The interiors have preserved to this day the design traditions of that era. The walls of the rich interiors are liberally dressed with marble, and the floors are covered with expensive glued-laminated parquet. Several rooms entirely covered with Dutch (Delft) tiles. The exhibits on display in the museum today are devoted to the history of Russian culture at the beginning of the 18th century. The collection includes rare works of art of the 17th and 18th centuries - including Menshikov's own belongings. Opening hours: daily 10.30 - 18.00. WED - 10.30 - 21.00. Closed: Mondays. Prices: Adults: RUB 300, Students/children: free. Free admission to all visitors on the first Thursday of each month:
The next complex, on your left, along the University Embankment is the Twelve Collegia, or Twelve Colleges (Двeнaдцaть Коллегий). It is the alarge edifice from the Petrine era designed by Domenico Trezzini and Theodor Schwertfeger and built from 1722 to 1744. It is, actually, a Baroque three-storey, red-brick complex of 12 buildings is 400–440 meters long - its facade is along Mendeleevskaya liniyaa. Trezzini's idea was to underline the relative independence of each of the twelve collegia on other one hand, and their close interconnection in the system of state administration, on the other hand. The original design separated the 12 individual buildings. In subsequent restructuring, they would be connected to form the modern complex. The building is built of red bricks topped by stucco decorations in red and white.The buildings were designed to host 12 ministries of Peter-the-Great regime - with its joint facade symbolizing the unity of his reign. The building was planned to have uninterrupted view of Sterelka - and that is the reason it is vertical to the University Embankment. In 1891 the complex was purchased by the State University of St. Petersburg (Lenin studied here !):
Out of the Twelve Collegia stands the charming bronze Monument to Mikhail Lomonosov overlooking the Neva river. This three-meter bronze statue stands also on Mendeleevskaya Liniya between the Twelve Colleges (the main building of St. Petersburg State University) and the Academy of Sciences. Unveiled in 1986 to mark the 275th anniversary of the great scientist, poet, mathematician and father of Russian science. Lomonosov was a member of the Academy for over 20 years and, from 1758 until his death, rector of the Academic University:
250 m. further east - we meet, on our left, the Kunstkamera. It is a Baroque green-blueish building with a top, delicate tower (under restoration in summer 2015). It was built, during the years 1718-1734 by Georg Mattarnoviy. The Museum of Ethnology and Anthropology or the Kunstkamera is the city’s first museum which was founded in 1714 by Peter the Great. Peter the Great ordered Dr. Robert Areskin to move his personal collections and library from Moscow to the new capital and begin creating the first state public museum – the Kunstkamera. The collections, consisting of “fish, reptiles and insects in bottles”, mathematical, physics and chemistry instruments, and also books from the Tsar’s library, were put in Peter’s Summer Palace. For Peter the Great, it was extremely important to create an image of a changing Russia. The emperor had the habit of receiving ambassadors in his museum, and a tour of the museum was part of the visit programme for all important guests. The first public exhibition of the Kunstkamera was opened in 1719 in the “Kikin chambers” – the confiscated home of the disgraced boyar A. Kikin. At this time, it was also decided to build a special building. Peter chose the location for the Kunstkamera himself in the centre of the new capital. This fascinating place is an essential S. Petersburg sight, although not one for the faint-hearted. Think twice about bringing young children here. Yet, the famous babies in bottles make up just a small part of the enormous collection that also encompasses some wonderfully kitsch dioramas exhibiting rare objects and cultural practices from all over the world, and you can easily spend an hour or two picking through these. Ground level - Museums shop, checkroom. Floor 1 - North America, Amazonia, Exhibition "The world of an Object" Japan, Africa. Floor 2 - Middle East and Central Asia,
China, Mongolia, Korea, Indochina, India. Indonesia, First Natural Science Collections of the Kunstkamera. Floor 3 - Mikhail Lomonosov and the Academy of Sciences in the 18th century with a recreation of his study-laboratory, Temporary Exhibition. Floor 4 - First Astronomical observatory of the Academy of Sciences. Floor 5 - Great Gottorp globe, a rotating globe and planetarium all in one. Note: this museum is not wheelchair accessible. Photos and Video - allowed. Opening hours: daily from 11.00 - 19.00, Last admission is at 18.00. Closed: Mondays and the last Tuesday of each month. Price: RUB 250.00. Students/children: RUB 50.00. Admission is free on the third Friday of each month. Many visitors hail this museum as an immensely interesting, fascinating and "don't miss" one. But, others think that the many odd items collected are "non-appetizing and even disgusting" which will turn your stomach, "a museum which needs updating" and "not for delicate people".:
Hold your breath:
The next block along the University Embankment is the Zoological Museum,1-3, Universitetskaya Nabereshnaya. In 1832 the zoological collections were split from the Kunstkamera and in 1896 moved nearby to its present location in the former southern warehouse of the Saint Petersburg Bourse (constructed in 1826-1832). In 1931 the Zoological Institute was established within the Academy of Sciences, which included the museum. The collection was started over 250 years ago, but has only been open to visitors since 1901. Much of the collection consists of stuffed and mounted animals. It was, of course, the custom in 17th and 18th century zoology to simply kill everything and bring it back from foreign places. Its collection has been increased dramatically in recent years due to numerous expeditions throughout Russia, to the Arctic circle, to Antarctica and to the tropics. Opening hours: SAT - THU: 11.00 - 18.00 (winter - 17.00). Closed: Fridays. Prices: Adult: RUB 200, Students/children: RUB 70. Free admission last Thursday of each month (excluding periods of high school holidays). Not suitable for wheelchairs:
The first hall, marine mammals:
The second hall, fishes:
The main attraction, in the main hall, is the enormous skeleton of a blue whale:
The third Hall - a Mammoth skeleton:
This is the world’s only stuffed and mounted adult mammoth:
In the entrance - the monument of Karl Ernst von Baer:
Next eastward we arrive to Birzhevaya Ploschad. On your left an impressive building - the Old Saint Petersburg Stock Exchange (also Bourse) and on your right - the red Rostral Columns. Both, are significant examples of Greek Revival architecture. Designed by French (or Swiss) architect Thomas de Thomon, and inspired by the Greek Temple of Hera at Paestum. The stock exchange, Birzhevaya Ploschad 4, now holds the Naval Museum, was constructed between 1805 and 1810. The Old Stock Exchange was sited to fill the majestic sweep of the Spit (in Russian: Strelka) of Vasilievsky Island, just opposite the Winter Palace on SPB mainland. A monumental sculptural group similar in form to a quadriga featuring Neptune, and symbolizing maritime commerce, is mounted above the portico. Both inside and outside the Bourse, a motif of the semicircle is recurrent. The interior is closed and the whole building is waiting for its new restoration:
The Rostral Columns: on your right, opposite the Stock Exchange (Bourse) building on the Neva, were completed in 1811. The name of the Rostral Columns is derived from the Latin word for a ship's beak, Rostrum. De Thomon, the architect, designed a semicircular overlook with circular ramps descending to a jetty projecting into the river and SPB city mainland. This formal approach, is framed by two rostral columns centered opposite the portico of the Stock Exchange. The Doric columns sit on a granite plinth and are constructed of brick coated with a deep terra cotta red stucco and decorated with bronze anchors and four pairs of bronze ship prows (rostra). At the foot of each column are pairs of imposing marbles sculptures, allegorical figures of mythical gods representing four major rivers in Russia: the Neva, Dnieper, Volga and Volkhov. The Rostral Columns were originally intended to serve as oil-fired navigation beacons in the 1800s , and, originally, were topped by a light in the form of a Greek brazier and lit by oil (on some public holidays gas torches are still lit on them). Originally, the pillars had been put up as memorials of Russia’s victory over Sweden in the Northern War:
The sculpture standing at the foot of one of the Rostral Columns personifies the Neva:
Rostral Columns - Dnieper River god:
Strelka (Strelka Vasilyevskogo ostrova) (Tongue of the Land) is the name of the eastern tip of Vasilievsky island. In 1733 the port of St. Petersburg was set up here. The port grew quickly as trade with Western Europe increased. The columns were built as beacons to guide the constantly growing number of ships during St. Petersburg's long dark nights. In 1885 the port moved to the Gulf of Finland to accommodate larger vessels and increased traffic and the beacons were decommissioned. As we said before - the lamps are still lit on public holidays and during ceremonies. The Strelka also boasts one of the best views in the city: you look left to the Peter and Paul Fortress and right to the Hermitage, the Admiralty and St Isaac's Cathedral. It is highly Popular Place with locals. A lot of new-married couples visit this place and break a bottle of Vodka or Champagne for happiness and good luck. On many evenings there is music being played and people are dancing, especially in the weekends. A great spot for pictures. Try the Strelka also at night for great photos as many buildings in SPB are lit up. The best time for the pictures is the afternoon: In the morning, you have to take them against the sun:
View of the Winter Palace from the Spit of Vasilyevsky Island (Strelka):
View of the SS Peter and Paul Cathedral (see Tip 2 below) from the Spit of Vasilyevsky Island (Strelka):
We shall walk around the Sterelka and choose between two options:
staying in Vasilievsky island and continue along nab Makarova westward. It is quite long walk (approx. 900 m.) from Birzhevoy bridge (most) to Tuchkov most (bridge) along the Makarova street. On our left, on Makarova, the Institute of Russian Literature or Pushkin House ((Пушкинский дом, Pushkinsky Dom). It is an institute affiliated with the Russian Academy of Sciences (under restoration in summer 2015):
In case you are hungry: turn left in Sredny prospekt (the 5th turn to the left on Makarova) and take the 2nd turn to the right (per. Tuchkov). On your left you finf the Ristorante Villagio: pleasant, comfort chairs, nice decoration, quality food, very polite service, good AC, clean services and medium prices:
We return to the Makarova street (from Tuchkov road - turn right to Sredny prospekt and left to Makarova) and head westward to Tuchkov bridge: the second and west bridge linking Vasilievsky island and Petrogradskaya island. We cross the Neva river over Tuchkov bridge when, on our left, is the Petrovsky Stadium:
It is quite complicated here to find a way eastward. Find the Sportivnaya Metro station walk along the subway (underground pass) and exit at the most eastern tunnel of the station. Head eastward along Dobrolyubova avenue. On your right is the Hospitality Business Centre and a nice fountain. Further east - on your left a church and on your right - Alibra school. The Dobrolyubova avenue is lined (especially, on your left / north) several Art Nouveau buildings:
The Dobrolyubova avenue ends with the quay where the Flying Dutchman warship is standing. Here, we skip to Tip 2.
Main Attractions: Hotel Hermitage, Boulingrins Gardens, Place de Casino, Casino de Monte-Carlo, Cafe de Paris, Hotel de Paris, Casino Gardens and Promenade, Opéra de Monte-Carlo, the “Hexa Grace”, Grimaldi Forum, the Japanese Garden, Larvotto Promenade, Av. Princesse Grace, Boulevard du Larvotto, Villa Sauber, (Prince's Palace of Monaco - from here: skip to Monaco - part 2).
Part 1: Monte-Carlo.
Part 2: Monaco-Ville.
Part 3: Jardin Exotique de Monaco.
Duaration: One VERY BUSY, LONG and WONDERFUL day. PLEASE, start as early as possible (especially, in case you are coming from and returning to Nice).
Weather: avoid HOT and wet days. A lot of climbing. long walks in very changing terrains. The exotic garden, in the end, of the route is quite demanding on its own. We use public buses along this route.
Walking Distance: approx. 15 km.
Start & End: Monte Carlo Railway station.
Introduction: We devote the first half of the day to Monte Carlo, the principal residential and resort area with the Monte Carlo Casino in the east and northeast. THe second half is centered in Monaco-Ville, the old city on a rocky promontory extending into the Mediterranean, known as the Rock of Monaco, or simply "The Rock". The La Condamine district is NOT included in this itinerary.
The best transportation ways to go from Nice to Monaco:
Nice to Monaco By Bus:
The bus is a convenient and cheap. view all the way to Monaco.
From Nice downtown to Monaco and Menton – Line 100: only €1.50 per person (1 way) (summer 2015) and takes about 40-45 minutes. The bus stops in Nice at: Le port and Avenue Gustavin. It leaves every 15 minutes on weekdays and every 20 minutes on Sundays and French holidays. The 45-minute drive to Monaco is absolutely stunning, so sit on the right side of the bus if you can. Don’t be tempted to take the Monaco Express 100X, as you will save only 10 minutes driving time but will miss all the gorgeous scenery.
From Nice Airport to Monaco - Line 110: The Bus starts from the Nice Cote d’azur airport (NCE) to Monaco and beyond. The trip will cost you €20 and takes about 45 minutes. Timetable and detailed pricing.
Nice to Monaco By Train: The train runs faster and offers some magnificent French Riviera views all along the way. It takes about 22 minutes to go from Nice Ville station to Monaco Monte-Carlo station for an average price of €3.60.
Typical weekdays' timetable from Nice Ville to Monaco:
05.25, 05.56, 06.25, 06.40, 06.56, 07.10, 07.25, 07.40, 07.55, 08.10, 08.25, 08.40, 09.00, 09.10, 09.25, 09.40, 09.55, 10.26, 10.55, 11.25.
Transportaion in Monaco: Monaco isn’t a very large place but getting around on foot can be quite tiring after a while due to the very uneven terrain and the heat in the summer. Fortunately buses are frequent and very cheap, with a very extensive network: a single ticket is just 2 € anywhere in Monaco and an even better deal is the one-day unlimited pass which costs just 5 €. We shall use the public transportation, along this route, at least a couple of times.
We took the train from Nice Ville. Busy, but not crowded. Convenient. Reasonable prices. Might be some delays in arrival. Take the cheap TER trains. The TGV trains are expensive and reservation is mandatory.
From Monte-Carlo railway station head southeast on Avenue d'Alsace toward Pont Sainte-Dévote, 30 m. Turn left onto Pont Sainte-Dévote
25 m. Turn right onto Boulevard de Suisse, 400 m.
In front of us Square Beaumarchais and Hotel Hermitage.The building exterior is stunning. An oasis of luxury - 5 minutes from the railway station and from the Casino. We tried to enter the hotel and climb to its highest floor - for a stunning view over the port - but, we were denied:
Turn LEFT onto Avenue de la Costa. On our left are high-rise buildings:
200-250 m. further (north-east) along Avenue de la Costa - and you see, on your right, the Jardins du Casino (Casino Gardens) or Boulingrins Gardens and Montecarlo Pavillions. The mix of the futuristic pavilions in the Boulingrins Gardens (bulbous structures clad in diagonal-shaped aluminum panels) and the iconic Belle Époque buildings of the Casino Square is stunning. The pavilions have been built in a pedestrian-only zone, and access to the Place du Casino can be gained through a path snaking, north to south, between the five pavilions and surrounding foliage. People with limited mobility are also able to use the path. The pebble-shaped pavilions structures have been surrounded with exotic species like palms.
The Casino Monte-Carlo with the ornate gardens of Casino Square in FRONT of it:
Jardins du Casino (Casino Gardens) or Boulingrins Gardens. Stretched uphill in front of (north-west) the casino, bordered, from both sides by the Alees des Boulingrins, the French style garden of lawns and magnificent fountains sits alongside the “Little Africa” garden, with its exuberant species:
Our next destination is the Place de Casino with the world famous, legendary Casino. The Place du Casino lie between the Boulingrins Gardens (upper level) and the Casino itself (lower level). The Casino square of Monte Carlo (Place de casino) is beautifully decorated. Nice square but, frequently, very crowded. The fountain and flowers make it look spectacular on the view of the Casino in front. Next to it there is the Parking lot where expensive old and new model cars like the Rolls Royce, the American Cadillac are packed. Many sightseers are looking into the casino and taking "selfies" alongside the extravagant cars parked near the casino:
A bit lower in the slope, stands the Mecca of table games, legendary for its Belle Epoque style - the Casino de Monte-Carlo is also world-renowned among gaming circles. Nowhere else in Europe do you get the feeling of such fancy, concentrated wealth. It’s utterly absorbing. The most celebrated gambling spot in the world is so exotic of reputation that it has to be seen. Gaining entrance is a doddle. First ensure that you’re over 18. Then leap up the steps, show your passport or other id., hand over 10.10 euros and that’s it. For the last 150 years, it has offered exceptional table games in a unique style. Open every day starting 14.00. Admission charges : 10 €, for people over 18 with ID card or passport. VISITS OF THE GAMING ROOMS AT CASINO DE MONTE-CARLO WHEN GAMES ARE NOT OPERATING (before 14.00): Salle Renaissance / Salle Europe / Salle des Amériques / Salle Blanche / Salons Touzet / Salle Médecin (Private). Opening Times : everyday from 9.00 until 12.00. Prices: - Individual : €10 per person - Group: €7 per person (minimum 10 people – Free access for the guide or tour group leader). Desk located in the Salle Amérique. Payment in cash (credit cards will soon be accepted – no cheques). From 14.00 - regarding the new organization, groups, guides and tour leaders will no longer be able to enter the gaming rooms in the Casino of Monte-Carlo when the games are open i.e. from 14.00. Instead groups, guides and tour leadersare now very welcome in the morning from 9.00 until 12.00 to visit the prestigious Casino de Monte-Carlo when the games are closed. Tourist groups wishing to visit the Casino de Monte-Carlo during gaming hours (starting from 14.00) must enter as individual clients and meet requirements (e.g. dress code) (correct attire mandatory. No uniforms. Jacket recommended after 20.00 in the Salons Privés. Casino facilities: Salons Touzet : European Roulette, English Roulette, Trente et Quarante, Punto Banco, Poker Texas Hold’Em Ultimate, Black Jack. Opening of the Salons Touzet : every day from 14.00. Terrasse Salle Blanche : European Roulette / Black Jack / Punto Banco
Opening of the terrace Salle Blanche: 14.00. every day (depending on the climate, closed in winter, open only in the summer evenings when the weather is warm. Opening hours of private gaming areas:
European Roulette, Baccarat Chemin de Fer, Black Jack and Punto Banco: open Thursday through Sunday and holidays starting at 16.00. Trente et Quarante: starting from 22.00. You are not able to go inside with hand carries or a stroller, Everything have to be checked in (and very expensive). The best idea is to take turn and the one will tour while the other one watch the kids and/or stuffs. The Casino de Monte-Carlo is owned and operated by the Société des bains de mer de Monaco, a public company in which the Monaco government and the ruling family have a majority interest. The company also owns the principal hotels, sports clubs, food service establishments, and nightclubs throughout Monaco:
Another spot in the Place de Casino is the Cafe de Paris or Brasserie du Cafe de Paris - for people and cars watching, expensive food and elegant premises and posh waiters. With your back to the Casino - it is on your right. Inside, a warm decor featuring Belle Epoque style windows, recalling the old Parisian bistros, creates a bright and friendly atmosphere. Always busy and relaxed. The best time to go is for a late breakfast or lunch. Be prepared to wait for a outside table as they are always in demand in sunny days. Expensive. Slow and polite service. Food and drinks - not exceptional...:
Also included in Place du Casino is Hotel de Paris (opposite the Cafe. With the back to the Casino - on your left) - the spot to stay if you've just broken the bank in Monte Carlo. Built in 1864 using the very best materials of the period. The hotel has featured in numerous films, including Confessions of a Cheat (1936), The Red Shoes (1948), Iron Man 2 (2010), Monte Carlo (2011), and two James Bond films; Never Say Never Again (1983) and Golden Eye (1995). It was also portrayed in the 2012 animated film Madagascar 3: Europe's Most Wanted:
We continue to the Casino Gardens and Promenade behind the Casino complex.Then nip to the sea-front. The Monte Carlo Casino’s main façade faces inland. It’s worth popping around the back, to the sea-side of the building. With our face to the Casino - we take its left wings (Gucci shops) and we walk around the Casino complex to its back side.The immediate back side of the Casino is blocked (no access):
So we take the stairs east and behind the Casino leading to the Casino Gardens and Promenade. On our left is Cafe Horizon:
There are extensive construction works around - and you are also blocked entering the space in front of the Opera building (see below). We slight left, surrounding the back of the Bar du Soleil. Here we enter an amazing terrace with stunning views to the Port. Do not miss the huge cruising ships resting, lazily, in the deep blue waters of the Port:
Now, turn back with your face to the city, Casino hill and the mountains and your back to the Port. On your right - you see the Opera (a bit from the distance). The Opéra de Monte-Carlo is situated behind the casino, at the south-east side of the square (the hilly side direction). It is, formally, included in the Casino complex.The opera house is part of the Monte Carlo Casino. The architect Charles Garnier designed this opera building (Salle Garnier) and also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, 524v seatings, compared to about 2,000 for the Palais Garnier, and unlike the Paris theatre, which was started in 1861 and only completed in 1875, the Salle Garnier was constructed in only eight and a half months. Nevertheless, its ornate style was heavily influenced by that of the Palais Garnier, and many of the same artists worked on both theatres. Although the Monte Carlo theatre was not originally intended for opera, it was soon used frequently for that purpose and was remodeled in 1898–99 by Henri Schmit, primarily in the stage area, to make it more suitable for opera. The hall was inaugurated on 25 January 1879 with a performance by Sarah Bernhardt dressed as a nymph. The first opera performed there was Robert Planquette's Le Chevalier Gaston on 8 February 1879, followed by three additional operas in the first season. The annual season starts at mid-November. Baroque opulent building is spectacle on its own with VERY NICE architecture. Overlooking the sea. You can walk around the exterior with some views of the water. No touristic guided visits like in Paris. If you can get tickets during the short opera season - try to go. World class opera in a beautiful ornate and intimate space at reasonable prices:
The whole area around is itself pretty impressive. It also gives onto a huge terrace which doubles as roof of the Rainier III Auditorium which in turn stretches out over the sea on piles. This whole sea-frontage is a monumental puzzle of great 20th-century buildings pushing out to sea, whose roofs are the floors of something else. Or gardens. Or sites for contemporary art. It’s an insight into just how cleverly Monaco has maximized the use of very limited space. So sophisticated is it that one is surprised to see something as elemental as the sea lapping away underneath. Spend time exploring the Casino Gardens and Terraces with their magnificent flowerbeds and diverse species of plants. Overlooking the sea the terraces bathed in sun invite you to stroll along them:
A Ballerina statue of Marco Lodola (1996) in the Casino Gardens and the Opera in the background:
A sculpture of Reina Marianna (Manolo Valdes, 2004) in the Casino Gardens and the Opera in the background:
A sculpture of Adam and Eve - F. Butero, 1981:
View of the Casino and the Opera from the Casino gardens and promenade:
View of the Opera from the Casino gardens and promenade:
View of apartments hotel from the Casino gardens and promenade:
Downhill, the “Hexa Grace” by Victor Vasarely (Hexagrace - Le Ciel, la Mer, la Terre : the Sky, the Sea, the Earth), a hexagon-shaped Mosaic Pool designed by Victor Vasarely in 1979 ) located on the rooftop of Monaco's Center of Congress building terrace overlooking the sea, are the masterpieces which are worth the visit:
East to the Casino and the Opera (in the most eastern edge of the Casino Gardens) - you can see the Budhaa Bar. Upscale trendy restaurant. Excellent Asian Cuisine with a contemporary design, flare and decoration. The vibe is very lively in the restaurant. This restaurant is worth a visit as a nice change of pace from traditional french cuisine. Of course prices aren't exactly cheap, as in the rest of the principality:
From the Casino Garden and Promenade there are clear signs leading your way to our next destination - the Japanese garden (the path goes when the Saranapale Building is on your right and you pass through Cafe Twiga on your right and FORUM GRIMALDI on your left as well). The walk through the path is very rewarding with marvelous scenery !!!:
Forum Grimaldi on your left:
... and the sea on your right:
The Grimaldi Forum (quartier, Larvotto) is a conference and congress centre located on the seafront between the Monte Carlo Casino (west) and the Japanese Garden (east) on Monaco's eastern beach . Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform there. This is also the venue of the EVER Monaco exhibition held March annually. During the renovation of Salle Garnier in the Opéra de Monte-Carlo in 2004–05, operas were presented at the Salle des Princes in the Grimaldi Forum. Grimaldi Forum also hosts the draw for the group stage of the UEFA Champions League, including the UEFA Best Player in Europe Award award. It also plays host to the draw for the Group Stage of the UEFA Europa League:
Otherwise, if you want to return to the Casino Square: head northeast on Avenue des Spélugues toward Avenue de la Madone, 260 m. Avenue des Spélugues turns slightly left and becomes Avenue Princesse Grâce, 120 m. Slight right to stay on Avenue Princesse Grâce, 40 m. At the roundabout, take the 4th exit onto Av. Princesse Grace, 160 m and you arrive to the Japanese Garden.
Avenue Princesse Grâce and Houston Palace skyscraper:
The Japanese Garden (FREE admission, 9.00 – sunset) (note: there is WC in the garden) is a magnificent garden, designed by the landscape architect Yasuo Beppu. An authentic work of art, it blends stone, water and plants in marvelous harmony. This park at the foot of the city is blessed with a special atmosphere. Peaceful, stunning, authentic with a waterfall, tea house, covered terrace, large pond with koi fish, lots of stepping stones, stream, red bridge and authentic pines and plants. accentuated by the use of water sprays on the bushes of azalea, rhododendrons and camellias. Some good views of the coast from around the area. It is a small garden and it takes no more than 20-30 minutes to stroll around its paths. DO NOT MISS THIS GARDEN - A SUPERB DELIGHT:
Exiting the japanese Garden - we continue walking eastward along the seafront Larvotto Promenade - now, lined with sculptures along its left (north side). It is 700 m. walk until the end of this fantastic promenade:
La Petite Sirene - Suhlgard, 2000:
Princesse Grace, 2007. On our right is the restaurant "La Rose des Vents":
Le Pecheur (The Fisherman) - Gustave Dussart:
We are, almost, in the most eastern edge of Larvotto Promenade (Plage du Larvotto and Miami Plage):
At last we arrive to a dead end of Larvotto Promenade - here we find a marvelous fountain:
We turn to the left and ascend the stairs leading to Av. Princesse Grace. On our right is Hotel Le Meridien Beach Plaza. Opposite the hotel - another high-rise building:
Continue 250 m. further (north-east) along Avenue Princesse Grace and we arrive to the Hotel Monte-Carlo Bay on our right - another stunning hotel, partially, hidden behind its elegant walls:
Opposite the Monte Carlo Bay hotel stretches the Formula 1 racing street (Avenue Princesse Grace):
Beyond Monte Carlo Bay hotel the Avenue Princesse Grace continues eastward along Roduebrune-cap-Martin beach (the northern side of Monte-Carlo bay):
From the northern side of Avenue Princesse Grace, opposite side of Monte Carlo Bay hotel - we used an ELEVATOR to ascend to Boulevard du Larvotto, an elevated road. We are in Monaco's Larvotto District and we'll take the rare opportunity to walk, on foot, back, with our face to the south-west - along one of the most luxurious areas in Monaco. The Boulevard du Larvotto was built in 1956 to replace the railway line (the railway arrived in Monaco on 12 October 1868.) The name of this road, "Larvotto," derives from the word "Revoto," which was found on a map dating from 1602. It was also known as "Ruovoto," meaning "the hollow." In the 18th century it was referred to as "Prevotto," then "Larevotto," finally becoming "Larvotto," the current name of this district, an area that is very popular with tourists in summer.
On our right - Le Florestan is a breath-taking 13-story high-rise building:
200-250 m. further south-west in Boulevard du Larvotto is the Floridian Palace (No. 523):
We continue to walk along posh and elegant high-rise buildings in Boulevard du Larvotto until we hit a small exotic small garden in on our left. Here, we take the stairs and descend to Av. Princesse Grace:
In Av. Princesse Grace - on our left is Forum Grimaldi and on our right is Villa Sauber - one (of two) part of the Nouveau Musée National de Monaco, 17 av. Princesse-Grace. The Museum’s two (recently opened) venues are located at: Villa Paloma, 56 boulevard du Jardin Exotique and Villa Sauber in 17 Avenue Princesse Grace. We face, now, the second one. With a focus on modern, contemporary works of art, these newly re-designed venues present two expositions annually per venue and spotlight the cultural, historic and artistic virtues of Principality. The museum villa is one of the last Belle Époque villas in Monaco. Opening Hours: Open every day from 8.00 until 18.00. From June 1st until September 30th from 11.00 till 19.00. Closed on January 1st, May 1st, 4 days of the Grand Prix, November 19th and December 25th. Prices: Full price NMNM ticket (Villa Paloma + Villa Sauber) 6€, Groups 4€ (min. 15 people). Combined ticket NMNM / Exotic Garden / Anthropological Museum: 10€. Free entrance every Sunday. Free for anyone under 26 years old, scholar groups and groups of children, Monaco citizens:
Av. Princesse Grace changes, a bit, its direction and slights southward. 350 m. further we arrive to a huge round-about. On the east side of this round-about (Rond-Point du Portier) you can see sales agencies of the most grandiose cars' brands:
From here it is more than 1 km. climb to the Casino hill. Opposite the building, in the photo below,
you can catch bus No. 6 and get off ONE STOP AFTER the CASINO. Then, catch bus No. 2 to the Royal Palace and drop off near PLace de la Visitation and rue Emile de Loth. Another option is to take bus No. 2 to the Place D'Armes (see below) and climb on foot in a very scenic path or (stairway to the Prince's Palace of Monaco.
From here - skip to the "Monaco - Part 2 - Monaco Ville" for the second half of the day in Monaco-Ville.
Main Attractions: Jardins Biovès, Palais de l'Europe, Prom. du Soleil, Musée Jean Cocteau - Collection Severin Wunderman, Menton Old Market, Quai Napoléon III, the Bastion Museum, Quai Gordon Bennett, Quai Bonaparte, Basilique Saint-Michel, Chapelle des Pénitents-Blancs, Cimetière du vieux Château, Menton Hotel de Ville, Hotel L'Orient.
Introduction: Menton, the little-known last stop on France's famous coast before you cross into Italy. First of all, its extraordinary setting between mountains and sea. Second, the beaches – a mix of stony and sandy, public and private – are packed in high summer, but, almost deserted - out of season. Third, its micro-climate – said to be warmer than the rest of France. Fourth, its wealth of citrus trees and exotic gardens. Menton is proud of its lemons everywhere. Shops are crammed with lemon products. Menton may not have Saint-Tropez's party people, Cannes' film stars or Monte Carlo's high rollers, but that's what makes the town so appealing. It has buckets of old-fashioned charm.
Short history: The first primitive habitation was grouped around a chateau on the hill of Pépin, west of the current town. In the 13th century the family of Puypin (Podium Pinum) bought the domain from the Genoise family of Vento and built a chateau – that gave birth to the town of Menton. Menton was acquired in 1346 by Grimaldi of Monaco, and remained in their possession until 1848, when it proclaimed itself a Ville Libre and was put under the protection of the King of Sardinia. In 1860, the town voted to become part of France.
Festivals and Events: FEB - MAR - FETE DU CITRON - Lemons Festival, parades, fireworks, fantastic experience in the middle of the winter. MAY (Each SAT) - May Musical Concerts - "Jeunes Artistes Musiciens". AUG - Festival International de Musique de Menton - Chambre Music. DEC - New Year Festival. Brocante - Flea Market: Every FRI, every second SUN - Mail du Bastion. Market days: Daily: Marché du Carei, Promenade du Maréchal Leclerc. SAT: Marché du Bastion, Quai Napoléon III.
Duration: There's enough to see and do in Menton, even for casual touring during non-festival time, that you should plan a couple of days or more. With easy access to several picturesque mountain villages, as well as the easy train connections along the coast, this would be an excellent base for a long stay. We spent, there, ONLY half a day. Our best bet - spend a SPLENDID full day in this charming town.
Orientation: in case you opt spending just half-a-day in Menton - try to choose the second half of the day. It is cooler and the sights (to the east) from the Basilica and Old Castle Cemetery to the sea are gorgeous - when the sun is on your back (west).
Start and End: Gare de Menton
Transportaion: Half-hourly trains connect the whole Riviera from Menton’s two stations; ideal for excursions to Monaco or Nice or for lunch in San-Remo, Italy. Buses run frequently between the Nice airport and Monaco and Menton. Separate bus routes connect Menton with these nearby interior towns and villages: Gorbio; Saint Agnes; Les Cabrolles; Castillon - Sospel; Castellar; Roquebrune-Cap-Martin - Beausoleil - Monaco. The Tourist / Petit Train de Menton has a 30 minute, 7 km tour of the town. Price: 6 euros; kids 3 euros.
The trains from Nice and Monaco bring us to the Gare de Menton, Avenue de la Gare opposite rue Albert 1 er. Head northeast along Avenue de la Gare, 65 m. Continue onto Avenue de la Gare
120 m, turn right onto Avenue de Verdun for 350 m and you face the Jardins Biovès, 7 Avenue de Verdun. It is a a pretty park in the middle of Avenue Boyer with a variety of flowers, shrubs, statues, and shaded benches. Located in the heart of the city opposite the Tourist Office of Menton. These gardens are named after Emile Biovès, mayor of Menton in the late nineteenth century. The night illuminations here is quite magnificent and definitely deserves a visit.
DO NOT MISS THE LEMONS FESTIVAL, every year in February. At Christmas and during the Lemon Festival , the gardens have a special decoration - wherein figurines and decorations are all constructed out of tonnes of lemons. Every year the festival is centered around another theme. In 2016 the main theme was China, Budhaa and the Far East cultures. No use coming to see these gardens between Christmas and mid February. They're all boarded up and full of workmen preparing for the Lemons Festival. The entrance, then, is under admission fee of several euros (around 10 euros !):
Palais de l'Europe, 8 Avenue Boyer is in the opposite (northern bank of the Boyer Avenue. Here resides the Office de Tourisme de Menton. A magnificent building dating back to the beginning of the century, houses an art gallery on the ground floor which is home to the best of contemporary art in this town. Open all year: Monday, Wednesday, Thursday, Friday, Saturday, Sunday (10.00 - 12.00, 14.00 - 18.00). Prices:
We continue walking south-east until the end of Avenue Boyer with our face to the Casino Barrière Menton. Cross the Prom. du Soleil and approach the seashore - turning LEFT (north-east) along the Promenade du Soleil. One can wander for hours without tiring, always along this wonderful avenue decorated with sumptuous flower beds.
Walking along the promenade - this building is on your left (north):
280 m. north-east from the Casino, still on your left, is Le Royal Westminster Hotel, 28-30 Avenue Félix Faure. It is an old-fashioned hotel, but, with moderate prices and fantastic views of the sea (and sunrises or sunsets):
Here and there - Moorish-style houses along the promenade:
We walk 350 m. further north-east along the promenade du Soleil (and it changes its name to Quai de Monleon) and we see on our left the Musée Jean Cocteau - Collection Severin Wunderman, 2 Quai de Monleon. THERE ARE TWO MUSEUMS OF JEAN COCTEAU in Menton. This is the newer one (the second and the older is the Bastion Museum - see below). A terrific building. Beautiful building with extraordinary architecture. Writer (Les Enfants Terribles,1929), artist, poet, painter, designer,producer, actor, publicist and film director (drew inspiration from filmmaker René Clair) Jean Cocteau was one of the most influential creative figures in the Parisian avant-garde between the two World Wars. Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France. He spent most of his life in Paris, where he became part of the artistic avant-garde and was known for his variety of accomplishments. Over a 50-year career, he wrote poetry, novels and plays; created illustrations, paintings and other art objects; and directed influential films, including: Le Sang d'un Poète (The Blood of a Poet), The Beauty and the Beast, Les Parents Terribles and Orpheus. He died on October 11, 1963. THe museum collection illustrates the many varied, and often extraordinary, facets of Jean Cocteau and how he used his range of artistic talents to create and design over his lifetime. OPen everyday (except of Tuesdays) 10.00 - 18.00. The ticket price of 8 euros covers entry to both museums (also entrance to the nearby older museum/branch of Cocteau):
A few steps further east along Quai de Monleon (behind the Jean Cocteau - Collection Severin Wunderman courtyard) - you find the
Menton Old Market (Marche'). A covered (disused) market. A stunning complex. A gloriously dilapidated Belle Epoque structure built in 1898 by famed local architect Adrien Rey.
We return to Jean Cocteau - Collection Severin Wunderman and continue walking eastward along Quai de Monleon. Its continuation is the Quai Napoléon III. Here is, actually, the Old Port of Menton. From the Quai Napoléon III - you can see the harbour of Menton, with the Basilica of Saint-Michel beyond:
Quai de Monleon meets Quai Napoléon III in a square and, here, stands the Bastion Museum - the second (and the older) branch of Cocteau Museum. Open everyday (except Tuesdays) 10.00 - 12.00, 14.00 - 18.00. PRice: 3 euros. The Bastion, a small 17th-c for was converted by Jean Cocteau into an exhibition place for his work, including drawings, paintings and tapestries. The building of the museum is a part of Menton walls and faces the Old Port (Bastion du Vieux Port). The Bastion is illuminated at night. The Bastion was built in the 17th century by Honoré II, Prince of Monaco. Jean Cocteau restored the bastion himself, decorating the alcoves, reception hall and outer walls with mosaics made from pebbles. The Bastion Museum opened in 1966, three years after Cocteau's death. A new exhibition of Cocteau's work is installed in the Bastion every year.
We change our direction of walking and turn northward along Quai Gordon Bennett (which continues further north as Promenade de la Mer). Both of these routes start at the Bastion Square (south) and end at the Victoria Square (north) (between the beaches of Sablettes and the Bastion). Both of these ways are under construction (summer 2015) and it is a new traffic scheme. The views to your right (east and north-east) are stunning: marvelous port/marina and the Maritime-Alps mountains in the background:
We turn left to the Menton Old Town in Quai Bonaparte, pass a small park on our left and we head westward along the elongated Place du Cap. On our right and left small shops and splendid shopping (pedestrian only) centre. Try to taste the ice-cream in Le Cafe du Vieux Port:
Turn and climb RIGHT (north) to Rue de Logettes. On your left a beautiful pottery and flowers shop:
Follow the signs of "Basilique St. Michel". On our way we pass the Place des Logettes:
Turn right and walk under the ancient arch to Rampe St.Michel - very narrow and quaint street. Here, you start a scenic ascending staircase:
From here you get a nice view to the port (Menton Vieux Port) and the Garavan beach. You can see, even, far across to Italy:
Further up (now very close to the Cathedral) - a stunning view of the shore strip with the old, persimmon and orange-colored houses in this ancient part of the town:
The ascent through the series of flights of stairs to the “Basilique Saint-Michel” is a wonderful experience. A rare jewel of Baroque art. It's a landmark on the Menton skyline and it is illuminated every night. More than 100,000 tourists come to see the site every year. Even before you see and enter the magnificent Basilica - the extensive courtyard ("parvis") which is in front of it is a unique sight. The more you ascend and approach the church - the more grandiose are the sights. There is also (on your left) a welcome fountain with drinkable water just outside the church, which you will need before continuing the climb up to the old monastery and cemetery (see below):
The "Festival de Musique de Menton" existing since 66 years, is one of the major cultural events in South of France and it takes palce on the square in front of St. Michel's Basilica. During two weeks, every August, the square becomes the main stage of the musical festival. The illumination of the church, which you can see all year, is fantastic. The view on the sea is stunning. In case of bad weather the concerts take place in the church interiors. Additionally, St Michel, Menton's own saint, is celebrated on the last Sunday of September every year:
The construction of the Basilica begun in 1640 under the reign of Honoré II, but took several centuries to be completed. The first stone was, even, laid on May 27, 1619. But because of financial difficulties it wasn't completed until year 1653. The façade was then renovated in the 19th Century adding typical decor of the period such as smooth columns with ionic and Corinthian capitals.
The church interior is beautiful in a rustic way. Inside the decoration is impressive with a vaulted painted ceiling. The numerous side chapels are also worth examination. Brochures in a variety of languages explain some about the Basilica's treasures. Absolutely amazing with special religious, serene spirit inside. Note: there is no signage giving days or times of when the church is open. You can be sure that on Sundays' mornings it is open...:
A little further on in the Place de la Conception, La Chapelle des Pénitents-Blancs (White Penitents Chapel), from the 17th century, is even more extraordinary and offers a more ornate façade : pinnacles, friezes, garlands of flowers. It was built between 1680 and 1687 in the neighborhood of the "Capitol" on land outside the walls of the medieval city and offered by the Prince Louis the 1st and the local family Monléon. It was completely renovated and transformed in year 1987:
With our face to the two churches - we turn right (without stairs) in a steep climb to the Montee du Souvenir. During our climb - turn your head backward to see the tops of our two churches (just visited):
After climbing 300 m. we see, on our right, the entrance to the Cimetière du vieux Château. The Cemetery of the old castle is just above the Basilica Saint Michel and its impressive square. There are spectacular views of Menton, the Roqueburne range of mountains, the Italian seashore and the sea from this cemetery. Opening hours: 7.00 - 20.00 MAY-SEP, 7.00 - 18.00 OCT-APR. Until the 19th century - the deads were buried in the Saint Michel Basilica and its adjacent church (or in a special site west to the Basilica square). from 1807 the land around a neglected castle on top of the hill, overlooking Menton, was acquired for the burial place of the town citizens.
From the cemetery - we take the western path/road of Traverse Montee du Souvenir:
We connect with the Rue de la Conception and descend down through several flights of stairs (passing the La Chapelle des Pénitents-Blancs on our left):
We continue in the same direction (west) along Rue de la République and on our left we see the Menton Hotel de Ville (Town Hall) (Mairie):
In the end of Rue de la Republique - Hotel L'Orient (or Grand Hotel d'Orient). If you have the chance to enter these premises - you'll see unbelievable sights of a spectacular site and complex of the Belle Epoque:
Head west on Rue de la République toward Rue Max Barel, 200 m. Slight right onto Rue Partouneaux, 280 m. Turn right onto Avenue de Verdun,
150 m. Slight left to stay on Avenue de Verdun, 25 m. Turn left onto Avenue de la Gare, 120 m. Slight right, 70 m. and we end our short visit in Menton in the GARE DE MENTON.
Nice Castle Park (Parc du Chateau) (Colline du Chateau):
Access: take the 213 steps (‘escalier Lesage’) or the FREE elevator (Ascenseur du Chateau) in the most eastern edge of Rue de Ponchettes near Quai des États-Unis (behind the Hotel Suisse). Access on foot also from Place Garibaldi in OId Nice.
If there is a long queue waiting for the elevator - you may wait 10-20 minutes in a quite stuffy, underground hall. Steps up not too hard (10-12 minutes hike along winding path of approx. 210-220 steps. A bit out of breath). Wear proper shoes. Do not opt for hiking on foot in very hot hours. The hiking is preferable due to unbelievable sights (during the morning hours !). You can ride the little tourist train up the hill and back down. You can pick up the train from the Promenade des Anglais. Our suggestion is to go up through the old town (shorter path and less steps) and go down on the beach side.
The Tourist Train: 10 minute stop at the castle. Duration: roughly 45 minutes. Commentary: (Individual commentary) French, English, Italian, Spanish, German, Russian and Japanese. Capacity: 55 passengers. Prices: 10 € adults, 5 € children 4 to 12 years. Times: Daily. one departure every 30 minutes (several tourist trains). 10.00 to 17.00 in January, February and March. 10.00 to 18.00 in April, May and September. 10.00 to 19.00 in June, July and August. 10.00 to 17.00 in October, November, and December.
The main reason to visit the Castle Hill is for the stunning views. Great views of Nice Port (afternoon hours - when the sun shines from the west), city and beach (Baie des Anges) (morning or midday hours). Sunset is especially terrific for lovely sights of Port Lympia, east and down to the Castle Hill. Don't just look at the view in one direction. We recommend visiting the Castle Hill twice and getting views from BOTH of its sides. Climb up the Castle Hill during the morning hours for getting wonderful views of Nice city and its l-o-n-g beaches (the red rooftops of Nice old town jointed by the glistening turquoise ocean) and sunrise overlooking the port. Looking west you can see beyond the airport towards Cannes and St Tropez. Visit, again, during the late (sunny !) afternoon hours to get admirable sights of the ports in the east and sunset over the city and its beaches.
Westerly viewpoints which have an absolutely superb picture postcard panorama overlooking the Promenade des Anglais, Old Nice and the Baie des Anges, with further in the distance the Cap d’Antibes, the Esterel mountains, the airport and the Southern Alps: this view is best enjoyed in the morning in order to avoid the sun directly facing you in the afternoon:
View from the Castle Hill east over Port Lympia and looking south-east towards the Cape of Nice (separating Nice from Cap Ferrat):
Opening hours: 01 OCT - 31 MAR: 08.30 - 18:00, 01 APR - 30 SEP: 08.30 - 20.00. Cost: Its a free of charge attraction.
Duration: Allow a few hours to see this area.
The history of the park goes all the way back to the beginning of the 19th century, when the city of Nice was facing the challenge to turn the site of the former castle into a pleasant leisure and tourist area. Thus, at present, the Castle Park is not just just a mere archeological site. in 1706, King Louis XIV asked it to be destroyed. The castle had until then defended the city of Nice against many attacks. Indeed, Nice, at the time, was not yet in France. This fortress was then an obstacle for the French attacks against the Savoie County. Fortunately for Nice, this destruction had a positive effect since the city was forced to open and expand outside its ancient walls. Then the tourist resort was born which allowed the city to develop. In 1828, King Charles-Felix of Savoy, at the time King of Sardinia, originally intialized the project of the Castle Hill Park. He wanted to create a walk for the rich tourists on holiday in Nice. Then the Royal Chamber of Commerce and Agriculture and many famous botanists (Risso, Bottière, Milo) began to build a park for the city of Nice:
What is on top of the Castle Hill ?
There are also walkways paved with colourful modern day mosaics. These are, actually, references to ancient Greece, notably on the eastern side of the plateau on top of the hill, with a fountain dedicated to the god Pan and mosaics representing scenes from the Odyssey. Remember: the Greeks founded Nice in around 350 BC and named it Nikaia after the Greek goddess of victory:
Cascade Dijon (which is an artificial waterfall) also counts as one of the chief highlight of the park. The waterfall is worth seeing from above and below. The waterfall was built in 1885 in order to decorate the Castle Hill, but also in order to play the role of on-verses basins of the first modern water supply of Nice. Even today, the waterfall is fed by the waters of the Vésubie valley. The Cascade:
Despite different destructions, the castle park retains traces of its monuments of the past. Many ruins have been found and revealed (cathedral, citadel). Archaeological digs are still active today in an attempt to reveal traces of the fortress (from the medieval to the Baroque period). There are Roman relics well exposed at the archeological site. There are some ruins but not really a chateau to speak of:
In the one remaining tower, the 16th century Tour Bellanda (Bellanda Tower), is the Musée Naval. Bellanda Tower was built in 1844 in typical romantic style. It was built in place of the old tower of St. Elmo, which was part of the ancient castle:
In the north-west part of the hill - there is the Jewish cemetery (Cimetière Israélite, Allée François Aragon). As well as visiting the remains and gazing at the views, while on Castle Hill, visit the beautiful monumental cemetery. It has three sections Catholic, Protestant and Jewish. Many of the monuments are very elaborate and beautiful. Worth a look just to fill you in on Nice's recent history. Garibaldi is buried in this cemetery.
Part 1: From Broad Street to Radcliffe Square.
Main Attractions: Blackwell's Bookshop, Sheldonian Theatre, Bodleian Library, The Clarendon Building, Weston Library, The Bodleian Treasures Exhibition, Bridge of Sighs, Radcliffe Square, The Brasenose College, Radcliffe Camera, The University Church of St Mary the Virgin, All Souls College, High Street.
Part 2: Along High Street - from St. Mary Church to the Botanic Garden.
Start: Carfax Tower. End: Radcliffe Square (part 1), the Botanic Garden (Part 2). Duration: Part 1 - 1/2 - 3/4 day. Part 2 - 1/4 - 1/2 day.
From Carfax Tower, Queen Street we head northeast on Queen St toward Cornmarket St, 25 m. We turn left onto Cornmarket St, 250 m. Turn right onto Broad St, 120 m. After 120 m. walk along Broad (with our face to the east) - we see the Blackwell's Bookshop, 48-51 Broad St. on our left. It is rare that a bookstore becomes a tourist attraction. Blackwell UK, or the Blackwell Group, is a British academic book retailer founded in 1879 by Benjamin Henry Blackwell, after whom the chain is named. Founded in Oxford on Broad Street, the firm now has a chain of 45 shops, as well as library supply service, employing around 1000 staff members across all the UK. Both the Oxford and London flagship shops have won Bookseller of the Year at the British Book Awards. It includes as part of its basement the Norrington Room, which gained a place in the Guinness Books of Records with the largest single display of books for sale in the world. The huge Norrington Room - actually extends under neighboring Trinity College Gardens. It contains endless shelves of books - when the lion's share of them are underground. The main store at 48-51 Broad Street is NOT the only store in Oxford. It is the largest, holding 250,000 volumes, but there are also specialized stores for Art, Music, rare books, paperbacks, maps and travel, medicine, children's books, and a University bookstore. The main store in Broad Street also has a large used books section as well (on the top floor). Blackwell's catered exclusively to the academic market, and gradually opened new stores in university towns around the UK.
Exactly opposite the bookstore is the Sheldonian Theatre. Located in Oxford’s medieval city centre, the Sheldonian Theatre is a unique, world-renowned and world-class architectural jewel of Oxford.
It's is surrounded by a stone wall railings with the heads of Roman Emperors circling the theatre courtyard. Christopher Wren commissioned 14 stone heads from William Byrd who was a mason and stonecutter working in nearby Holywell. The heads were made of good quality freestone, and were completed in 1669. Each is a head-and-shoulders sculpture of a male with a beard, placed on a tall square pillar. They have been variously called the Apostles or the Philosophers, but most commonly they are called the Emperors. Each head has a different beard and it has also been suggested they represent a history of beards. In the early 1700s, one of the heads had to be removed to make way for the Clarendon Building (see below). The remaining 13 lasted 200 years until they were replaced in 1868. Unfortunately, the replacements were made of poor quality stone and gradually eroded until they were called ‘the faceless Caesars’ and were taken down in 1970. The third and current set of heads is made of more durable stone and each head weighs one ton. They were commissioned from Oxford sculptor Michael Black. It took two years to complete the commission, and they were erected in October 1972:
Designed by Sir Christopher Wren between 1664 and 1669. It is said to be one of the first bulidings designed by Sir Christopher Wren. It is the University’s ceremonial hall. Price: £3.50, Concessions: £2.50. I would recommend attend a musical performance in this theatre instead of paying special fee for just visiting this charming site. Bear in mind that the more convenient and expensive chairs cost £40-£60/person. The fee includes excellent guide with lots of great information. Occasional Guided tours: £8.00 adult, £6.00 concessions. Open: 10.00 - 16.00. Occasionally affected by ceremonial and other events. The Sheldonian does not have its own box office but tickets can be bought for concerts via the Oxford playhouse (Tel: 01865 305305) or from concert promoters.
Have a look around the main hall and do not miss its amazing ceiling. Gaze up at the magnificent ceiling fresco painted by Robert Streater, the court painter of King Charles II. The majestic hall hosts many musical performances (bring cushion - seats are not modern ones with hard boards and too thin cushions) with excellent acoustics, with superb clarity of the sound, for small and larger musical groups. This building is also used by the Oxford University for their graduation ceremonies (able to seat 1500 people). Experience the atmosphere of this historical theatre space with its gilded organ and wooden interior.
Then walk up the shattering stairs (about 100 steps) to the top where there is a small exhibition of the theatre history.
Marian Cook photo: Aung San Suu Kyi, 2011:
The last few wooden steps are a bit challenging (more because of the circular nature and uneven floor) and lead to the coupola - where the 360 degree panoramic views of Oxford were worth it and are one of the best of this magnificent town. The views of Oxford from the top of the theatre are worth the entry fee alone.
South-West Oxford from the Sheldonian Theatre Rooftop:
West Oxford from the Sheldonian Theatre Rooftop:
North-West Oxford from the Sheldonian Theatre Rooftop:
East Oxford from the Sheldonian Theatre Rooftop:
South-East Oxford from the Sheldonian Theatre Rooftop:
Behind (south) to the Shelodonian Theatre stands the Bodleian Library. Founded in 1602 and regarded as a masterpiece of English Gothic architecture, the Bodleian Library is one of the oldest libraries in Europe. It is holding the second most number of books in the UK. it receives and holds a copy of every book and periodical ever written and published in the UK. There are many sensational facts about the Bodleian Libraries and many rare books are hosted here.You don't get to see all these, but just smelling and viewing from distance the historic portions is enough to understand how important this magical site is. Open: MON-FRI: 9.00 - 17.00, SAT: 9.00 - 16.30, SUN: 11.00 - 17.00.
You can visit the libraries only through (45 - 60 min.) guided tours in fixed times. You have to register (and pay) in advance. Children under 11 yrs are not admitted. NO photos are allowed in most parts of the library - especially, in the upper floor with its medieval library. The tour guide gives you earphones to listen to his/her quiet whisper - while visiting the upper floor.
Mini guided-tour: The mini tour allows you to view the most beautiful parts of the Bodleian Library in just 30 minutes. Included: 15th-century Divinity School and Duke Humfrey's medieval library. Length: 30 minutes. Price: £6.
Standard guided-tour: This tour shows you the interior of the buildings that form the historic heart of the University. Included: 15th-century Divinity School, Convocation House, Chancellor's Court and Duke Humfrey's medieval library. Length: 60 minutes. Price: £8.
Extended tour - Upstairs, downstairs. This tour offers the opportunity to visit both the Bodleian Library's wonderful historic rooms and the modern underground reading room. Included: 15th-century Divinity School, Convocation House, Chancellor's Court, Duke Humfrey's medieval library, Radcliffe Camera and Gladstone Link. Length: 90 minutes
Price: £14. Times: Wednesday and Saturday: 9.15 only.
Extended tour - Explore the reading rooms. This tour adds exploration of the Bodleian Library's wonderful reading rooms where scholars have studied for centuries. Included: 15th-century Divinity School, Convocation House, Chancellor's Court, Duke Humfrey's medieval library, Upper Reading Room and Radcliffe Camera. Length: 90 minutes. Price: £14
Times: Sunday: 11.15, 13.15 only. The general public cannot enter the reading rooms; that right is reserved for members.
Radcliffe Camera Lower Reading Room:
The Bodleian is so much more than a library; it is a piece of history. Oxford's Bodleian Library opened in 1602 with a collection of 2,000 books assembled by Thomas Bodley of Merton College. The new library replaced one that had been donated to the Divinity School by Duke Humphrey of Gloucester (brother of Henry V of England), but had dispersed in the 16th century. It was originally "Bodley's Library" and has been known informally to centuries of Oxford scholars as "the Bod". In 1610, Bodley made an agreement with the Stationers' Company in London to put a copy of every book registered with them in the library. The Bodleian collection grew so fast that the first expansion of the building was required in 1610–1612, and another in 1634–1637. When John Selden died in 1654, he left the Bodleian his large collection of books and manuscripts. In 1911 the United Kingdom Copyright Act continued the Stationers' Company agreement by making the Bodleian one of the five "copyright libraries" in the United Kingdom, where a copy of each book copyrighted in the country must be deposited. The New Bodleian building, was built in the 1930s. Each year, the collection grows by more than 100,000 books and nearly 200,000 periodicals; these volumes expand the shelving requirements by about 2 miles (3.3km) annually. A tunnel under Broad Street connects the Old and New Bodleians (mainly, Weston Building - see below), and contains a pedestrian walkway, a mechanical book conveyor and a pneumatic tube system for book orders. The Oxford Digital Library (ODL) provides online access to the paper collections. The Oxford Digital Library started operationally in July 2001 and has a rich collection of digital archives. In 2004, Oxford made an agreement allowing Google to digitize 1 million books owned by the Bodleian Library. The Bodleian is unique in that it is not a lending library - no books can be borrowed, only read on the premises. The Bodleian takes this restriction seriously; in two famous cases, King Charles I and Oliver Cromwell was refused permission to borrow a book... A strict policy of the libraries was that no fire may be brought into the library buildings. For this reason, the library was completely unheated until 1845, when Victorian engineers installed channels in the floor to carry hot water into the building after being heated in boilers outside. The library also lacked artificial lighting until 1929. Reliance on the sun for light and heat kept the library’s hours of operation quite short—as little as five hours per day during the winter.
The Bodleian Library exterior:
The Old Schools Quadrangle:
The main "Old Bodleian" building contains upper and lower reading rooms, the gift shop, and the Divinity School. As we said before, visitors are not allowed into the reading rooms except gazing from the distance on guided tours only, which usually occur daily, every hour. To be granted access to the Bodleian Library, one must submit a formal application. Visitors are asked to leave all bags, including ladies handbags, in secure lockers for the duration of all Bodleian Library tours.
The guided visit starts with the Divinity School at the 1st floor. The building is physically attached to the Bodleian Library (with Duke Humfrey's Library on the first floor above it in the Bodleian Library). The Divinity School Hall has beautiful Gothic windows. The ceiling consists of very elaborate vaulting. This splendid medieval room is the oldest teaching hall and earliest examination hall of the University. You can pay just £1 and see this hall for 10 minutes. Open: MON-SAT: 09. 00 - 17.00, SUN: 11.00 - 17.00. Purchase entry ticket on the day at the Great Gate ticket office.
Convocation House was built in years 1634–7. The Convocation House is the lower floor of the westward addition to the Bodleian Library and Divinity School. It adjoins the Divinity School, which pre-dates it by just over two hundred years, and the Sheldonian Theatre, to its immediate north:
Chancellor's Court sentencing students. Oxford University is the only university with Court. Oscar Wilde was sentenced here. It was formerly a meeting chamber for the House of Commons during the English Civil War and later in the 1660s and 1680s:
Second Floor: Duke Humfrey's Library is the oldest reading room in the Bodleian. It is composed of three major portions: the original medieval section (completed 1487, rededicated 1602), the Arts End (1612) to the east, and Selden End (1637) to the west. Until 2015, it functioned primarily as a reading room for maps, music, and pre-1641 rare books; following the opening of the new Weston Library, it is now an additional reading room for all users of the Bodleian, as the Weston Library operates reading room for special collections. It consists of the original medieval section (1487), the Arts End (1612), and the Selden End (1637). It houses collections of maps, music, Western manuscripts, and theology and ancient arts documents. The library is on the second floor and is attached at two corners to the Old Schools Quadrangle. The medieval section is above the Divinity School and Selden End (named after John Selden a benefactor of the library) is above the Convocation House. The books in the oldest part are accommodated in oak bookcases which are at right angles to the walls on either side with integral readers' desks. The ceiling consists of panels painted with the arms of the university:
Duke Humfrey's Library is named after Humphrey of Lancaster, 1st Duke of Gloucester, a younger son of Henry IV of England. He was a connoisseur of literature and commissioned translations of classical works from Greek into Latin. When he died in 1447, he donated his collection of 281 manuscripts to the University of Oxford. Oxford built Duke Humfrey's Library as a second story to the Divinity School in order to house his collection in 1450-80. Today, only three of Humfrey's original books remain in the library. In 1550 the King's Commissioners despoiled it of books and in 1556 the furniture was removed by the university. It was refitted and restored from 1598 by Sir Thomas Bodley and in 1610-12 added the east wing (now Arts End). The west wing (now Selden End) followed 20 years later. The medieval library is familiar to Harry Potter fans. You won't disappoint. The beautiful painted ceiling, wonderful wood paneling and ancient books are, all, once-in-life experience. The books and the interior of the library is breathtaking beautiful. You can gaze at the ancient books, which is cool and inspiring - but you are not allowed to touch or wander inside or around. Our guide, David, was very knowledgeable and inviting:
Today, the Bodleian includes several off-site storage areas as well as nine other libraries in Oxford, including the Bodleian Japanese Library, the Bodleian Law Library, and the Radcliffe Science Library. Altogether, the sites now contain 9 million items on 176 km of shelving, and have seats for 2,500 readers. The Bodleian Library's religious interest lies in its impressive collection of biblical and religious manuscripts. Unfortunately, these are generally not accessible to visitors.
The Clarendon Building ,Broad Street, is NORTH to the Sheldonian Library and the Bodleian Library. It is an early 18th-century neoclassical building of the University of Oxford. It was built between 1711 and 1715 and is now a Grade I listed building:
Cross Broad Street from south to north to face the Weston Library (the whole complex is, actually, on the corner of Broad Street and Parks Road). Weston Library is the main home for the Bodleian Libraries' Special Collections. It was renamed the Weston Library in honour of a £25m donation given in March 2008 by the Garfield Weston Foundation. The facade facing Broad Street is with a low podium wall and a row of small ground floor windows. The interiors are entirely modern - except a 15th-century portal from the Ascot Park estate used as an entrance to the readers’ admissions room. FREE. Open: Blackwell Hall - MON-FRI: 8.30 - 17.00, SAT: 9.00 - 17.00, SUN: 11.00 - 17.00. Exhibition galleries: MON-FRI: 10.00 - 17.00, SAT: 10.00 - 17.00, SUN: 11:00-17:00. Bodleian Café - MON-FRI: 8.30 - 17.00, SAT: 9.00 - 17.00, SUN: 11.00 - 17.00. The Zvi Meitar Bodleian Libraries Shop - MON-FRI: 10.00 - 17.30 , SAT: 10.00 - 17.00, SUN: 11.00 - 17.00. The Weston Library began its life as the New Bodleian Library, designed by Sir Giles Gilbert Scott and constructed in the 1930s. In 1925, Sir Arthur Ernest Cowley (then Bodley's Librarian) informed the University that the Library would run out of space in ten years' time. In 1926, the Rockefeller Foundation agreed to provide three-fifths of the cost of a new library. The building was planned to be connected to the Old Bodleian building via an underground conveyor belt and a pneumatic tube system. Sir Giles Gilbert Scott was appointed as architect in June 1934, and building work commenced in December 1936. The building was finished by 1940, but, its formal opening was delayed - since it was used for military projects during WW2. During the war it hosted valuable collections from the Old Library and special collections store, the Old Ashmolean, the Sheldonian, Duke Humfrey and the University Archives. The New Library also hosted priceless collections from libraries and institutions around the UK, including the King's Library (British Museum) and the herbarium collection of the Royal Botanic Garden at Kew. Treasures from fifteen Oxford colleges were also received – from Christ Church pictures to Merton's manuscripts. The building was finally opened by King George VI on 24 October, 1946. Since that time the only major alteration to the building has been the addition of the Indian Institute as a south-facing roof extension in 1966-69 by architect Robert Potter. The New Bodleian remained relatively unchanged:
The entrance collonade:
First, you enter the Blackwell Hall public space on the ground floor. It is lit with natural light from new skylights, or from the building’s original long slit-windows:
There is, also, brand new roof-level reading room with views of the Oxford city's famed spires:
The Shakespeare's Dead Exhibition (the left entrance from the main Blackwell Hall) in the Weston Library (22 April 2016 — 18 September 2016) celebrates the 400th anniversary of Shakespeare's death. The interesting exhibition displays and confronts the theme of death in Shakespeare's works. It shows how Shakespeare used the anticipation of death, the moment of death and mourning the dead in context to bring characters to life. The word "Death" repeatedly reflects times when death had a deeply religious context. The exhibition will feature tragic characters from Shakespeare's works including Hamlet, Macbeth, Romeo & Juliet and, even, Falstaff. Death is eternal in Shakespeare: from Desdemona’s deathbed to a tomb of books. The main historical event is the Bubonic Plague 1591-1603. Shakespeare's Dead also looks at last words spoken, funerals and mourning as well as life after death, including ghosts and characters who come back to life. These themes are explored using key items from the Bodleian's famous literary collections that include Shakespeare's First Folio and the first Shakespeare playbook (Romeo & Juliet), a number of early editions and an extensive collection of plays and poetry by Shakespeare and his contemporaries.
A page from A dialogue against the fever pestilence, a book by English physician and cleric William Bullein (published 1564):
First copy of Venus & Adonis of Shakespeare, 1593:
Knight fights the Death - Dance of Death Panel:
Merchant of Venice, 1600:
The title page of a 1612 edition of Richard III with annotations by Edmond Malone (circa 1741-1812):
First Folio - the collection of 36 plays written by Shakespeare in 1623, including Macbeth and Antony and Cleopatra – emerged in the library of Mount Stuart, a 19th century Scottish mansion:
We turn to the Bodleian Treasures Exhibition (the right entrance from the main Blackwell Hall) in the Weston Library. It displays RARE DOCUMENTS in pairs: famous document vs. less familiar one:
The Magna Carta, 1217. The Charter’s clauses on freedom and the rule of law are enshrined in English law and the American Constitution. This is the original of the 1217 issue of the Great Charter, sent by King John and his son, Henry III to Oxford. Henry III, who was ten years old and too young to put his own seal to it, reissued the 1215 charter of his father King John:
Biblica Latina, 1455. The ‘Gutenberg Bible’ reflects the great advances made in printing technology in the 15th century. It is the first substantial book to be printed from individual pieces of metal type. The book was the work of Johann Gutenberg (c. 1398-1468), a goldsmith from Mainz. Printing probably began in 1454, and was completed by March 1455. Fewer than fifty copies survive today, and the Bodleian’s copy is one of only seven complete examples in the UK:
Peter Apian - Astronomicum Caesareum, 1540:
Codex Mendoza, c. 1541, an Aztec artist. This manuscript was commissioned by Antonio de Mendoza, first Viceroy of Mexico 1535-1550, for presentation to the Emperor Charles V of Spain.
a copy of a lost chronicle of the Aztec lords of Tenochtitlan; secondly,
a copy of the ancient Tribute Roll, listing 400 towns paying annual dues to the last (murdered by the Spaniards) Aztec Emperor, Moctezuma II,
an account of Aztec daily life.
The drawings were annotated in Spanish by a Nahuatl-speaking Spanish priest who questioned native speakers as to their meaning. The photo below is a depiction of an Aztec wedding:
London Red Poppey, 1777, William Curtis. One of the finest illustrations of British plants ever published:
Shaikh Zain-ud-Din, Sarus Crane, 1780 (see our blog "The Ashmolean Museum - Part 2"):
Lewis Carroll (Charles Dodgson) - Through the Looking Glass, London 1872:
Franz Kafka, Metamorphosis, 1912. it was the author’s wish that all his documents and manuscripts be burned. His friend, Max Brod saved this document. Thanks to Kafka’s friend Max Brod that the existing manuscripts survive at all. Kafka’s Metamorphosis opens with a man waking to find himself turned into a monstrous insect. This is the original manuscript of one of the few works that appeared in print in Kafka’s lifetime (first edition, 1915). The majority of the author’s manuscripts are now in the Bodleian Library:
Paint of Kenneth Graham - author of The Wind in the Willows, 1912:
Two concepts of liberty: Isaiah Berlin introduced his famous distinction between negative and positive liberty at this inaugural Oxford lecture as Professor of Social and Political Theory. After fleeing from Riga and witnessing the Russian Revolution in St. Petersburg, he and his Jewish family had sought refuge in England in 1921. He studied and taught at several Oxford colleges:
Tolkien - Bilbo comes to the huts of the raft-elves, 1937. Water-color paint he made for the American edition of the "Hobbit". Tolkien imagined his fantasy world in words and pictures, producing numerous illustrations of the landscapes and creatures:
Tolkien fans, scholars and members of the public will have a unique opportunity to view a recently-discovered map of Middle-earth as the Bodleian Libraries puts this rare piece of Tolkien Narnia on display on 23 June 2016:
Marian Cook - Aung San Suu Kyi, 2011:
We leave the Weston Library and walk (left) eastward along Broad street. Turn RIGHT (south) to Catte Street. In the junction of Catte St and New College Lane - stands the Bridge of Sighs or Hertford Bridge. It is a skyway joining two parts of Hertford College over New College Lane and Its distinctive design makes it a city landmark. Just iconic gem or photo-stop of Oxford, nothing special architecturally. The bridge is often referred to as the Bridge of Sighs because of its supposed similarity to the famous Bridge of Sighs in Venice. However, Hertford Bridge is more similar to the Rialto Bridge in Venice. The bridge links together north and south parts of Hertford College. It was designed by Sir Thomas Jackson. It was completed in 1914, despite its construction being opposed by New College. The building on the southern side of the bridge houses the College's administrative offices, whereas the northern building is mostly student accommodation. The bridge is always open to members of the Hertford College:
Unfortunately the Hertford college is CLOSED to public visitors. We continue southward along Catte Street and arrive to the striking Radcliffe Square. The stunning square is surrounded, on the four sides, by the facades of the famous: Bodleian Library, Brasenose College, All Souls College and the University (St. Mary) Church. The square is pedestrians- only and laid with cobble stones. Radcliffe Square is widely regarded as the most beautiful in Oxford. It is a quiet oasis in the centre of the city, completely surrounded by ancient University and college buildings, yet just a few paces away from the bustling High Street. The square is named after John Radcliffe, a student of University College and doctor to the King, who in 1714 bequeathed £40,000 to build a science library known today as the Radcliffe Camera:
The Brasenose College is in the western side of Radcliffe Square. Open (Guided tours ONLY): MON - FRI: 10.00 - 11.30, 14.00 - 16.30 (17.00 - during the summer), SAT - SUN: 09.30 - 10.30 (term time), 10.00 - 11.30 (non-term time). Entrance fee: £2.00. Brasenose College was founded in 1509 by Sir Richard Sutton, a Lawyer and William Smyth, Bishop of Lincoln. Both were from the north west and the College has retained strong links with Cheshire and Lancashire throughout its history. A Royal Charter, dated 1512, established the College to be called 'The King's Hall and College of Brasenose'. The College library and current chapel added in the mid-seventeenth century. The College's New Quadrangle was completed in the late nineteenth and early twentieth centuries, with additional residence areas completed in the 1960s and 1970s. Brasenose is famed as one of the oldest rowing clubs in the world, Brasenose College Boat Club. The College's unusual name refers to a twelfth century 'brazen' (brass or bronze) door knocker in the shape of a nose. Noses have been used as symbols for Brasenose College throughout its history. Brasenose College enjoys the best location of any Oxford University College with the entrance to the Old Quad on Radcliffe Square next to the Bodleian Library:
The Old Quadrangle:
The sundial on the north side of Old Quad is dated to 1719:
The New Quadrangle dated from late 19th century:
The College's hall is situated on the south side of the Old Quadrangle, which was constructed in the 16th century:
The Radcliffe Camera building in the centre of the square - is AMAZING. It stands between Brasenose College to the west and All Souls College to the east. Camera, here, meaning "room" in Latin. Tourists are not allowed to go inside - except visitors who join the most expensive tour of the Bodleian Library (14 GBP). Then, you can visit the top terrace and a few reading rooms and/or the library there. Just walk around this marvelous structure and admire its exteriors from its various sides. The round structure is surrounded by a fence dotted with paper notes with popular sayings. The building hosts one of the Oxford University libraries and is architecturally very impressive. I found the Radcliffe square and Camera - to be one of the most beautiful sights in the UK. It was built in 1739 to 1749 and designed by James Gibbs (who also designed St. Martin's in the Field Church at Trafalgar Square in London). The building is open to students only. The Radcliffe Camera has an underground tunnel which leads to the Old and New Bodleian Libraries. This allows students to take books into the Radcliffe without technically leaving the building. Originally the library in the Radcliffe Camera held both scientific and general books, but those collections were gradually moved to other University libraries, so that today the Camera functions as the main reading room of the Bodleian Library. The finished building holds some 600,000 books in underground rooms beneath Radcliffe Square. This spectacular piece of architecture is referred, by locals, as "Rad Cam":
Next, we go up to St. Mary's Church to have the best view, from its entrance gates, over the magnificent Radcliffe Square and Radcliffe Camera building. Entrances are on High Street and Radcliffe Square.
The University Church of St Mary the Virgin is in the southern end of the square and is the largest of Oxford's parish churches and the centre from which the University of Oxford grew. Its front facade is facing High Street. Radcliffe Square lies to the north and to the east is Catte Street, It is surrounded by university and college buildings.
St. Mary Church from High Street:
The Tower: St Mary's has one of the most beautiful spires in England and an eccentric Baroque porch, designed by Nicholas Stone. The tower commands some of the finest views of Oxford's famous skyline - especially Radcliffe Square, the Radcliffe Camera, Brasenose College and All Souls College. The 13th century (around 1270) tower is open to the public for a fee. It is worth the climb of 124 steps (the stairs are a bit narrow but well worth the effort) to make it to the top to enjoy fine uninterrupted views in all directions across Oxford and the surrounding countryside. On a clear day you can see all of Oxfordshire. The Church Guide Book indicates the major buildings to be seen. Note: a bit of a tight squeeze towards the roof-top and not too many passing/standing places on the round terrace. When you're at the top the path is narrow around the tower so there will be lots of squeezing around other people if there are several people up there at the same time. Price: adults £4, children (under 16) £3, Family ticket (2 adults and up to 2 children), £11. Open daily : 9.00 - 17.00 (6.00 - 18.00 in July & August). Sundays the Tower opens at 12.15 OCT - MAY, 11.15 JUN - SEP. Access to the church is free. You will probably have to queue up at busy times. The cafe in the east side of the entrance court is very good. Delicious food among the vaults. You can sit in the church garden on a sunny day.
All Souls College from St. Mary Church roof-top:
Carved stone figure on the tower:
While altered by the Victorians, the interior of St. Mary’s church retains many of its original elements. The interior space has six-bay arcades with shafted piers.
There are remnants of 15th century stained glass in the tracery lights of the east window, and 17th century shields in the de Brome Chapel. The east window and second from east in the south aisle were designed by Augustus Pugin. The west window in the nave is from 1891 and was designed by C.E. Kempe, the memorial window to John Keble is by Clayton and Bell in 1866:
The church has a classical, amazing pipe organ built by the Swiss firm of Metzler Orgelbau in 1986, one of only two by this esteemed maker in Great Britain.
In the eastern side of Radcliffe Sqaure - we see the extensive premises of All Souls College. The entrance to this college is ,however, from the north side of High Street. With our face to the Sty. Mary Church and our back to the Radcliffe Camera - the street BEHIND the St. Mary Church (south to the church) is the High Street. We walk southward and turn LEFT (east). Immewdiately, on our left is the entrance to the All Souls College. The college is located on the north side of the High Street adjoining Radcliffe Square to the west. More to the east is The Queen's College with Hertford College to the North. All Souls is one of the wealthiest colleges in Oxford. The College was founded by King Henry VI of England in 1438. Today the College is primarily a graduate research institution and has no undergraduate students.
All Souls College Walls and Spires from Radcliffe Camera:
All Souls College Entrance in High Street:
Much of the college facade dates from the 1440s and, unlike at other older colleges, the smaller Front Quad is largely unchanged in five centuries. All Souls College Inner Court:
All Souls College from the tower of St Mary's Church:
Christopher Codrington sculpture inside the famous Codrington Library of All Souls College:
All Souls College chapel:
With our back to the Radcliffe Camera and our face to the St. Mary Church we continue straight on, to the south to the High Street. Here you can find various cafe's and restaurants - mainly, for light meals. Better options are restaurants along St. Clement Street - further east along the High Street. I recommend eating at the Angel & Greyhound, 30 Saint Clement's Street 800 m. east to the St. Mary Church or at Nando's,
80 Cowley Road - 1 km. east to the St. Mary. Both roads are direct continuation of (diverge from ) High Street to the east. Part 2 of this blog continues exactly where we stop here: the spot where we face the St. Mary Church in High Street.